Colin's Campus: Cambridge Life and the English Eclogue"Colin's Campus argues that pastoral poetry is inevitably a backwards-looking genre, preoccupied with the past. This preoccupation in the case of Spenser, as well as his pastoral followers, returned him to the Cambridge he had recently left behind, not the court to which he never really arrived." "Responding to the pastoral-court connection which has been at the center of nearly all historical considerations of pastoral for the past two decades, this study invites readers to seriously consider the reverse connection, that is, the academic ingredients in the pastoral world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
µµ¼ º»¹®¿¡¼
9°³ÀÇ °á°ú Áß 1 - 3°³
17 ÆäÀÌÁö
In the opening chapter of The Country and the City , Williams takes the reader on
an ¡° escalator ride ¡± back through history . Taking poets at their word when they
lament for a former age when life was sweeter , Williams returns to that former ...
In the opening chapter of The Country and the City , Williams takes the reader on
an ¡° escalator ride ¡± back through history . Taking poets at their word when they
lament for a former age when life was sweeter , Williams returns to that former ...
25 ÆäÀÌÁö
( I . 1 - 9 ) This nostalgic opening to Fletcher ' s Eclogues is a typical pastoral
description in which time is no more than the harmonious , and in this case
amorous , movement of the gods ( a harmony that , as we will see in the case of
Phoebus ...
( I . 1 - 9 ) This nostalgic opening to Fletcher ' s Eclogues is a typical pastoral
description in which time is no more than the harmonious , and in this case
amorous , movement of the gods ( a harmony that , as we will see in the case of
Phoebus ...
32 ÆäÀÌÁö
In an opening strongly echoing the opening to the January Eclogue in the
Calender , 15 Fletcher again uses the storm of the world as the occasion for song
. His piscatory portrait depicts the fisherman ' s idleness amidst the storm that
rages ...
In an opening strongly echoing the opening to the January Eclogue in the
Calender , 15 Fletcher again uses the storm of the world as the occasion for song
. His piscatory portrait depicts the fisherman ' s idleness amidst the storm that
rages ...
´Ù¸¥ »ç¶÷µéÀÇ ÀÇ°ß - ¼Æò ¾²±â
¼ÆòÀ» ãÀ» ¼ö ¾ø½À´Ï´Ù.
±âŸ ÃâÆÇº» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
academic actual become Book calls Cambridge campus Chame chapter Colin Clout College comes common companion complaint concerns conventional conversation course court critics Cuddie death delights departure describes Eclogue English enjoy essentially fact familiar fashion fellowship fields fish fishers Fletcher friendship greater hand Harvey Hobbinol idyllic ingredients John joys King lament least leave less lines locus look loss lost Lycidas master meaning Milton nature nostalgic notes offers once otium paradise particular past pastoral poetry pastoral world perhaps pipe piscatory poem poet poet's poetic political present Queene reader recollection remains returned Rosalind says seen serves shade shared Shepheardes Calender shepherds shores sing song speaks Spenser stay steps student suggests swain tells Thenot things Thirsil Thomalin thou tion turned verse winter writes young youth