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we define God to be. The psalmist has very beautiful strokes of poetry to this purpose, in that exalted strain: "The heavens declare the glory of God; and the firmament showeth his handy work. One day telleth another; and one night certifieth another. There is neither speech nor language; but their voices are heard among them. Their sound is gone out into all lands; and their words into the ends of the world." As such a bold and sublime manner of thinking furnishes very noble matter for an ode, the reader may see it wrought into the following

one:

I.

The spacious firmament on high,
With all the blue ethereal sky,

And spangled heavens, a shining frame,
Their great original proclaim:
Th' unwearied sun, from day to day,
Does his Creator's power display,
And publishes to every land
The work of an almighty hand.

II.

Soon as the evening shades prevail,
The moon takes up the wondrous tale,
And nightly to the listening earth
Repeats the story of her birth:
Whilst all the stars that round her burn,
And all the planets in their turn,
Confirm the tidings as they roll,
And spread the truth from pole to pole.

III.

What though, in solemn silence, all
Move round the dark terrestrial ball?
What though nor real voice nor sound
Amid their radiant orbs be found?
In reason's ear they all rejoice,
And utter forth a glorious voice,
Forever singing as they shine,
'The Hand that made us is divine.'

No. 466. MONDAY, AUGUST 25, 1712.

— Vera incessu patuit dea.—

VIRG. AN. i. 409.

And by her graceful walk the queen of love is known.

DRYDEN.

WHEN Æneas, the hero of Virgil, is lost in the wood, and a perfect stranger in the place on which he is landed, he is accosted by a lady in an habit for the chase. She in es of him, whether he has seen pass by that way any young woman dressed as she was? whether she were following the sport in the wood, or any other way employed, according to the custom of huntresses? The hero answers, with the respect due to the beautiful appearance she made; tells her, he saw no such person as she inquired for; but intimates that he knows her to be of the deities, and desires she would conduct a stranger. Her form, from her first appearance, manifested she was more than mortal; but, though she was certainly a goddess, the poet does not make her known to be the goddess of beauty till she moved. All the charms of an agreeable person are then in their highest exertion, every limb and feature appears with its respective grace. It is from this observation that I cannot help being so passionate an admirer as I am of good dancing. As all art is an imitation of nature, this is an imitation of nature in its highest excellence, and at a time when she is most agreeable. The business of dancing is to dis

play beauty; and for that reason all distortions and mimicries, as such, are what raise aversion instead of pleasure: but things that are in themselves excellent, are ever attended with imposture and false imitation. Thus, as in poetry there are laborious fools who write anagrams and acrostics, there are pretenders in dancing, who think merely to do what others cannot, is to excel. Such creatures should be rewarded like him who had acquired a knack of throwing a grain of corn through the eye of a needle, with a bushel to keep his hand in use. The dancers on our stage are very faulty in this kind; and what they mean by writhing themselves into such postures, as it would be a pain for any of the spectators to stand in, and yet hope to please those spectators, is unintelligible. Mr. Prince has a genius, if he were encouraged, would prompt him to better things. In all the dances he invents, you see he keeps close to the characters he represents. He does not hope to please by making his performers move in a manner in which no one else ever did, but by motions proper to the characters he represents. He gives to clowns and lubbards clumsy graces; that is, he makes them practise what they would think graces; and I have seen dances of his, which might give hints that would be useful to a comic writer. These performances have pleased the taste of such as have not reflection enough to know their excellence, because they are in nature; and the distorted motions of others have offended those who could not form reasons to themselves for their displeasure, from their being a contradiction

to nature.

When one considers the inexpressible advantage there is in arriving at some excellence in this art, it is monstrous to behold it so much neglected. 25

VOL. X.

The following letter has in it something very natural on this subject:

"MR. SPECTATOR,

"I am a widower with but one daughter: she was by nature much inclined to be a romp; and I had no way of educating her, but commanding a young woman, whom I entertained to take care of her, to be very watchful in her care and attendance about her. I am a man of business, and obliged to be much abroad. The neighbours have told me, that in my absence our maid has let in the spruce servants in the neighbourhood to junketings, while my girl played and romped even in the street. To tell you the plain truth, I catched her once, at eleven years old, at chuck-farthing among the boys. This put me upon new thoughts about my child, and I determined to place her at a boarding-school; and at the same time gave a very discreet young gentlewoman her maintenance at the same place and rate, to be her companion. I took little notice of my girl from time to time, but saw her now and then in good health, out of harm's way, and was satisfied. But, by much importunity, I was lately prevailed with to go to one of their balls. I cannot express to you the anxiety my silly heart was in, when I saw my romp, now fifteen, taken out: I never felt the pangs of a father upon me so strongly in my whole life before; and I could not have suffered more had my whole fortune been at stake. My girl came on with the most becoming modesty I had ever seen, and casting a respectful eye, as if she feared me more than all the audience, I gave a nod, which I think gave her all the spirit she assumed upon it; but she rose properly to that dignity of

aspect. My romp, now the most graceful person of her sex, assumed a majesty which commanded the highest respect; and when she turned to me, and saw my face in rapture, she fell into the prettiest smile, and I saw in all her motions that she exulted in her father's satisfaction. You, Mr. Spectator, will, better than I can tell you, imagine to yourself all the different beauties and changes of aspect in an accomplished young woman setting forth all her beauties with a design to please no one so much as her father. My girl's lover can never know half the satisfaction that I did in her that day. I could not possibly have imagined, that so great improvement could have been wrought by an art that I always held in itself ridiculous and contemptible. There is, I am convinced, no method like this, to give young women a sense of their own value and dignity; and I am sure there can be none so expeditious to communicate that value to others. As for the flippant insipidly gay, and wantonly forward, whom you behold among dancers, that carriage is more to be attributed to the perverse genius of the performers, than imputed to the art itself. For my part, my child has danced herself into my esteem; and I have as great an honour for her as ever I had for her mother, from whom she derived those latent good qualities which appeared in her countenance when she was dancing; for my girl, though I say it myself, showed in one quarter of an hour the innate principles of a modest virgin, a tender wife, a generous friend, a kind mother, and an indulgent mistress. I'll strain hard, but I will purchase for her a husband suitable to her merit. I am your convert in the admiration of what I thought you jested when you recommended; and if you please to be at my house on Thursday next, I make a ball for my

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