JOHN HERMAN MERIVALE. JOHN HERMAN MERIVALE was born in Exe- | from the Greek, Latin, Italian, and several ter, on the fifth of August, 1779. He was eduother languages, are all remarkable for a strict cated at Cambridge, studied law, was a sucfidelity, but his diction is frequently difficult cessful barrister, and in 1826 was appointed a and inharmonious. One of Mr. MERIVALE'S Commissioner in Bankruptcy. His "Poems, earliest works was "The Minstrel, or the Original and Translated," were published by Progress of Genius," in continuation of Dr. Pickering, in three volumes, in March, 1844. BEATTIE, whose style he successfully imitated. The third volume comprises translations from The most perfect of his longer poems is "OrSCHILLER, and appeared simultaneously with lando in Roncesvalles," a story of the Italian Sir EDWARD LYTTON BULWER'S "Songs and school, suggested by the "Morgante MagBallads of Schiller," to which it has been giore" of LUIGI PULCI. He died in London, generally preferred by the critics. His versions on the fifth of April, 1844. ODE ON THE DELIVERANCE OF EU- THE hour of blood is past; Blown the last trumpet's blast; Peal'd the last thunders of the embattled line: The bale-fires blaze no more; But friendly beacons o'er the billows shine, The barks of every port that cut the salt sea foam. "Peace to the nations!"-Peace! Oh sound of glad release To millions in forgotten bondage lying; In joyless exile thrown On shores remote, unknown, Where hope herself, if just sustain'd from dying, As makes creation pall upon the sickening sight. "Peace! Peace the world around!" Oh strange, yet welcome sound To myriads more that ne'er beheld her face; And, if a doubtful fame Yet handed down her name In faded memory of an elder race, It seem'd some visionary form, Some Ariel, fancy-bred, to soothe the mimic storm. Now the time-honour'd few, Her earlier reign that knew, May turn their eyes back o'er that dreamy flood, And think again they stand On the remember'd land, Ere yet the sun had risen in clouds of blood, On that vast world of ocean, measureless and dark. And is it all a dream? And did these things but seem The vain delusions of a troubled sight? Or, if indeed they were, For what did nature bear The trophies ye have won, the wreaths ye wear- Had ne'er achieved these proud rewards ye bear; But, in one general cause combined, [mind. The people's vigorous arm, the monarch's constant Yet that untired by toil, Unmoved by fear, or soft desire of rest, And to the distant goal united press'd; His dangers, wants, and toils, alike resolved to share. And more-that when, at length, In tyranny o'erthrown, and victory won, Your dancing eyes survey'd The prostrate form of humbled Babylon, Ye cried, " Enough!"-and at the word Vengeance put out her torch, and slaughter sheath'd his sword Princes, be this your praise! Let faction rude that spotless praise profane, The impious falsehood hold, That Europe's genuine kings have ceased to reign, And that a weak adulterate race, [place. Degenerate from their sires, pollutes high honour's Breathe, breathe again, ye free, The native air of wisdom, virtue, joy! And, might ye know to keep The golden wealth ye reap, Not thrice ten years of terror and annoy, Of mad destructive anarchy, And pitiless oppression, were a price too high. Vaulting ambition! Thy bloody laurels torn, And ravish'd from thy grasp the sin-bought prize; Or, if thy meteor fame Still win the world's acclaim, Let it behold thee now with alter'd eyes, And pass, but with a pitying smile, The hope-abandon'd chief of Elba's lonely isle. FROM RUFINUS. THIS garland intertwined with fragrant flowers, Anemone, besprent with April showers; From every purple cup the glad perfume; Yield to the voice of love thy passing hours! The sailor, midst the dangerous main, My fancy had a mistress drawn, And stamp'd her image on my heart; I roved o'er hill and vale and lawn, But ne'er could find the counterpart : This had the form, the air, the face, That, the sweet smile's bewitching beauty, And every singly winning grace Fix'd for the time my wandering duty. But now 'tis sped-my fancy's flight: Has dared avow his soul's election. HORACE SMITH. JAMES, who died in the sixty-fifth year of his age, in 1839; and in 1842 his last work, "Adam Brown, the Merchant." MR. SMITH was born about the year 1780, in London, where his father was an eminent barrister. In 1812 he and his elder brother, Mr. JAMES SMITH, wrote their celebrated "Rejected Addresses," a work which has passed through twenty-five editions, and which is now, after the lapse of more than thirty years, hardly less popular than on its first appearance. They soon afterward published "Horace in London," parts of which had appeared in the "Monthly Mirror," and in 1813 the subject of this notice produced a successful comedy entitled "First Impres-tile, and he has shown himself able to master Mr. SMITH is one of the most voluminous and popular writers of the nineteenth century. I have seen no separate collection of his poems, but his imitations in the "Rejected Addresses," his parodies of HORACE, and his lyrical contributions to the literary magazines, show him to be not only an admirable versifier, but a possessor of the sense of beauty and a most poetical fancy. His powers are versa sions," and subsequently "The Runaway," any style with which he has chosen to grapple. His works have uniformly been successful, and the reader of his "Hymn to the Flowers," and other pieces in this volume, will not doubt that if he had devoted attention to poetry, he would have won an enduring and Ephemeral sages! what instructors hoary For such a world of thought could furnish scope? Each fading calyx a memento mori, Yet fount of hope. Posthumous glories! angel-like collection! Were I, O God! in churchless lands remaining, THE HEAD OF MΕΜΝΟΝ. IN Egypt's centre, when the world was young, When the sun's infant eye more brightly blazed, I thought them, like myself, eternal things. O Thebes, I cried, thou wonder of the world! Where from the east a cloud of dust proceeds, And faint barbaric music met mine ear. Onward they march, and foremost I descried, A cuirassed Grecian band, in phalanx dense, Around them throng'd, in oriental pride, Commingled tribes a wild magnificence. Then, havoc leaguing with infuriate zeal, Mine was a deeper and more quick disgrace :Beneath my shade a wondering army flock'd; With force combined, they wrench'd me from my base, And earth beneath the dread concussion rock'd. Nile from his banks receded with affright, The startled Sphinx long trembled at the sound; While from each pyramid's astounded height, The loosen'd stones slid rattling to the ground. I watch'd, as in the dust supine I lay, The fall of Thebes, -as I had mark'd its fame,- The throngs that choked its hundred gates of yore, Deep was the silence now, unless some vast Or haply, in the palaces of kings, Some stray jackal sate howling on the throne: Or, on the temple's holiest altar, springs Some gaunt hyæna, laughing all alone. Twenty-three centuries unmoved I lay, In London, now with face erect I gaze But who my future destiny shall guess? To some new seat of empire in the west. MORAL RUINS. ASIA's rock-hollow'd fanes, first-born of time, Egypt's stern temples, whose colossal mound, Are giant ruins in a desert land, The marble miracles of Greece and Rome, Where are they now?-their majesty august, As offerings Down from its height the Druid's sacred stone, On these drear sepulchres of buried days Ah me! how much more sadden'd is my mood, thrown! Religions-from the soul deriving breath, Should know no death, Yet do they perish, mingling their remains With fallen fanes. Creeds, canons, dogmas, councils, are the wreck'd And mouldering masonry of intellect. Apis, Osiris, paramount of yore, On Egypt's shore, Noden and Thor, through the wide north adored, Jove, and the multiform divinities, Lo! they are cast aside, dethroned, forlorn, Revisiting the glimpses of the moon,Not like thin ghosts or disembodied creatures, But with thy bones, and flesh, and limbs and features! Tell us for doubtless thou canst recollect, To whom should we assign the Sphinx's fame?Was Cheops, or Cephrenes architect Of either pyramid that bears his name?Is Pompey's pillar really a misnomer?Had Thebes a hundred gates, as sung by Homer? Perhaps thou wert a mason, and forbidden, By oath, to tell the mysteries of thy trade: Then say, what secret melody was hidden In Memnon's statue, which at sunrise play'd? Perhaps thou wert a priest; if so, my struggles Are vain, for priestcraft never owns its juggles! |