The Voice of the Phoenix: Metaphors of Death and Rebirth in Classics of the Iberian RenaissanceArizona Center for Medieval and Renaissance Studies, 2004 - 371페이지 |
도서 본문에서
43개의 결과 중 1 - 3개
xiv 페이지
... question the assumption that seems to have originated with Hayward Kenniston but that received its strongest impetus from Rafael Lapesa , that a body of Garcilaso's " early poems " represents love as a fate that the will has no power to ...
... question the assumption that seems to have originated with Hayward Kenniston but that received its strongest impetus from Rafael Lapesa , that a body of Garcilaso's " early poems " represents love as a fate that the will has no power to ...
93 페이지
... question about her , but rather it is his squire who asks a question about his wife Teresa Panza . Sancho is forced to inquire as to Teresa's activities at that very moment because Maese Pedro has made it clear that his ape can explain ...
... question about her , but rather it is his squire who asks a question about his wife Teresa Panza . Sancho is forced to inquire as to Teresa's activities at that very moment because Maese Pedro has made it clear that his ape can explain ...
139 페이지
... question of how our perception in Sonnet 38 of the persona's helplessness and incapacitating despair can be seen to relate to the aesthetic appeal of the poem . The answer to that question is to be found in the principle that , contrary ...
... question of how our perception in Sonnet 38 of the persona's helplessness and incapacitating despair can be seen to relate to the aesthetic appeal of the poem . The answer to that question is to be found in the principle that , contrary ...
목차
Fateful Passion and Prison Imagery | 1 |
Subjection to Fate or Passionate Willing? Reassessing Love | 27 |
Obsequious Love as the Egos Release from Frustration | 53 |
저작권 | |
표시되지 않은 섹션 9개
자주 나오는 단어 및 구문
able acceptance actually amor appear assume attitude basis beauty becomes cancionero cause Cervantes character claim concept concerning considered critics culture death dependence desire developed Diana discussion Don Quijote effect elements emotional emphasis enchantment Ethics example existence experience explain expressed fact fate feelings Fray Luis freedom Garcilaso hand hence human idea ideal implied important individual influence interest interpretation issue lady language Lapesa Lazarillo lines literature London lover lyric Madrid means metaphor mind Montemayor moral nature novel object observation original pain passion pastoral period persona perspective poem poet poetry possible present question reading reality reason referred regard relation Renaissance represented result rhetorical romantic seems seen sense sexual Sonnet spiritual stanza Studies suffering suggest theory thought tradition trans University University Press writes York