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triumvirs after the death of
servants to Brutus.
Senators, Citizens, Guards, Attendants, etc.
hood of Philippi.
DURATION OF TIME
Dramatic Time. Six days represented on the stage, with intervals.
Day 1. I. 1., 2. Interval.
2. I. 3.
Historic Time.-- From October 45 B.C. (Cæsar's Triumph), or February 44 B.C. (the Lupercalia) - I. I. synchronises the two occasions, cf. vv. 35 and 72-to autumn 42 B.C. (battle of Philippi).
Dramatis Persona. First given by Rowe. For Antonius, Marullus, Varro, Claudius, Ff have Antonio, Murellus, Varrus, Claudio, all clearly unauthentic. The name Calpurnia appears always as Calphurnia ; Shakespeare found both forms in Plutarch ; it remains uncertain which he wrote. The true form (Calpurnia) is thence adopted by most modern edd.
JULIUS CÆSAR was first published in the Folio of First 1623. The Cambridge editors justly emphasise the extreme correctness of the text there given, and conjecture that this play 'may have been (as the preface falsely implied that all were) printed from the original MS. of the author.' It was entered in the Stationers' Register, November 8, 1623, among the plays of Shakespeare 'not formerly entered to other men,' and then first published. The most important evidence for the date of Date of Com.
position. Julius Cæsar is the following passage in Weever's Mirror of Martyrs, or the Life and Death of Sir John Oldcastle (printed in 1601):
The many-headed multitude were drawn
By Brutus' speech, that Cæsar was ambitious.
His virtues, who but Brutus then was vicious ? Shakespeare's only known source, Plutarch, merely mentions the funeral speech of Brutus ; summarises Antony's in three lines of quite a different purport; and knows nothing of the 'many-headed multitude's' ready change of front, exhibited with peculiarly Shakespearean sarcasm in the play. The inference is forcible that Shakespeare's Julius Cæsar was already familiar to the stage when Weever wrote. Weever, however, tells us that his Mirror was 'some two