Latest Literary Essays ; The Old English DramatistsRiverside Press, 1889 - 461ÆäÀÌÁö |
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7 ÆäÀÌÁö
... poets who had preceded him . It is hard to justify a general impression by con- clusive examples . Two instances ... poetic diction which brought poetry to GRAY 7.
... poets who had preceded him . It is hard to justify a general impression by con- clusive examples . Two instances ... poetic diction which brought poetry to GRAY 7.
8 ÆäÀÌÁö
James Russell Lowell. to blame for that poetic diction which brought poetry to a deadlock in the next century . Dry ... poets have known better than he how to con- jure with vowels , or to beguile the mind into acquiescence through the ...
James Russell Lowell. to blame for that poetic diction which brought poetry to a deadlock in the next century . Dry ... poets have known better than he how to con- jure with vowels , or to beguile the mind into acquiescence through the ...
9 ÆäÀÌÁö
... poetic form . Dryden perfected the English rhymed heroic verse by giving it a variety of cadence and pomp of ... poets as it did to its preachers , satisfied that all was orthodox if only they heard the same thing over again every time ...
... poetic form . Dryden perfected the English rhymed heroic verse by giving it a variety of cadence and pomp of ... poets as it did to its preachers , satisfied that all was orthodox if only they heard the same thing over again every time ...
15 ÆäÀÌÁö
... poetic sensibility is shown , I think , more agreeably in The Castle of Indolence than in The Seasons . In these , when he buckles the buskins of Milton on the feet of his natural sermo pedestris , the effect too often suggests the ...
... poetic sensibility is shown , I think , more agreeably in The Castle of Indolence than in The Seasons . In these , when he buckles the buskins of Milton on the feet of his natural sermo pedestris , the effect too often suggests the ...
21 ÆäÀÌÁö
... poets , has shown what a depth of sentiment , how much pleasurable emotion , mere words are capable of stirring through the magic of asso- ciation , and of artful arrangement in conjunction with agreeable and familiar images . For Gray ...
... poets , has shown what a depth of sentiment , how much pleasurable emotion , mere words are capable of stirring through the magic of asso- ciation , and of artful arrangement in conjunction with agreeable and familiar images . For Gray ...
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admirable Angler Areopagitica Arethusa artist Beaumont and Fletcher beauty Ben Jonson better Bonstetten Bussy d'Ambois called Chapman character charm comedies Contarino death delightful divine Donne doubt dramatic dramatists Dryden Duchess of Malfi edition Elegy English Eton College eyes fancy Faustus feel genius give Gray Gray's hand happy heaven Hero and Leander humor imagination inspiration John Chalkhill Jolenta Jonson King Landor language Latin learned least less live Marlowe Massinger matter memory Mephistophilis Milton mind nature ness never noble passage passion perhaps Philaster phrase Pindar play poem poet poetical poetry prose remember Romelio scene seems sense sentiment Shakespeare soul speaks speech spirit style sure sweet Tamburlaine tells thing thou thought tion tongue tragedy translation true ture verse WALTER SAVAGE LANDOR Walton Webster words Wordsworth writing written wrote
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182 ÆäÀÌÁö - What things have we seen Done at the Mermaid ! heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life...
207 ÆäÀÌÁö - Had fed the feeling of their masters' thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit ; If these had made one poem's period, And all combined in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least, Which into words no virtue can...
271 ÆäÀÌÁö - There is no danger to a man, that knows What life and death is : there's not any law Exceeds his knowledge ; neither is it lawful That he should stoop to any other law : He goes before them, and commands them all, That to himself is a law rational.
187 ÆäÀÌÁö - Weep not, my wanton, smile upon my knee ; When thou art old there's grief enough for thee.
211 ÆäÀÌÁö - The reluctant pangs of abdicating royalty in Edward furnished hints, which Shakspeare scarcely improved in his Richard the Second ; and the death-scene of Marlowe's king moves pity and terror beyond any scene, ancient or modern, with which I am acquainted.
222 ÆäÀÌÁö - I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates; I'll have them read me strange philosophy And tell the secrets of all foreign kings...
88 ÆäÀÌÁö - But the Nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say...
293 ÆäÀÌÁö - Sidney's sister, Pembroke's mother. Death, ere thou hast slain another Fair and learn'd and good as she, Time shall throw a dart at thee.
312 ÆäÀÌÁö - Canst thou not minister to a mind diseased ; Pluck from the memory a rooted sorrow ; Raze out the written troubles of the brain ; And, with some sweet, oblivious antidote, Cleanse the stuffed bosom of that perilous stuff, Which weighs upon the heart ? Doct.
42 ÆäÀÌÁö - And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear And weep the more because I weep in vain.