THE PENITENT. WITH guilt and shame opprest, Where shall I turn for rest, Where look for timely succour from despair? I try the world in vain. I court earth's fluttering train, But find, alas! no hope, no consolation, there. Now glory's trumpet-call, Now pleasure's crowded hall, Now wealth, now grandeur, every thought employs; Vain, weary, wasted hours! E'en midst life's fairest flowers Fell disappointment lurks and poisons all our joys. Then whither shall I fly ? To Christ, to God, on high To Him lift up thy soul in contrite prayer! He sees the lowly heart, He will His grace impart, And e'en to sinners yield a refuge from despair. ON A DEAR CHILD. "Of such is the kingdom of God." FLOWERS for the loved, the lost! Bring flowers, They charm'd him in life's happiest hours, Meet emblems of a spring, like his, That stole, in dreams of gentle bliss We weep, though not in bitterness, No painful recollections rise His morn-it dawn'd so blest, He's far away! Yet still I gaze I listen for his airy tread, His voice I turn to hear, Nor knew I, till their sounds had fled, That he was half so dear. Each scene he loved, -the sandy wild, The rocks, the lone-blue sea, The birds, the flowers, on which he smiled,Shall long be dear to me. Oh, had I been beside his bed, But one sad kiss to share, To soothe, perchance, his throbbing head, To hear his heart's meek prayer. To press his little grateful hand, To watch his patient breath, And gaze upon that smile, so bland, So beautiful, in death. But these are past. And why, my child, Thou wert a plant, too rare, too mild, Oh, why should we disturb thy bliss, TWYDEE. Go, roam through this isle; view her oak-bosom'd towers, View the scenes which her Stowes and her Blenheims impart; See lawns, where proud wealth has exhausted its powers, And nature is lost in the mazes of art; Far fairer to me With her rocks, and her floods, and her wildblossom'd bowers. Here mountain on mountain exultingly throws Through storm, mist, and snow, its bleak crags to the sky; In their shadow the sweets of the valley repose, While streams, gay with verdure and sunshine, steal by; Here bright hollies bloom Through the steep thicket's gloom, And the rocks wave with woodbine, and hawthorn, and rose. 'Tis eve; and the sun faintly glows in the west, But thy flowers, fading Skyrrid, are fragrant with dew, And the Usk, like a spangle in nature's dark vest, Breaks, in gleams of far moonlight, more soft on the view; By valley and hill All is lovely and still, And we linger, as lost, in some isle of the blest. Oh, how happy the man who, from fashion's cold ray, Flies to shades, sweet as these, with the one he loves best! With the smiles of affection to gladden their day, While the torments of life, Pass, like storms heard at distance, unheeded away. blished Church, holding an important station in Birmingham, where his high intellectual qualities and deep earnestness of feeling attach to him the hearts of all who know him. He has been already introduced to American readers, by WASHINGTON IRVING's happy quotations from some of his poems in the "Sketch Book." Mr. KENNEDY also wrote and published, in 1837, a "Tribute in Verse to the RANN KENNEDY. MR. KENNEDY is a clergyman of the Esta- | Character of the late GEORGE CANNING;" and JOHN WILSON. DOMESTIC BLISS. THROUGH each gradation, from the castled hall, All that desire would fly for through the earth; THE MERRY BELLS OF ENGLAND. You hear, as I, the merry bells of England: And tapering spire, that crowns an upland lawn, To the lone traveller, only by their tongue. They speak of sorrow, and of sorrow's cure. in 1840, his chief production, a volume from the press of Saunders and Otley, embracing "Britain's Genius; a Mask on occasion of the Marriage of Victoria," and a lyrical poem, "The Reign of Youth." The last illustrates the passions of youth as they successively arise. Wonder is succeeded by Mirth; Hope arises in the disappointment of Imagination, and Love succeeds to Ambition. "Tis happy for a land and for its people, When the full spirits of the young and old Shall thus flow out in artlessness of sport. Waters, long pent, may swell to monstrous danger, Sullen and still, with deluge in their power. Far otherwise 't will be, when timely vents Give them to run in many a babbling rill Through vales or down the rocks, and then disperse, Yet leave a green effect on laughing fields Still more and more we hear those pealing bellsHow true in tone they are! Sweet bells, oft heard, and most, if their discourse Shall meet life's daily ear, act wholesomely Upon life's daily mind. AMBITION. YET these are but a herald band- These shall but wait On his heroic state, And act at his command. He comes! Ambition comes; his way prepare!- And loud-voiced trumpets his approach declare! While before his champion pride Valleys rise, and hills subside, His mighty thoughts, too swift for lagging time, Each deed conceived, appears already done, PROFESSOR WILSON, the "Christopher | reputation, however, rests less upon these North" of Blackwood, and altogether one of the most remarkable men of our age, was born at Paisley, in Scotland, in May, 1789. On completing his preparatory studies at Glasgow, he entered Magdalen College, Oxford, where he soon distinguished himself, and obtained the prize for English poetry against a numerous and powerful competition. His education finished, he purchased a beautiful estate on the borders of the Winandermere, where he resided until called to the chair of Moral Philosophy, in the University of Edinburgh, in 1820. He had already established on a firm basis his reputation as a poet, by the publication of The Isle of Palms, written in his eighteenth year, and a work of still higher merit, The City of the Plague, which appeared in 1816. The Isle of Palms is the story of two lovers, wrecked on an island of the Indian seas, where they remain seven years, at the end of which time they are discovered and carried home to England. It is full of splendid descriptions of nature and of feeling. The City of the Plague is founded on the history of the great plague in London. It is referred to by LORD BYRON in the preface to The Doge of Venice, as one of the very few evidences that dramatic power was not then extinct in England. Without a doubt it is the best of WILson's poems, and one of the first productions of the sort which the century has furnished. WILSON is most successful as a descriptive poet. His fancy is somewhat too exuberant, his metaphors too profuse: but they are from life and nature, and not from the elder bards. He has great delicacy of sentiment, and some of his delineations of character are not surpassed in English poetry. His morality is never hesitating or questionable. In all his works there is no sentiment of doubtful application. Since his election to the Professorship of Philosophy, WILSON has written little poetry, but in his prose tales, The trials of Margaret Lindsay, The Foresters, and the admirable Lights and Shadows of Scottish Life, he has shown the genius of which in an earlier period his poetical writings gave assurance. His works than upon his contributions to Blackwood's Magazine, of which he has been editor from nearly its commencement. His critical and miscellaneous essays in Blackwood have recently been collected and published by Carey and Hart, who have likewise issued an edition of that most remarkable series of papers that ever appeared in any periodical, The Noctes Ambrosianæ. It is difficult to describe these Noctes. They exhibit a genius the most versatile in English literature. More than any thing else they gave the magazine its deserved reputation as the first of its class in the world. It is almost unnecessary to say, since they have been so universally read, that The Noctes Ambrosianæ purport to be dialogues between Christopher North (Professor WILSON,) The Shepherd (JAMES HOGG,) Sir Morgan O'Doherty (the late Dr. MAGINN,) and other persons, on subjects of popular interest in the months preceding the publication of the respective numbers; that they abound in masterly criticism and striking portraitures of character; that they are full of the richest humour, the keenest wit, the most biting sarcasm, the deepest pathos, and the most profound philosophy; amusing by a playful dalliance, and commanding attention by high reflections on life and death, the terrors of conscience and the hope of immortality. man. The works of Professor WILSON reflect the His colloquial powers are very great, and he talks as he writes with a hearty sincerity and originality that command respect and admiration. He has a sound heart, and a body, like his mind, of manly proportions, robust, and powerful. Few are more fond of the sports of the field, of the rod and the gun, or use them with more skill. The mountains and lakes of Scotland are as familiar to his eye as is his own estate on the Winandermere. He still fills the chair of Philosophy at Edinburgh, and from all that I have read, or learned in conversation with those who know him, he is about as fine a specimen of a man as the times can furnish, all the severe things he has said of our country to the contrary notwithstanding. TO A SLEEPING CHILD. ART thou a thing of mortal birth, Whose happy home is on our earth? Does human blood with life embue Those wandering veins of heavenly blue, That stray along thy forehead fair, Lost mid a gleam of golden hair? Oh! can that light and airy breath Steal from a being doom'd to death; Those features to the grave be sent In sleep thus mutely eloquent; Or, art thou, what thy form would seem, A phantom of a blessed dream? A human shape I feel thou art, I feel it at my beating heart, To me thy parents are unknown; How happy must thy parents be I call'd thee duteous; am I wrong? To love!-for fiends of hate might see Oh! that my spirit's eye could see Whence burst those gleams of ecstasy : That light of dreaming soul appears To play from thoughts above thy years. Ere sin destroy, or error dim, But now thy changing smiles express And live thou surely must; thy life Thrice blessed he! whose stars design Oh! vision fair! that I could be No common impulse hath me led In glittering fields, and moveless trees, 1 After a warm and silent shower, Ere falls on earth the twilight hour. What led me hither, all can say, Who, knowing God, his will obey. Thy slumbers now cannot be long: Fair was that face as break of dawn, While thy hush'd heart with visions wrought, And lovely is that heart of thine, O happy sprite! didst thou but know But with deep joy I breathe the air THE THREE SEASONS OF LOVE. And woman's sense in thee combined Gently with childhood's simplest mind, First taught'st my sighing soul to move With hope towards the heaven of love! Now years have given my Mary's face By thy glad youth, and tranquil prime THE HUNTER. HIGH life of a hunter! - he meets, on the hill, To him comes in echo more awfully loud. motion, WITH laughter swimming in thine eye, That told youth's heartfelt revelry! O'erflows the lone glens-an aërial ocean,- As wild Gaelic songs to his infancy told; O'er the mountains a thousand plumed hunters are borne, Thy image such, in former time, When thou, just entering on thy prime, And he starts from his dream, at the blast of the horn! |