Makes faint withtoo much sweet these heavy-winged thieves. LOVE'S PHILOSOPHY. THE fountains mingle with the river, See the mountains kiss high heaven, What are all these kissings worth, THE CLOUD. I BRING fresh showers for the thirsting flowers, From the seas and the streams ; I bear light shades for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken I sift the snow on the mountains below, In a cavern under is fetter'd the thunder, Over earth and ocean with gentle motion, Lured by the love of the genii that move The spirit he loves remains; And I all the while bask in heaven's blue smile, The sanguine sunrise, with his meteor eyes, An eagle alit one moment may sit [beneath, And when sunset may breathe, from the lit sea Its ardours of rest and of love, And the crimson pall of eve may fall From the depth of heaven above, With wings folded I rest, on mine airy nest, That orbed maiden, with white fire laden, Glides glimmering o'er my fleece-like floor, Which only the angels hear, May have broken the woof of my tent's thin roof, When I widen the rent in my wind-built tent, Till the calm rivers, lakes, and seas, I bind the sun's throne with the burning zone, The volcanoes are dim, and the stars reel and swim, Sunbeam-proof, I hang like a roof, The triumphal arch through which I march When the powers of the air are chain'd to my chair, Is the million-colour'd bow; The sphere-fire above its soft colours wove, I am the daughter of earth and water, I pass through the pores of the ocean and shores; For after the rain, when with never a stain, The pavilion of heaven is bare, [gleams, WRITTEN IN DEJECTION, NEAR NAPLES. THE Sun is warm, the sky is clear, The winds, the birds, the ocean floods, I see the deep's untrampled floor With green and purple seaweeds strown: I see the waves upon the shore, Like light dissolved in star-showers, thrown: I sit upon the sands alone, The lightning of the noontide ocean Is flashing round me, and a tone Arises from its measured motion, How sweet! did any heart now share in my emotion. Smiling they live and call life pleasure ;To me that cup has been dealt in another measure. Yet now despair itself is mild, Which I have borne and yet must bear, My cheek grow cold, and hear the sea ill linger, though enjoy'd, like joy in memory yet. SHALL we roam, my love, To the twilight grove, When the moon is rising bright; Oh, I'll whisper there, What I dare not in broad day-light! I'll tell thee a part Of the thoughts that start To being when thou art nigh; And thy beauty, more bright Than the stars' soft light, Shall seem as a weft from the sky. When the pale moonbeam On tower and stream Sheds a flood of silver sheen, How I love to gaze As the cold ray strays O'er thy face, my heart's throned queen! Wilt thou roam with me To the restless sea, And linger upon the steep, And list to the flow Of the waves below How they toss and roar and leap? Those boiling waves And the storm that raves At night o'er their foaming crest, Resemble the strife That, from earliest life, The passions have waged in my breast. Oh, come then and rove To the sea or the grove, When the moon is shining bright, And I'll whisper there, In the cool night-air, What I dare not in broad day-light. FELICIA HEMANS. Her domestic sorrows, and the earnestness with which she devoted herself to literary pursuits, had long before impaired her health; and now her decline became rapid, and induced forebodings of death. Her poems, written in this period, were marked by a melancholy despondency, yet with a Christian resignation. After an illness singularly painful and protracted, she died on the sixteenth of May, 1835, in the forty-second year of her age, and was buried in the vault of St. Anne's, in Dublin. FELICIA DOROTHEA BROWNE was born in Liverpool on the twenty-first of September, 1793. Her childhood was passed among the wild mountain scenery of Wales, where the earliest and most constant of her studies was the greatest of poets. SHAKSPEARE and nature-nature so sublime as that she daily gazed on-had their due influence in fashioning a mind which had been created far superior to the common order of intellects, and before she was thirteen years of age Miss BROWNE had a printed collection of verses before the world. From this period to the end of her history she sent forth volume after volume, each surpassing its predecessor in tenderness and beauty. | womanly delicacy of feeling, never exagge At nineteen she was married to Captain HEMANS, of the Fourth Regiment. He was of an irritable temperament, and his health had been injured by the vicissitudes of a military life. They lived together unhappily for several years, when Captain HEMANS left England for Italy, and never returned. Mrs. HEMANS continued to reside with her mother and her sister, Miss MARY ANNE BROWNE, now Mrs. GRAY, a poetess of some reputation, near St. Asaph, in North Wales, where she devoted her attention to literature and to the education of her children, five sons, in whom all her affections from this time were centered. Here she wrote The Restoration of the Works of Art to Italy, Modern Greece, Translations from Camoens, Wallace, Dartmoor, The Sceptic, Welsh Melodies, Historic Scenes, The Siege of Valencia, The Vespers of Palermo, The Forest Sanctuary, The Songs of the Affections, Records of Women, and the Lays of Many Lands. The death of her mother, in 1827, induced Mrs. HEMANS to leave Wales and reside at Wavertree, near Liverpool. While here she made two visits to Scotland, and was warmly received by JEFFREY, WALTER SCOTT, and the other eminent literary persons of the northern metropolis. On her return from her second tour in Scotland, she changed her residence from Wavertree to Dublin, where she published her Hymns for Children, National Lyrics, and Songs for Music. The most remarkable characteristics of Mrs. HEMANS's poetry are a religious purity and a rated, rarely forgotten. Writing less of love, in its more special acceptation, than most female poets, her poems are still unsurpassed in feminine tenderness. Devotion to God, and quenchless affection for kindred, for friends, for the suffering, glow through all her writings. Her sympathies were not universal. They appear often to be limited by country, creed, or condition; and she betrays a reverent admiration for rank, power, and historic renown. The trappings of royalty and nobility are to her no tinsel, but bespeak merit, wisdom, greatness of soul; they imply virtue, and almost excuse vice. The panoply of war she deems a web of finest tissues; the sword the minister of Justice, the avenger of Innocence: forgetful that it has more often availed to commit wrong than to redress wrong, to spread desolation than to arrest it. Yet as the poet of home, a painter of the affections, she was perhaps the most touching and beautiful writer of her age. The tone of her poetry is indeed monotonous; it is pervaded by the tender sadness which for ever preyed upon her spirit, and made her an exile from society; but it is all informed with beauty, and rich with most apposite imagery and fine descriptions. Many editions of the works of Mrs. HEMANS have appeared in this country, of which the best, indeed the only one that has any pretensions to completeness, is that of Lea and Blanchard, in seven volumes, with a preliminary notice by Mrs. SIGOURNEY. JOAN OF ARC, IN RHEIMS. THAT was a joyous day in Rheims of old, [ing Tinged with soft awfulness a stately sight. gleaming, Silent and radiant stood? -The helm was raised, And the fair face reveal'd, that upward gazed. Intensely worshipping:-a still, clear face Youthful, but brightly solemn!- Woman's cheek And brow were there, in deep devotion meek, Yet glorified with inspiration's trace Guided the warrior where the swords flash'd high? Hath woman, mantled with victorious power, The rites are done. And come thou forth, that Heaven's rejoicing sun May give thee welcome from thine own blue skies, Gush'd through the portals of the antique fane, And forth she came. Then rose a nation's sound, Oh! what a power to bid the quick heart bound The wind bears onward with the stormy cheer Man gives to glory on her high career! Is there indeed such power?-far deeper dwells fill'd The hollow heaven tempestuously, were still'd One moment; and in that brief pause, the tone As of a breeze that o'er her home had blown, Sank on the bright maid's heart. - "Joanne!" Who spoke [grew Like those whose childhood with her childhood Under one roof? - "Joanne!"-that murmur broke With sounds of weeping forth!-she turn'd- Beside her, mark'd from all the thousands there, Her spirit turn'd. The very wood-note, sung In early spring-time by the bird, which dwelt Where o'er her father's roof the beech-leaves hung, Was in her heart; a music heard and felt, Winning her back to nature. She unbound The helm of many battles from her head, And, with her bright locks bow'd to sweep the ground, Lifting her voice up, wept for joy, and said"Bless me, my father, bless me! and with thee, To the still cabin and the beechen-tree, Let me return!" Oh! never did thine eye Through the green haunts of happy infancy Wander again, Joanne!-too much of fame Had shed its radiance on thy peasant name; And bought alone by gifts beyond all price, The trusting heart's repose, the paradise Of home with all it loves, doth fate allow The crown of glory unto woman's brow. THE AMERICAN FOREST GIRL. WILDLY and mournfully the Indian drum On the deep hush of moonlight forests broke;"Sing us a death-song, for thine hour is come,". So the red warriors to their captive spoke. Still, and amidst those dusky forms alone, A youth, a fair-hair'd youth of England stood, Like a king's son; though from his cheek had flown The mantling crimson of the island blood, And his press'd lips look'd marble. Fiercely bright, And high around him, blazed the fires of night, Rocking beneath the cedars to and fro, As the wind pass'd, and with a fitful glow Lighting the victim's face. But who could tell Of what within his secret heart befell, [thought Known but to Heaven that hour? - Perchance a Of his far home, then so intensely wrought That its full image, pictured to his eye On the dark ground of mortal agony, Rose clear as day!-and he might see the band Of his young sisters wandering hand in hand, |