the final syllable of the preterite, as amazed, supposed, of which I know not whether it is not to the detriment of our language that we have totally rejected them. Of triplets he is sparing; but he did not wholly forbear them; of an Alexandrine he has given no example. The general character of his poetry is elegance and gaiety. He is never pathetick, and very rarely sublime. He seems neither to have had a mind much elevated by nature, nor amplified by learning. His thoughts are such as a liberal conversation and large acquaintance with life would easily supply, They had however then, perhaps, that grace of novelty which they are now often supposed to want by those who, having already found them in later books, do not know or enquire who produced them first. This treatment is unjust. Let not the original author lose by his imitators. 1 Praise, however, should be due before it is given. The author of Waller's Life ascribes to him the first practice of what Erythræus and some late criticks call Alliteration, of using in the same verse many words. beginning with the same letter. But this knack, whatever be its value, was so frequent among early writers, that Gascoigne, a writer of the sixteenth century, warns the young poet against affecting it: Shakspeare, in the Midsummer Night's Dream, is supposed to ridicule it; and in another play the sonnet of Holofernes fully displays it. He borrows too many of his sentiments and illustrations from the old Mythology, for which it is vain to plead the example of ancient poets: the deities, which they introduced so frequently, were consi→ dered as realities, so far as to be received by the imagination, whatever sober reason might even then determine. But of these images time has tarnished the splendor. A fiction, not only detected but despised, can never afford a solid basis to any position, though sometimes it may furnish a transient allusion, or slight illustration. No modern monarch can be much exalted by hearing that, as Hercules had his club, he has his navy. But of the praise of Waller, though much may be taken away, much will remain; for it cannot be denied that he added something to our elegance of diction, and something to our propriety of thought; and to him may be applied what Tasso said, with equal spirit and justice, of himself and Guarini, when, having perused the Pastor Fido, he cried out, "If he had not read Aminta, he had not excelled it." وگ AS Waller professed himself to have learned the art of versification from Fairfax, it has been thought proper to subjoin a specimen of his work, which, after Mr. Hoole's translation, will perhaps not be soon reprinted. By knowing the state in which Waller found our poetry, the reader may judge how much he improved it. 1. Erminia's steed (this while) his mistresse bore To beare her through the desart woods unseene Of her strong foes, that chas'd her through the plaine, And still pursu'd, but still pursu'd in vaine. 2. Like as the wearie hounds at last retire, Yet still the fearfull Dame fled, swift as winde, 3. Through thicke and thinne, all night, all day, she driued, Her plaints and teares with euery thought reuiued, On Iordans sandie banks her course she staid, 4. Her 4. Her teares, her drinke; her food, her sorrowings, But sleepe (that sweet repose and quiet brings) And loue, his mother, and the graces kept Strong watch and warde, while this faire Ladie, slept. 5. The birds awakte her with their morning song, Of swaines and shepherd groomes, that dwellings weare; 6. Her plaints were interrupted with a sound, 7. Beholding one in shining armes appeare You happy folke, of heau'n beloued deare, Work on (quoth she) upon your harmlesse traid, To your sweet toile, nor those sweet tunes you sing. 8. But father, since this land, these townes and towres, This wildernesse doth vs in saftie keepe, No thundring drum, no trumpet breakes our sleepe, 9. Haply iust heau❜ns defence and shield of right, By pouertie, neglected and despised. 10. O Pouertie, chefe of the heau'nly brood, 11. 1 We little wish, we need but little wealth," .. 12. Time |