1 These may kindle the breasts of the weak to complain, They only can teach resignation to mine: For far o'er the regions of doubt and of dreaming, The spirit beholds a less perishing span; And bright through the tempest the rainbow is streaming, The sign of forgiveness from MAKER to Man! WEEP NOT FOR HER. WEEP not for her! Her span was like the sky, Weep not for her! She died in early youth, Her summer prime waned not to days that freeze, Weep not for her! Weep not for her! By fleet or slow decay Weep not for her! Weep not for her! It was not hers to feel Weep not for her! She is an angel now, Sin, sorrow, suffering, banish'd from her eyes; Weep not for her! Her memory is the shrine Of pleasant thoughts, soft as the scent of flowers, Calm as on windless eve the sun's decline, Sweet as the song of birds among the bowers, Weep not for her! There is no cause of wo, And from earth's low defilements keep thee back; So, when a few fleet swerving years have flown, She'll meet thee at heaven's gate-and lead thee on: Weep not for her! FLODDEN FIELD. 'Twas on a sultry summer noon, The sky was blue, the breeze was still, And Nature with the robes of June Had clothed the slopes of Flodden Hill,As rode we slowly o'er the plain, Mid wayside flowers and sprouting grain; The leaves on every bough seem'd sleeping, And wild bees murmur'd in their mirth, So pleasantly, it seem'd as earth A jubilee was keeping! And canst thou be, unto my soul I said, that dread Northumbrian field, Where war's terrific thunder roll Above two banded kingdoms peal'd? From out the forest of his spears Ardent imagination hears The crash of Surrey's onward charging; While curtel-axe and broad-sword gleam Opposed, a bright, wide, coming stream, Like Solway's tide enlarging. Hark to the turmoil and the shout, The war-cry, and the cannon's boom! Behold the struggle and the rout, The broken lance and draggled plume! Borne to the earth, with deadly force, Comes down the horseman and his horse; Round boils the battle like an ocean, While stripling blithe and veteran stern Pour forth their life-blood on the fern, Amid its fierce commotion! Mown down like swathes of summer flowers, Yes! on the cold earth there they lie, The chosen of her chivalry! Liest low amid the bleeding! Yes! here thy life-star knew decline, And what it wish'd full oft believed:- And were the nameless dead unsung, The patriot and the peasant train, Who like a phalanx round thee clung, To find but death on Flodden Plain? No! many a mother's melting lay Mourn'd o'er the bright flowers wede away; And many a maid, with tears of sorrow, Whose locks no more were seen to wave, Wept for the beauteous and the brave, Who came not on the morrow! EDWARD MOXΟΝ. THIS modern classic bookseller is a worthy | of "Elia" are frankincense laid on the tomb St. Peter, holding the keys to the Heaven of Poetry. By his enterprise and liberality he has brought BEAUMONT and FLETCHER, BEN JONSON, MASSINGER and WYCHERLEY to the table and shelf of the poor scholar, a benevolent work for which the lovers of wit, sentiment, and verse, the friends of all true humanities, "rise up and call him blessed." Mr. MOXON is the publisher of ROGERS, WORDSWORTH, CAMPBELL, TALFOURD, TENNYSON, HUNT, and BROWNING. He was the friend of LAMB when living, -" closer than a brother," and death has not ended the sweet labours of friendship. The numerous editions of a noble spirit. Mr. Moxon, too, has suffered a prosecution for the publication of SHELLEY, and been vindicated in England by the eloquence of TALFOURD; though he has needed no vindication, for his motives are here above the reach of his assailant. If pure sentiment and the cultivation of the heart's best affections needed any introduction to the soul of the reader, they would have it here in Mr. MoxON, the friend of the Muses and their sons. But Mr. MoxON on the score of his own merits may stand "unbonnetted" among his brethren. We quote from the edition of his poems published in 1843. TO THE MUSE. FAIREST of virgins, daughter of a God, That through thy aid he still in paradise may live! And journey through a land where peerless plea- At noon thou bid'st descend a golden shower; Thou makest the lone Philomel to sing, Bid'st Memory wake 'neath yonder walls, The heavens thou makest cloudless and serene, In yonder Shakspeare dwells, that Milton doth inherit. The goodly of old time thou bring'st to view, Clad in bright steel, a warlike band; And at their head the man whom she could naught Old bards are there! mine eyes in reverence fall Enjoy, by thy blest presence more voluptuous made. Thou makest the precious tear to gush from eyes, At eve, when twilight like a nun is seen, Pacing the grove with pensive mien, Strangers to nature's sympathies; Have knelt, and solace found in dire adversity. No hour can be compared with thine 'twixt day | Through thee the lover sees with frantic pride and night. 'Tis, as it fadeth, like the farewell smile, Which settles on the lips awhile Resign to heaven their souls, to us their latest breath. His mistress fairer than Troy's bride; dart. *Sir Philip Sidney. Her face thou makest a heaven, and her eyes Wisdom, and Hope, calm Thought, and blest Tranquillity. Ambition blighted seeks thee, and the shade; Thou spread'st the canvass, and with gentlest winds A DREAM. METHOUGHT my love was dead. Oh, 't was a night That all the fires in heaven compared with this Were scarce perceptible to my weak sight. There seem'd henceforth the haven of my bliss; The lone star set: I woke full glad, I deem, LIFE. Or cypress waves o'er friends who long have bid AH! what is life! a dream within a dream; adieu. Thou sooth'st the weary and uplift'st the low; The voice of God thou wert below: The holy prophets spake through thee, [tree. And wept to see their harps hang mute on willowWhere now had been the warlike of old Troy, Whom Time nor tyrants can destroy, If the bold Muse had never lent Her aid to sing her chiefs brave, wise, or eloquent ? Who, when the patriot falls 'neath ruthless power, Revives for aye the genial shower; Whose moisture, like the morning's dews, Keeps fresh the flower of fame-Who but the heavenly Muse ? Thou art the eye of pity, that surveys Man wandering through life's mystic ways; His loves, his laughs, his tears: like him, thou art a dream. Forgive, blest Muse, my want of skill to sing Thy wonderous praise. Oh round me fling The mantle of sweet thought; and strew, As erst, with flowers, the path I pensive still pursue. LOVE. THERE is a flower that never changeth hue; The hills re-echo with a song of gladness; The heavens themselves their store of tribute bring, And in this flower all things renounce their sadness. O Love! where is the heart that knows not thee? Thou only bloomest everlastingly! A pilgrimage from peril rarely free; A bark that sails upon a changing sea, Now sunshine and now storm; a mountain stream, Heard, but scarce seen ere to the dark deep gone; A wild star blazing with unsteady beam, Yet for a season fair to look upon. Life is an infant on affection's knee, A youth now full of hope and transient glee, In manhood's peerless noon now bright, anon, A time-worn ruin silver'd o'er with years. Life is a race where slippery steeps arise, Where discontent and sorrow are the prize, And when the goal is won the grave appears. WALTON. WALTON! when, weary of the world, I turn At fortune, who, though lavish of her store, SCENES OF CHILDHOOD. AND do I then behold again the scene, Alas! how changed are we who once did rove, The charm and hope of youth the green leaves 'Tis only man that blossoms and decays, To know no second spring. I thoughtful gaze With dream of years long past, and drop a tear. SIDNEY. SIDNEY, thou star of beaming chivalry, That rose and set 'mid valour's peerless day; Rich ornament of knighthood's milky-way; How much our youth of England owe to thee, Thou model of high learning and meek grace, That realized an image which did find No place before, save in the inventive mind Of hoping man. In thee we proudly trace All that revered Antiquity can show Of acts heroic that adorn her page, Blending with virtues of a purer age. Upon thy tomb engrafted spirits grow, Where sit the warbling sisters who attend The shade made sacred to the Muses' friend. SOLACE DERIVED FROM BOOKS. HENCE care, and let me steep my drooping spirit In streams of poesy, or let me steer Imagination's bark 'mong bright scenes, where Mortals immortal fairy-land inherit. Ah me! that there should be so few to merit The realized hope of him, who deems Too blest, if but awhile I captive share TO A BIRD. SWEET captive, thou a lesson me hast taught For one in dull abode like thine, I trace, Thou to some woodland image tunest thy song; A prisoner too to hope, like him, sweet bird, In lonely cell thou sing'st, and sing'st unheard. A MOTHER SINGING. HARK, 'tis a mother singing to her child Those madrigals that used her ears to greet, When she, an infant like that spring-flower sweet, Lent her charm'd ears to nurse, or mother mild, That sang those nursery stories strange and wildOf knights, of robbers, and of Fairy queens Dwelling in castles mid enchanted scenes The songs which plain antiquity beguiled. Is ploughing, 'neath his guidance, Indian seas; POESY. DIVINEST Poesy! without thy wings Life were a burden, and not worth receiving; Youth fadeth like a dream, care keeps us grieving, Early we sicken at all pleasure brings. Thou only art the ever genial maid, That strew'st with flowers the winter of our way; Companion meet in city or in shade, Magician sweet whose wand all things obey; Thou peoplest with divinities the grove, Picturest old times, and with creative skill, Mould'st men and manners to thy heavenly will. Mistress of sympathy and winning love, Oh be thou ever with me, with me-wholly, To smile when I am gay, to sigh when melancholy. AND what was Stella but a haughty dame? Or Geraldine, whom noble Surrey sought? Or Sacharissa, she who proudly taught The courtly Waller statelier verse to frame ? Or Beatrice, whom Dante deified ? Or she of whom all Italy once rung, Compared with thee, who art our age's pride, And the sweet theme of many a poet's tongue ? There is a nobleness that dwells within, Fairer by far than any outward feature; A grace, a wit to gentleness akin, That would subdue the most unloving creature. These beauties rare are thine, most matchless maid, Compared with which, theirs were but beauty's shade. ROUEN. BRIGHT was the moon as from thy gates I went, Surpassing in magnificence that seat I still shall mingle with thy ancient throng; Shall pace thy marble halls, and gaze among The Gothic splendours of thy once bright day, When the first Francis was thy guest, and thou Thyself didst wear a crown upon thy brow! PIETY. METHOUGHT I heard a voice upon me call, Nor fortune's, nurse of impotence and care; MRS. NORTON. CAROLINE ELIZABETH SARAH NORTON is a granddaughter of RICHARD BRINSLEY SHERIDAN, and the inheritor of his genius. While she was an infant, her father, THOMAS SHERIDAN, sought the renovation of a shattered constitution in the tropical seas, but unsuccessfully, for four years after leaving England he died at the Cape of Good Hope, whence his widow returned home, and, living in seclusion, devoted herself with untiring assiduity to the education of her children, the author of The Dream, and another daughter, now the Hon. Mrs. PRICE BLACKWOOD, author of The Irish Emigrant's Lament and other popular songs. mies of that nobleman, Mr. NORTON instituted a prosecution on a charge involving her fidelity. All the low arts which well-feed attorneys and a malignant prosecutor could devise were put in requisition. Forgery, perjury, the searching scrutiny of private papers, the exhibition of the most thoughtless and trivial incidents and conversations in her history, were resorted to. But all were unavailing. She passed the ordeal with her white robes unsullied by the slightest stain. An acquittal by the jury and the people, however, poorly atoned the injustice of the accusation. Mrs. NORTON has been styled the BYRON of her sex. Though she resembles that great poet in the energy and mournfulness so often pervading her pages, it would be erroneous to These sisters exhibited an almost unexampled precocity. They rivalled the celebrated Misses DAVIDSON of this country in the earliness and perfection of their mental develop- ❘ confound her sorrowful craving for sympathy, ment. At twelve CAROLINE SHERIDAN wrote verses which even now she would not be ashamed to see in print, and at seventeen she finished The Sorrows of Rosalie, which gave abundant promise of the reputation she has since acquired. Two years afterward she was married to the Hon. GEORGE CHAPPLE NORTON, a brother to Lord GRANTLEY. Mr. NORTON proposed for Miss SHERIDAN when she was sixteen; but her mother postponed the contract three years, that the daughter might herself be better qualified to fix her choice. In this period she became acquainted with one whose early death alone prevented a union more consonant to her feelings; and when Mr. NORTON renewed his proposal he was accepted. The unhappiness of this union is too well known to be passed over in silence. Ingenuous and earnest as the poetical nature invariably is, trustful, ardent, and reliant upon its own intrinsic worthiness, it is too often regardless of those conventional forms which become both a barrier and a screen to the less pure in heart. Occupying the most enviable position in society, surpassing most of her sex as much in personal beauty as in genius, it were a wonder had she escaped the attacks of envy and malevolence. While Lord MELBOURNE was prime minister, urged on by the political ene womanly endurance, resignation, and religious trust, with the refined misanthropy of Childe Harold. She feels intensely, and utters her thoughts with an impassioned energy; but they are not the vapourings of a sickly fancy, nor the morbid workings of undue self-love; they are the strong and healthful action of a noble nature abounding in the wealth of its affections, outraged and trampled upon, and turning from its idols to God when the altar at which it worshipped has been taken away. Mrs. NORTON now lives in comparative retirement, admired by the world, and idolized by the few admitted to her friendship. Besides the Sorrows of Rosalie, The Undying One, and The Dream, (the last and best of her productions,) she has written many shorter poems of much beauty, which have probably been more widely read than the works of any poetess except Mrs, HEMANS. The poetry of Mrs. NORTON is often distinguished for a masculine energy, and always for grace and harmony. She has taste, an affluent fancy, and an unusual ease of expression. Her principal fault is diffuseness; she writes herself through, giving us all the progress of her mind and the byplay of her thought. Her recent works are, however, more compressed and carefully finished than those of an earlier date. |