It will not be ;-away, bright cheat, away! THE GROTTO OF EGERIA. A GUSH of waters!-faint, and sweet, and wild, Yet speaking like a trumpet to the heart, Silent, yet full of voices!-desolate, Yet fill'd with memories, like a broken heart! Oh! for a vision like to his who sate With thee, and with the moon and stars, apart, By the cool fountain, many a livelong even, That speaks, unheeded, to the desert, now, When vanish'd clouds had left the air all heaven, And all was silent, save the stream and thou, Egeria!-solemn thought upon his brows, And all the bosom's shatter'd strings made whole, Thy look, that utter'd wisdom while it warm'd, And breathed an atmosphere below, above, Beautiful dreams! that haunt the younger earth, In poet's pencil or in minstrel's song, Like sighs, or rainbows, dying in their birth, Perceived a moment, and remember'd long! But, no!-bright visions!-fables of the heart! Not to the past, alone, do ye belong; Types for all ages,-wove when early art To feeling gave a voice to truth a tongue! Oh! what if gods have left the Grecian mount, And shrines are voiceless on the classic shore, And long Egeria by the gushing fount Waits for her monarch-lover never more, Who hath not his Egeria ?-some sweet thought, And sings of hope, beside the fount of tears. In the heart's trance the calenture of mind That haunts the soul-sick mariner of life, And paints the fields that he has left behind, Like green morganas, on the tempest's strife; In the dim hour when memory-whose song Is still of buried hope sings back the dead, And perish'd looks and forms-aphantom-throng,With melancholy eyes and soundless tread, Like lost Eurydices, from graves, retrack The long-deserted chambers of the brain, Until the yearning soul looks fondly back, To clasp them, and they vanish, once again; At even,-when the fight of youth is done, And sorrow-like the "searchers of the slain,". Turns up the cold, dead faces, one by one, Of prostrate joys and wishes, but in vain ! And finds that all is lost, and walks around, Mid hopes that, each, has perish'd of its wound; Then, pale Egeria! to thy moon-lit cave The madden'd and the mourner may retire, To cool the spirit's fever in thy wave, And gather inspiration from thy lyre; In solemn musings, when the world is still, To woo a love less fleeting to the breast, Or lie and dream, beside the prophet-rill That resteth never, while it whispers rest; Like Numa, cast earth's cares and crowns aside, And commune with a spiritual bride! THE TEMPLE OF JUPITER OLYMPIUS, AT ATHENS. THOU art not silent! - oracles are thine Which the wind utters, and the spirit hears, Lingering, mid ruin'd fane and broken shrine, O'er many a tale and trace of other years! Bright as an ark, o'er all the flood of tears That wraps thy cradle-land-thine earthly love, Where hours of hope, mid centuries of fears, Have gleam'd, like lightnings through the gloom above, [Jove! Stands, roofless to the sky, thy home, Olympian Thy column'd aisles with whispers of the past Are vocal, and, along thine ivied walls, While Elian echoes murmur on the blast, And wild-flowers hang, like victor-coronals, In vain the turban'd tyrant rears his halls, And plants the symbol of his faith and slaughters; Now, even now, the beam of promise falls Bright upon Hellas, as her own bright daughters, And a Greek Ararat is rising o'er the waters! Thou art not silent! when the southern fairIonia's moon-looks down upon thy breast, Smiling, as pity smiles above despair, Soft as young beauty soothing age to rest,一 Sings the night-spirit in thy weedy crest, And she, the minstrel of the moonlight hours Breathes-like some lone one, sighing to be blestHer lay, half hope, half sorrow, from the flowers, And hoots the prophet owl, amid his tangled bowers! And, round thine altar's mouldering stones are born Mysterious harpings, wild as ever crept From him who waked Aurora, every morn, And sad as those he sung her, till she slept! A thousand and a thousand years have swept O'er thee, who wert a moral from thy spring, A wreck in youth! nor vainly hast thou kept Thy lyre: Olympia's soul is on the wing, And a new Iphitus has waked, beneath its string! I LEAVE thee now, my spirit's love! Than in thy glow of gladness, now! Then come to me,-thy wounded heart Thou leavest me for the world! then go! And, should that world look dark and cold, Then turn to him whose silent truth Will still love on, when worn and old, The form it loved so well in youth! Like that young bird that left its nest, Lured, by the warm and sunny sky, From flower to flower, but found no rest, And sought its native vale to die; Go! leave my soul to pine alone; But, should the hopes that woo thee, wither, Return, my own beloved one! And let-oh, let us die together! STANZAS TO A LADY. THE rose that deck'd thy cheek is dead, Thy brow has lost its gladness; And grief has given to thine eye Receives, when daylight's splendour A bloom more pure and tender; When angels walk the quiet even, On messages of love from heaven! Thy low sweet voice, in every word, Breathes-like soft music far-off heard The soul of melancholy! And oh! to listen to thy sigh! The evening gale that wanders by The rose is not so holy! But none may know the thoughts that rest For oh! thou art, to mortal eyes, Back to thy native heaven! ELIZABETH B. BARRETT. such verses. AMERICAN readers have as yet seen but few | GREY; but Lady JANE GREY has left us no of the productions of this lady, but she has already made herself a home in the hearts of the people; a proof that the popular taste does not lie altogether in the direction of singsong echoes, sickly sentiment, or empty blank verse; and a proof, too, in her own case, that the most varied acquirements of learning do not impair the subtlest delicacy of thought and feeling. MISS BARRETT, in her earlier works and first adventurous attempts, is the poetess of angels and seraphim, breathing a rare and elevated atmosphere, too rare for habitual contemplation. In her later style, she is the sweet poetess of meditation and thought, of a deep and pure spirituality, of Philosophy, baptized In the pure fountain of eternal love. Compare the eloquence of her poem entitled "Cowper's Grave," with what generally passes for Byronic eloquence, and mark the difference. Here is thought compact and close, enthusiasm fresh from the heart, noble domestic incident, and sorrow as gentle and as mild as ever breathed from a human bosom. Mark the pathos, the tenderness, the deep sympathy in the poem, "The Sleep." MISS BARRETT's productions are unique in this age of lady authors. They have the "touch of nature," in common with the best; they have, too, sentiment, passion, and fancy in the highest degree, without any imitation of NORTON, HEMANS, or LANDON. Her excellence is her own; her mind is coloured by what it feeds on; the fine tissue of her flowing style comes to us from the loom of Grecian thought. She is the learned poetess of the day, familiar with HOMER and ÆSCHYLUS and SOPHOCLES; and to the musings of Tempe she has added the inspiration of Christianity, "above all Greek, all Roman fame." She has translated the Prometheus, to the delight of scholars, and has contributed a series of very valuable prose papers "On the Poetry of the Early Church," to the London "Athenæum." Her reading Greek recalls to US ROGER ASCHAM's anecdote of Lady JANE A striking characteristic of Miss BARRETT'S verse, is its prevailing seriousness, approaching to solemnity-a garb borrowed from the " sceptred pall" of her favourite Greek drama of fate. She loses much with the general reader, by a dim mysticism; but many of her later poems are entirely free from any such defect. The great writers whom she loves will teach her the plain, simple, universal language of poetry. Her dreams and abstractions, though "caviàre to the generale," have their admirers, who will ever find in pure and elevated philosophy, expressed in the words of enthusiasm, the living presence of poetry. On Parnassus there are many groves: far from the dust of the highway, embosomed in twilight woods, that seem to symbol Reverence and Faith trusting on the unseen, we may hear, in the whispering of the trees, the wavering breath of insect life, the accompaniment of our poet's strain. Despise not dreams and reveries. With COWLEY, Miss BARRETT vindicates herself. The father of poets tells us, even dreams, too, are from God." Miss BARRETT has published two volumes of poetry, "Prometheus Bound, and Miscellaneous Poems," in 1833, and "The Seraphim and other Poems," in 1838; and we understand that she has a forthcoming volume in the press. It will be a welcome one to all lovers of true poetry. In our judgment, Miss BARRETT is destined, in due time, to take her place at the head of the female poets of Great Britain. The noble ardour with which she writes, makes us believe that this new volume will go far toward determining the question. Of her personal history, we know very little. She resides in London, and is one of the stars in a brilliant constellation of scholars, philosophers, and poets. She was a contributor, with WORDSWORTH, HUNT, and HORNE, to "Chaucer Modernized," and besides her prose writings in "The Atheneum," has written for that admirable gazette some of her finest poems. COWPER'S GRAVE. I will invite thee, from thy envious herse It is a place where poets crown'd O poets! from a maniac's tongue And now, what time ye all may read And darkness on the glory-. He wore no less a loving face, He shall be strong to sanctify And bow the meekest Christian down In meeker adoration: Nor ever shall he be in praise With sadness that is calm, not gloom, I learn to think upon him; With meekness that is gratefulness, On God, whose heaven hath won himWho suffer'd once the madness-cloud Towards His love to blind him; But gently led the blind along, Where breath and bird could find him; And wrought within his shatter'd brain As hills have language for, and stars The pulse of dew upon the grass The very world, by God's constraint, From falsehood's chill removing, Its women and its men became Beside him true and loving! And timid hares were drawn from woods But while in blindness he remain'd, Like a sick child, that knoweth not His mother while she blesses, The fever gone, with leaps of heart Which closed in death to save him! Thus! oh, not thus! no type of earth Or felt the new immortal throb Deserted! who hath dreamt that when The cross in darkness rested, Upon the Victim's hidden face No love was manifested? What frantic hands outstretched have e'er Th' atoning drops avertedWhat tears have washed them from the soulThat one should be deserted? Deserted! God could separate From His own essence rather: It went up from the Holy's lips That of the lost, no son should use NAPOLEON'S RETURN. NAPOLEON! years ago, and that great word, Napoleon! Foemen, while they cursed that name, Napoleon! Sages with high foreheads droop'd, And this name brake the silence of the snows Yea! this, they shouted near the pyramidal The world's face changed to hear it. Kingly men Napoleon! The cavernous vastitude The name which scatter'd in a ruining blare And Germany was 'ware and Italy For, verily, though Gaul augustly rose To wield a sword, or fit an undersized King's crown to a great man's head! And though along Her Paris streets, did float on frequent streams Napoleon! 't was a high name lifted high! The kings crept out the people sate at home,- A deep gloom center'd in the deep repose O wild St. Helen! very still she kept him, Nay! not so long! France kept her old affection, And England answers in the courtesy Because it was not well, it was not well, Would hostile fleets had scarr'd thy bay of Tor, But since it was done, -in sepulchral dust, |