Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284페이지 "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
도서 본문에서
38개의 결과 중 1 - 3개
33 페이지
... believe that our various cultures produce radically different notions of what constitutes a human self : the critic's task is to confront the otherness of art with the understanding that his or her perception is always mediated by a ...
... believe that our various cultures produce radically different notions of what constitutes a human self : the critic's task is to confront the otherness of art with the understanding that his or her perception is always mediated by a ...
80 페이지
... believe , that the highly stylized conventions of heroic tragedy have a literal , political - historical application in Behn's Surinam . But first , since few of us have the opportunity or occasion to be familiar with Restoration heroic ...
... believe , that the highly stylized conventions of heroic tragedy have a literal , political - historical application in Behn's Surinam . But first , since few of us have the opportunity or occasion to be familiar with Restoration heroic ...
134 페이지
... believe that Shadwell will not listen to Flecknoe's last piece of advice ? Because the ultimate form of Shadwellian comedy is to show on the stage his recognition that he is a fool , literally to trap himself in his own comedy . But ...
... believe that Shadwell will not listen to Flecknoe's last piece of advice ? Because the ultimate form of Shadwellian comedy is to show on the stage his recognition that he is a fool , literally to trap himself in his own comedy . But ...
목차
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
저작권 | |
표시되지 않은 섹션 8개
기타 출판본 - 모두 보기
자주 나오는 단어 및 구문
alternative analysis appearance aristocratic artistic assertion attempt beauty Beaux becomes beginning Behn Behn's believe called century chapter character clear comedy conception concern conclusion consider continues conventions critical culture death demonstrate discussion double drama Dryden editors eighteenth century element ethical Evelina explain face fact final genre genre and ethics goal helps human ideology Imoinda important indicates individual interest interpretation involves issue Johnson kind leads less literary literature London MacFlecknoe marriage Martin means mistress Mode moral narrative nature never novel Oroonoko Oxford particularly pastoral period play poem poet poetry political position present Press problem provides question reading reference relation relationship responsibility Restoration comedy Richard Savage romance satire Savage Savage's scene seen sense serves Shadwell shows social stage story Stratagem suggests takes tradition turn understand University writing young