GEORGE CRABВЕ. THIS poet was born on the twenty-fourth of | 1812, his "Tales;" and in 1819, his "Tales of the Hall." He died at Trowbridge, in Wiltshire, in February, 1832. As a man, CRABBE was admired and loved by all who knew him. LOCKHART, in describing his person, says "his noble forehead, his bright beaming eye-without any thing of old age about it, though he was then above seventy-his sweet and innocent smile, and the calm, mellow tones of his voice, all are reproduced the moment I open any page of his poetry." A perfect edition of his poetical writings, with a graceful and sensible memoir by his son, has been issued by MURRAY, since his death. December, 1754, at Aldborough, in Suffolk, where his father and grandfather were officers of the customs. At the school where he received his education he gained a prize for one of his poems; and on leaving it he became an apprentice to a surgeon and apothecary in his native village. On the completion of his apprenticeship, abandoning all hope of success in his profession, he went to London to commence a life of authorship. Unknown and unfriended, he endeavoured in vain to induce the booksellers to publish his writings. At length, in 1780, two years after his arrival in the great metropolis, he ventured to print at his own expense a poem entitled "The Candidate," which was favourably received. He was soon after introduced to EDMUND BURKE, who became his friend and patron, and presented him to Fox and other eminent contemporaries. In 1781 he published "The ❘ Library," and was ordained a deacon. In the following year he became curate of Aldborough, and in 1783 he entered his name at Trinity Hall, Cambridge; but left the Uni-❘ed by his pictures is often fearful, merely versity without graduating, though he was subsequently presented with the degree of B. C. L. After residing for a considerable period at Belvoir Castle, as chaplain to the Duke of RUTLAND, he was introduced to the Lord Chancellor THURLow, who bestowed upon him successively the living of Frome St. Quintin, in Dorsetshire, and the rectories of Muston and West Allington in the diocese of Lincoln. In 1807 he published a complete edition of his works then written, which was received with general applause. Three years afterward appeared "The Borough;" in STANZAS. LET me not have this gloomy view 3 The lovers of homely truth may appeal to CRABBE in proof that its sternest utterance is dramatic. No poet has ventured to rely more entirely on fact. He paints without delicacy, but his touches are so very literal as to be striking and effective. The poor have found in him their ablest annalist. The most gloomy phases of life are described in his tales with an integrity that has rendered them almost as imposing as a tragedy. The interest awaken from their appalling truth and touching minuteness. He was a mannerist, and some of the features of his mannerism-his monotonous versification, and minute portraitures of worthless characters, with their rude jests and familiar moralizing-are unpleasing; but his powerful and graphic delineations of humble life, his occasional touches of deepest tenderness, and the profoundness of his wisdom, mark not less strongly than these blemishes, all that he wrote, and will keep green his reputation while the world we live in is the scene of sin and suffering. Till, as the morning sunbeams glow, There let my maiden form be laid, As innocent, but not so gay. When those sad marriage rites begin,- I cannot these cold truths allow :- That man a maiden's grave may trace; RECONCILIATION. Mr Damon was the first to wake Or say that naught is done amiss; WOMAN. PLACE the white man on Afric's coast, That languish'd in the fainting heart. "What though so pale his haggard face, So sunk and sad his looks," she cries: "And far unlike our nobler race, With crisped locks and rolling eyes; Yet misery marks him of our kind,We see him lost, alone, afraid! And pangs of body, griefs in mind, Pronounce him man, and ask our aid. "Perhaps in some far distant shore There are who in these forms delight; Whose milky features please them more Than ours of jet, thus burnish'd bright; Of such may be his weeping wife, Such children for their sire may call; And if we spare his ebbing life, Our kindness may preserve them all." Thus her compassion woman shows; Beneath the line her acts are these; Nor the wide waste of Lapland snows Can her warm flow of pity freeze ;"From some sad land the stranger comes, Where joys like ours are never found; Let's soothe him in our happy homes, Where freedom sits, with plenty crown'd. "'Tis good the fainting soul to cheer, To see the famish'd stranger fed; To milk for him the mother-deer, To smooth for him the furry bed. The powers above our Lapland bless With good no other people know; T' enlarge the joys that we possess, By feeling those that we bestow!" Thus, in extremes of cold and heat, Where wandering man may trace his kind; Wherever grief and want retreat, In woman they compassion find: She makes the female breast her seat, And dictates mercy to the mind. Man may the sterner virtues know, Determined justice, truth severe; But female hearts with pity glow, And woman holds affliction dear: For guiltless woes her sorrows flow, And suffering vice compels her tear,'Tis hers to soothe the ills below, And bid life's fairer views appear. To woman's gentle kind we owe What comforts and delights us here; They its gay hopes on youth bestow, And care they soothe and age they cheer. THE WRETCHED MIND. The hours of innocence; the timid look Of his loved maid, when first her hand he took And told his hope; her trembling joy appears, "TH' unhappy man was found, Her forced reserve, and his retreating fears. The spirit settled, but the reason drown'd; And all the dreadful tempest died away, To the dull stillness of the misty day! And now his freedom he attain'd-if free The lost to reason, truth, and hope, can be; The playful children of the place he meets; Playful with them he rambles through the streets; In all they need, his stronger arm he lends, And his lost mind to these approving friends. That gentle maid, whom once the youth had Is now with mild religious pity moved; [loved, Kindly she chides his boyish flights, while he Will for a moment fix'd and pensive be; And as she trembling speaks, his lively eyes Explore her looks, he listens to her sighs; [vade Charm'd by her voice, the harmonious sounds inHis clouded mind, and for a time persuade: Like a pleased infant, who has newly caught, From the maternal glance, a gleam of thought; He stands enrapt, the half-known voice to hear, And starts, half-conscious, at the falling tear! Rarely from town, nor then unwatch'd, he goes, In darker mood, as if to hide his woes; But, soon returning, with impatience seeks [speaks; THE DREAM OF THE CONDEMNED. WHEN first I came Within his view, I fancied there was shame, I judged resentment; I mistook the airThese fainter passions live not with despair; Or but exist and die:-Hope, fear, and love, Joy, doubt, and hate, may other spirits move, But touch not his, who every waking hour Has one fix'd dread, and always feels its power. He takes his tasteless food; and, when 'tis done, Counts up his meals, now lessen'd by that one; For expectation is on time intent, Whether he brings us joy or punishment. Yes! e'en in sleep th' impressions all remain; He hears the sentence, and he feels the chain; He seems the place for that sad act to see, And dreams the very thirst which then will be! A priest attends-it seems the one he knew In his best days, beneath whose care he grew. At this his terrors take a sudden flightHe sees his native village with delight; The house, the chamber, where he once array'd His youthful person; where he knelt and pray'd: Then too the comforts he enjoy'd at home, The days of joy; the joys themselves are come; "Yes! all are with him now, and all the while The waves that faintly fall and slowly run- A SEA FOG. WHEN all you see through densest fog is seen; When you can hear the fishers near at hand Distinctly speak, yet see not where they stand; Or sometimes them and not their boat discern, Or, half-conceal'd, some figure at the stern; Boys who, on shore, to sea the pebble cast, Will hear it strike against the viewless mast; While the stern boatman growls his fierce disdain, At whom he knows not, whom he threats in vain. '"T is pleasant then to view the nets float past, Net after net, till you have seen the last; And as you wait till all beyond you slip, A boat comes gliding from an anchor'd ship, Breaking the silence with the dipping oar, And their own tones, as labouring for the shore; Those measured tones with which the scene agree, And give a sadness to serenity. |