The Poetical Works of John Milton, 3권Bell and Daldy, 1878 |
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... Chor der Druiden) 36 “In sacrifice the flame shall rise” (Druid 1 and Chorus of Druids) Strophe 3: “Könnt ihr so verwegen handeln?” (Alte Frau) 44 “Know ye not a deed so daring?” (Old Woman) Strophe 4: “Auf des Lagers hohem Walle” (Alte ...
... Chor der Druiden) 36 “In sacrifice the flame shall rise” (Druid 1 and Chorus of Druids) Strophe 3: “Könnt ihr so verwegen handeln?” (Alte Frau) 44 “Know ye not a deed so daring?” (Old Woman) Strophe 4: “Auf des Lagers hohem Walle” (Alte ...
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... CHOR. It is impious for a state to reject the suppliant prayer of strangers. COP. But it is good to have one's foot out of trouble, being possessed of the better counsel. CHOR. You should then have dared this, having spoken to the king ...
... CHOR. It is impious for a state to reject the suppliant prayer of strangers. COP. But it is good to have one's foot out of trouble, being possessed of the better counsel. CHOR. You should then have dared this, having spoken to the king ...
5 페이지
... ( Chor ) . ( „ Herr , Gott , du bist unsere Zuflucht “ . " Oh God ! Thou art our refuge ” — No 4. SONG OF PRAISE DER ENGEL DES HERRN . No 5. THE ANGEL OF THE LORD . „ Schon birgt die Wolke ihn " _ " Thick darkness hides him now No 6. CHOR ...
... ( Chor ) . ( „ Herr , Gott , du bist unsere Zuflucht “ . " Oh God ! Thou art our refuge ” — No 4. SONG OF PRAISE DER ENGEL DES HERRN . No 5. THE ANGEL OF THE LORD . „ Schon birgt die Wolke ihn " _ " Thick darkness hides him now No 6. CHOR ...
11 페이지
... CHOR . Wie lieb ! ZWEITER CHOR . Ach , wie fein ! ERSTER CHOR . Ach ! ERSTER UND ZWEITER CHOR . Wie fein ! Wie lieb ! EIN MADCHEN . Alles einerlei ! UROK . Welch ' Aefferei ! ERSTER UND ZWEITER CHOR . Ein Herzensdieb Der Uhu ! Ist fort ...
... CHOR . Wie lieb ! ZWEITER CHOR . Ach , wie fein ! ERSTER CHOR . Ach ! ERSTER UND ZWEITER CHOR . Wie fein ! Wie lieb ! EIN MADCHEN . Alles einerlei ! UROK . Welch ' Aefferei ! ERSTER UND ZWEITER CHOR . Ein Herzensdieb Der Uhu ! Ist fort ...
5 페이지
... Chor language to describe choreographies and adapt bisimulation as basic approach for analyzing behavioural equivalence between Chor documents. Based on this general bisimulation of Chor, we need a technique to support checking whether ...
... Chor language to describe choreographies and adapt bisimulation as basic approach for analyzing behavioural equivalence between Chor documents. Based on this general bisimulation of Chor, we need a technique to support checking whether ...
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agni Amor ANTISTROPHE Arethuse atque Benlowes's Theophila bright CHOR choro clouds cœlo COMUS Dagon dark death didst divine domino jam domum impasti dost doth Du Bartas earth Euripides eyes fair feast foes fræna glory Gods Hæc hand hath hear heav'n honour igne IL PENSEROSO illa ille ipse jam non vacat Jove king L'ALLEGRO Lady light live Lord loud lumina Lycidas Memoir mihi Milton modo morn mortal never Newton night numina nunc Nymphs o'er Olympo Ovid peace Philistines Poems poets pow'r praise PSALM quæ quam quid quis quoque sæpe SAMS Samson shades Shakesp Shepherd sibi sing song soul spirits strength sweet Sylvester's Du Bartas thee thou art thou hast thought thyself tibi Todd Tu quoque ulmo urbe Virg virgin wardsend Warton whist winds word