Remarks, Critical, Conjectural, and Explanatory, Upon the Plays of Shakspeare: Resulting from a Collation of the Early Copies, with that of Johnson and Steevens, Ed. by Isaac Reed, Esq., Together with Some Valuable Extracts from the Mss. of the Late Right Honourable John, Lord Chedworth, 2호J. Wright, 1805 |
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109 페이지
... ellipsis is , indeed , harsh and unwarrantable . 66 This act persuades me . " A syllable here is wanting to the verse , which might be supplied with a word that would en- force the sense : 66 Wherefore " Should he sit here ? this act ...
... ellipsis is , indeed , harsh and unwarrantable . 66 This act persuades me . " A syllable here is wanting to the verse , which might be supplied with a word that would en- force the sense : 66 Wherefore " Should he sit here ? this act ...
141 페이지
... ellipsis will warrant his construc- . tion : the altered designation of the sentence after the conjunction , makes the pronoun " it " . indispensible : we might , perhaps , read , with bet- ter conformity to grammar , in the first part ...
... ellipsis will warrant his construc- . tion : the altered designation of the sentence after the conjunction , makes the pronoun " it " . indispensible : we might , perhaps , read , with bet- ter conformity to grammar , in the first part ...
148 페이지
... ellipsis , rather than wrong grammar . i . e . " Who ( was it whom you saw ? ) " " In the dead waist and middle of the night . " 22 The quarto of 1637 reads " vast , " and that , perhaps , is right ; but the folio has " wast , which ...
... ellipsis , rather than wrong grammar . i . e . " Who ( was it whom you saw ? ) " " In the dead waist and middle of the night . " 22 The quarto of 1637 reads " vast , " and that , perhaps , is right ; but the folio has " wast , which ...
195 페이지
... defence are generally the source of discomfiture to itself . 301. " That I must call't in question . " Insomuch that I must call't , & c . The ellipsis has often been noted . 303. " SCENE VII . As the star moves not 0 2 HAMLET . 195 66 ...
... defence are generally the source of discomfiture to itself . 301. " That I must call't in question . " Insomuch that I must call't , & c . The ellipsis has often been noted . 303. " SCENE VII . As the star moves not 0 2 HAMLET . 195 66 ...
216 페이지
... all talents ; " and I am by no means satisfied with the exposition , I must give it up . 455. " What both you spur and stop . " This kind of ellipsis , says Mr. Malone , is com- mon in these plays ; but there is , here 216 CYMBELINE .
... all talents ; " and I am by no means satisfied with the exposition , I must give it up . 455. " What both you spur and stop . " This kind of ellipsis , says Mr. Malone , is com- mon in these plays ; but there is , here 216 CYMBELINE .
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Antony Apemantus appears believe better Brutus CAPEL LOFFT Cassio Coriolanus correction corruption Cymbeline death Desd Desdemona disorder do't dost doth Duke ejected ellipsis emendation Emil expression eyes fair false fear folio give Hamlet hast hath hear heart heaven hemistic Henry honour hypermeter Iago Iago's interpolation Johnson Juliet Julius Cæsar Kent king King Lear knave lady Lear LOFFT LORD CHEDWORTH lost Macbeth madam Malone Mark Antony meaning measure Merchant of Venice metre nature ne'er never occurs omitted Othello passage perhaps play poet Posthumus pray PRINCE OF TYRE propose quarto reads queen regulate remark Romeo says SCENE SCENE II seems sense Shakspeare Shakspeare's shew speak speech stand Steevens Steevens's strange STRUTT suppose swear syllable thee thing thou thought Timon tion useless verb verse villain wanting Warburton's words