Shakespeare and Twentieth-century Irish Drama: Conceptualizing Identity and Staging BoundariesAshgate Publishing, Ltd., 2008 - 115페이지 This study specifically explores Shakespeare's influence on the dramatic genre in Ireland through an examination of two representative Irish writers, modern dramatist Sean O'Casey and contemporary playwright Brian Friel. |
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Conceptualizing Identity and Staging Boundaries Rebecca Steinberger. ASHGATE Shakespeare and Twentieth - Century Irish Drama ... DRAMA This One 9LRA. Front Cover.
Conceptualizing Identity and Staging Boundaries Rebecca Steinberger. ASHGATE Shakespeare and Twentieth - Century Irish Drama ... DRAMA This One 9LRA. Front Cover.
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Conceptualizing Identity and Staging Boundaries Rebecca Steinberger. Shakespeare and Twentieth - Century Irish Drama Conceptualizing Identity and Staging Boundaries REBECCA STEINBERGER College Misericordia , USA ASHGATE Rebecca Steinberger ...
Conceptualizing Identity and Staging Boundaries Rebecca Steinberger. Shakespeare and Twentieth - Century Irish Drama Conceptualizing Identity and Staging Boundaries REBECCA STEINBERGER College Misericordia , USA ASHGATE Rebecca Steinberger ...
페이지
... Drama 31 Counter - Hegemony and the Abbey Theatre Brush up your Shakespeare 338383 32 ' A State of Chassis ' : Sean O'Casey's Dublin Plays and Shakespeare's Henriad 40 Strange Bedfellows : Religion and Politics 49 3 ' Something is Being ...
... Drama 31 Counter - Hegemony and the Abbey Theatre Brush up your Shakespeare 338383 32 ' A State of Chassis ' : Sean O'Casey's Dublin Plays and Shakespeare's Henriad 40 Strange Bedfellows : Religion and Politics 49 3 ' Something is Being ...
목차
Englands Sense of Self and the Irish Other | 6 |
or a View of the Present State of England | 12 |
Brush up your Shakespeare | 38 |
Religion and Politics | 49 |
Peripheral Visions | 65 |
Colonial Domination and Deculturation in Brian Friels | 76 |
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Abbey Theatre addition addressed Andrew appears appropriation asserts assimilation attempt audience becomes beginning Boyle Brian British Cambridge Captain Catholic century characters colonial concerned considered construction critics cultural depiction discourse dominant drama dramatists Dublin Elizabeth Elizabethan emergent England English Essays example fact Field Day figures final Fluellen France French Friel's Henriad Henry Henry's History ideology imperial important individual Irish issue John Joxer Juno King Lady Lancey land language Lines linguistic literary Literature lives London Macmorris marginalized Mary means national identity Northern Ireland O'Casey's offers once Owen particular past perhaps play playwright Plough political position Present Press question reference relation relationship remains Renaissance represents result reveals Richard scene Sean O'Casey sense separate serves Shakespeare society space speak speech Spenser stage suggests Theatre Company thing throughout Translations University View Welsh Writing Yolland York