New Alliances in Joyce Studies: When It's Aped to Foul a DelfianBonnie Kime Scott University of Delaware Press, 1988 - 257페이지 Essays ... initially presented in less formal versions as independent papers ... at the James Joyce Conference, held in Philadelphia in June 1985--Introd. |
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8 페이지
... Genre : Joyce , Woolf , and the Autobiographical Artist - Novel 155 CHRISTINE FROULA Flesh and Blood and Love and Words : Lily Briscoe , Stephen Dedalus , and the Aesthetics of Emotional Quest 165 JANE LILIENFELD A " Modernism of ...
... Genre : Joyce , Woolf , and the Autobiographical Artist - Novel 155 CHRISTINE FROULA Flesh and Blood and Love and Words : Lily Briscoe , Stephen Dedalus , and the Aesthetics of Emotional Quest 165 JANE LILIENFELD A " Modernism of ...
16 페이지
... genre in Virginia Woolf and Joyce , while Jane Lilienfeld examines incestual family forces in her comparison of artist - protagonists of the same two authors . The study of power was evident at the conference in an informal panel on ...
... genre in Virginia Woolf and Joyce , while Jane Lilienfeld examines incestual family forces in her comparison of artist - protagonists of the same two authors . The study of power was evident at the conference in an informal panel on ...
20 페이지
... genres will find useful contributions throughout the volume . Adrienne Munich brings to Joyce a background in Browning's last work , a book recently reviewed by Gabriel Conroy in " The Dead . " Ruth Bauerle refers us to neglected ...
... genres will find useful contributions throughout the volume . Adrienne Munich brings to Joyce a background in Browning's last work , a book recently reviewed by Gabriel Conroy in " The Dead . " Ruth Bauerle refers us to neglected ...
153 페이지
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155 페이지
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목차
| 29 | |
| 37 | |
| 48 | |
The Politics of Joyces Polyphony | 56 |
Forms in Fiction Wholes Fragments Readings Narrations | 71 |
Joyces Silent Readers | 73 |
The Politics of Narration | 79 |
Fragment and Totality | 86 |
Joyce and Other Women Writers | 153 |
Joyce Woolf and the Autobiographical ArtistNovel | 155 |
Lily Briscoe Stephen Dedalus and the Aesthetics of Emotional Quest | 165 |
The Link between James Joyce and Djuna Barnes | 179 |
Influences and Resonances | 191 |
A Subtext for Stephens Mourning | 193 |
Joyces Chamber Music and Milton | 200 |
Joyces Use of Brunos Astrological Allegory | 210 |
Analogies from Art | 91 |
Joyce as Picasso | 93 |
Some Joycean Iconography | 102 |
Feminist Revisions | 111 |
A Liturgical Interpretation of The Dead | 113 |
Dear Dead Women or Why Gabriel Conroy Reviews Robert Browning | 126 |
Joyces Voyeuristic Narcissists | 135 |
Portraits of the Artist as a Young Lover | 144 |
Textual Workshops | 217 |
An Assessment of Its Usefulness One Year Later | 219 |
Lurking Ad the Litter | 230 |
Interpreting the Wake | 238 |
Notes on Contributors | 243 |
Index | 246 |
자주 나오는 단어 및 구문
aesthetic artist Bakhtin Barnes Bloom Bonnie Kime Browning Bruno chapter characters Circe Conroy conventional created critical cultural Dead Deasy's death Derrida desire dialogue discourse Djuna Barnes Dublin edition Eliot Ellmann Emma episode essay father feeling female feminist fiction figure Finnegans Wake fragment G. E. M. Anscombe Gabriel gender genre girl Gretta Heidegger identity Ireland Irish James Joyce Jane John Joyce Studies Joyce's Joycean Klaus Reichert language Leopold Bloom letter Lilienfeld Lily literary Lycidas male meaning metaphor Michael Milton modern Molly mother narrative narrator Nightwood Nora novel Paradise Lost parody passage poem political Portrait presence Ramsay reader reading reference Richard Ellmann Richard Pearce Robin seems sense sexual Shaun Shem social Spaccio Stanislaus Stephen Dedalus Stephen Hero story structure suggest symbolic textual theme theory tion tradition Ulysses University Press Virginia Woolf visual voice woman women words writing York
인기 인용구
150 페이지 - he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is
159 페이지 - We assume that life produces the autobiography as an act produces its consequences, but can we not suggest, with equal justice, that the autobiographical project may itself produce and determine the life and that whatever the writer does is in fact governed by the technical demands of self-portraiture and thus determined, in all its aspects, by the resources of the medium?
74 페이지 - When he reached his house he went up at once to his bedroom and, taking the paper from his pocket, read the paragraph again by the failing light of the window. He read it not aloud, but moving his lips as a priest does when he reads the prayers Secreto. (D, 113)
130 페이지 - Other forms were near. His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend, their wayward and flickering existence
131 페이지 - Those days might, without exaggeration, be called spacious days: and if they are gone beyond recall let us hope, at least, that in gatherings such as this we shall still speak of them with pride and affection, still cherish in our hearts the memory of those dead and gone great ones whose fame the world will not willingly let die. (203)
130 페이지 - Browning: What had I on earth to do With the slothful, with the mawkish, the unmanly? Like the aimless, helpless, hopeless, did I drivel —Being—who?
52 페이지 - —Mark my words, Mr. Dedalus, he said. England is in the hands of the jews. In all the highest places: her finance, her press. And they are the signs of a nation's decay. Wherever they gather they eat up the nation's vital strength.