Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 28권Gale Research Company, 1984 |
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286 페이지
... death will come cease to dis- tract us , since the readiness is all , " though I do not see why these two senses are necessarily disjunctive . I also grant that it would take an unrealistically attentive audi- ence to hear in " Let be ...
... death will come cease to dis- tract us , since the readiness is all , " though I do not see why these two senses are necessarily disjunctive . I also grant that it would take an unrealistically attentive audi- ence to hear in " Let be ...
287 페이지
... death at the smile , death in a drink , death in the metaphor of revelry , death through the jawbones , is fitted to both his crime and his concealment of it . Bradley heard the venom and wit in " union . " Hamlet kills the marriage in ...
... death at the smile , death in a drink , death in the metaphor of revelry , death through the jawbones , is fitted to both his crime and his concealment of it . Bradley heard the venom and wit in " union . " Hamlet kills the marriage in ...
317 페이지
... death of “ my lady , ” Hamlet's or Shakespeare's painted queen , be figured into a moment of mourning for a court jester ? What partial resolution of misogyny is enacted by such a complex and composite figure ? In a play where mourning ...
... death of “ my lady , ” Hamlet's or Shakespeare's painted queen , be figured into a moment of mourning for a court jester ? What partial resolution of misogyny is enacted by such a complex and composite figure ? In a play where mourning ...
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Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York