The Philosophy of Fine Art, 2±Ç

able abstract accepted actions activity actual adequate already animal appear artistic aspect assert association beauty bring carried character classical art conceived conception concrete condition consciousness consequently consists contrary contrast definite determinate direct distinction Divine doubt embodiment emotion entire equally essentially everything example existence expression external fable fact figure finite follows force fundamental further genuine give gods Greek hand human ideal ideas imagination immediate import independent individual interest kind less light material matter means merely metaphor mind mode Nature notion object once original particular pass poet poetry point of view position possesses present principle purely qualities reality reason receives reference regarded relation remains representation secure sense sensuous separation shape side significance simile simply soul sphere Spirit stage stand Sublime substance symbolical thing tion true truth union unity universal virtue wholly