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presumed to promise an epitome of all the good things that ever were said or written, this might have disgusted those readers I most desire to please. Had I been merry, I might have been censured as vastly low; and had I been sorrowful, I might have been left to mourn in solitude and silence in short, whichever way I turned, nothing presented but prospects of terror, despair, chandlers' shops, and waste paper.

In this debate between fear and ambition, my publisher, happening to arrive, interrupted for a while my anxiety. Perceiving my embarrassment about making my first appearance, he instantly offered his assistance and advice. "You must know, sir," says he, "that the republic of letters is at present divided into three classes. One writer, for instance, excels at a plan or a title-page, another works away the body of the book, and a third is a dab at an index. Thus a magazine is not the result of any single man's industry, but goes through as many hands as a new pin, before it is fit for the public. I fancy, sir," continues he," I can provide an eminent hand, and upon moderate terms, to draw up a promising plan to smooth up our readers a little, and pay them as Colonel Charteris paid his

*

The notorious and profligate Colonel Francis Charteris, the subject of the following severe satire by Dr Arbuthnot.-B.

EPITAPH.

Here continueth to rot

The body of FRA

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Who, with an inflexible constancy and inimitable
Uniformity of life, persisted,

In spite of age and infirmities,
In the practice of every human vice;
Excepting prodigality and hypocrisy.

His insatiable avarice exempted him from the first,
His matchless impudence from the second.

Nor was he more singular in the undeviating pravity of his manners,
Than successful in accumulating wealth.
For, without trade or profession,

Without trust of public money,
And without bribe-worthy service,
He acquired, or more properly created,
A ministerial estate.

He was the only person of his time

Who could cheat without the mask of honesty,
Retain his primeval meanness when possessed of

seraglio, at the rate of three halfpence in hand, and three shillings more in promises."

He was proceeding in his advice, which, however, I thought proper to decline, by assuring him, that as I intended to pursue no fixed method, so it was impossible to form any regular plan; determined never to be tedious in order to be logical, wherever pleasure presented, I was resolved to follow. Like the Bee, which I had taken for the title of my paper, I would rove from flower to flower, with seeming inattention, but concealed choice, expatiate over all the beauties of the season, and make my industry my amuse

ment.

This reply may also serve as an apology to the reader, who expects, before he sits down, a bill of his future entertainment. It would be improper to pall his curiosity by lessening his surprise, or anticipate any pleasure I am able to procure him, by saying what shall come next. Thus much, however, he may be assured of, that neither war nor scandal shall make any part of it. Homer finely imagines his deity turning away with horror from the prospect of a field of battle, and seeking tranquillity among a nation noted for peace and simplicity. Happy, could any effort of mine, but for a moment, repress that savage pleasure some men find in the daily accounts of human misery! How gladly would I lead them from scenes of blood and altercation, to prospects of innocence and ease, where every breeze breathes health, and every sound is but the echo of tranquillity.

But whatever the merit of his intentions may be, every writer is now convinced, that he must be chiefly indebted to good fortune for finding readers willing to allow him any degree of reputation. It has been remarked, that almost

Ten thousand a-year;

And, having daily deserved the gibbet for what he did,
Was at last condemned to it for what he could not do.*
O indignant reader!

Think not his life useless to mankind!

Providence connived at his execrable designs,

To give to after ages a conspicuous proof and example Of how small estimation is exorbitant wealth in the sight of God, By his bestowing it on the most unworthy of all mortals.

He was tried and condemned for a rape.-B.

A

every character which has excited either attention or praise, has owed part of its success to merit, and part to a happy concurrence of circumstances in its favour. Had Cæsar or Cromwell exchanged countries, the one might have been a sergeant, and the other an exciseman. So it is with wit, which generally succeeds more from being happily addressed, than from its native poignancy. A bon mot, for instance, that might be relished at White's, may lose all its flavour when delivered at the Cat and Bagpipes in St Giles's. jest, calculated to spread at a gaming table, may be received with a perfect neutrality of face, should it happen to drop in a mackerel boat. We have all seen dunces triumph in such companies, when men of real humour were disregarded, by a general combination in favour of stupidity. To drive the observation as far as it will go, should the labours of a writer who designs his performances for readers of a more refined appetite, fall into the hands of a devourer of compilations, what can he expect but contempt and confusion? If his merits are to be determined by judges, who estimate the value of a book from its bulk, or its frontispiece, every rival must acquire an easy superiority, who, with persuasive eloquence, promises four extraordinary pages of letter-press, or three beautiful prints, curiously coloured from nature.

But to proceed: Though I cannot promise as much entertainment, or as much elegance, as others have done, yet the reader may be assured, he shall have as much of both as I can. He shall, at least, find me alive while I study his entertainment; for I solemnly assure him, I was never yet possessed of the secret at once of writing and sleeping.

During the course of this paper, therefore, all the wit and learning I have are heartily at his service; which if, after so candid a confession, he should, notwithstanding, still find intolerably dull, low, or sad stuff, this, I protest, is more than I know. I have a clear conscience, and am entirely out of the secret.

Yet I would not have him, upon the perusal of a single paper, pronounce me incorrigible; he may try a second, which, as there is a studied difference in subject and style, may be more suited to his taste; if this also fails, I must refer him to a third, or even to a fourth, in case of extremity. If he should still continue to be refractory, and find me dull to the last, I must inform him, with Bayes, in the

Rehearsal, that I think him a very odd kind of a fellow, and desire no more of his acquaintance.

It is with such reflections as these I endeavour to fortify myself against the future contempt or neglect of some readers, and am prepared for their dislike by mutual recrimination. If such should impute dealing neither in battles nor scandal to me as a fault, instead of acquiescing in their censure, I must beg leave to tell them a story.

“A traveller, in his way to Italy, happening to pass at the foot of the Alps, found himself at last in a country where the inhabitants had each a large excrescence depending from the chin, like the pouch of a monkey. This deformity, as it was endemic, and the people little used to strangers, it had been the custom, time immemorial, to look upon as the greatest ornament of the human visage. Ladies grew toasts from the size of their chins, and none were regarded as pretty fellows, but such whose faces were broadest at the bottom. It was Sunday; a country church was at hand, and our traveller was willing to perform the duties of the day. Upon his first appearance at the church door, the eyes of all were naturally fixed upon the stranger; but what was their amazement, when they found that he actually wanted that emblem of beauty, a pursed chin! This was a defect that not a single creature had sufficient gravity (though they were noted for being grave) to withstand. Stifled bursts of laughter, winks, and whispers, circulated from visage to visage, and the prismatic figure of the stranger's face was a fund of infinite gaiety; even the parson, equally remarkable for his gravity and chin, could hardly refrain joining in the good humour. Our traveller could no longer patiently continue an object for deformity to point at. Good folks,'

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said he, I perceive that I am the unfortunate cause of all this good humour. It is true, I may have faults in abundance; but I shall never be induced to reckon my want of a swelled face among the number.'

* Goldsmith inserted this introduction, with a few trifling alterations, in the volume of Essays he published in the year 1765.

ON A BEAUTIFUL YOUTH STRUCK BLIND with LIGHTNING.*

IMITATED FROM THE SPANISH.

LUMINE Acon dextro capta est Leonida sinistro,
Et poterat forma vincere uterque Deos.
Parve puer, lumen quod habes concede puellæ ;
Sic tu cæcus amor sic erit illa Venus.

REMARKS ON OUR THEATRES.

OUR theatres are now opened, and all Grub Street is preparing its advice to the managers. We shall undoubtedly hear learned disquisitions on the structure of one actor's legs, and another's eyebrows. We shall be told much of enunciations, tones, and attitudes; and shall have our lightest pleasures commented upon by didactic dullness. We shall, it is feared, be told that Garrick is a fine actor; but then as a manager, so avaricious! That Palmer is a most surprising genius, and Holland likely to do well in a particular cast of character. We shall have them giving Shuter instructions to amuse us by rule, and deploring over the ruins of desolated majesty at Covent Garden. I love to be advising too-for advice is easily given, and bears a show of wisdom and superiority-I must be permitted to offer a few observations upon our theatres and actors, without, on this trivial occasion, throwing my thoughts into the formality of method.

As

There is something in the deportment of all our players, infinitely more stiff and formal than among the actors of other nations. Their action sits uneasy upon them; for as the English use very little gesture in ordinary conversation, our English bred actors are obliged to supply stage gestures by their imagination alone. A French comedian finds proper models of action in every company, and in every coffeehouse he enters. An Englishman is obliged to take his models from the stage itself; he is obliged to

* See another Epigram on the same subject, Vol. ii. p. 137.

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