Papers on Literature and Art, 파트 1-2Wiley and Putnam, 1846 |
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viii 페이지
... more to say upon this topic , or the interests it represents , and to speak with more ripeness both as to the matter and the form . New York , July , 1846 . S. M. F. PAPERS ON LITERATURE AND ART . A SHORT ESSAY ON viii PREFACE .
... more to say upon this topic , or the interests it represents , and to speak with more ripeness both as to the matter and the form . New York , July , 1846 . S. M. F. PAPERS ON LITERATURE AND ART . A SHORT ESSAY ON viii PREFACE .
3 페이지
... speak , and make it better known to us in so far as two statements are better than one . There are beautiful specimens in this kind . They are pleasing to us as bearing witness of the genial sympa- thies of nature . They have the ready ...
... speak , and make it better known to us in so far as two statements are better than one . There are beautiful specimens in this kind . They are pleasing to us as bearing witness of the genial sympa- thies of nature . They have the ready ...
4 페이지
... speak but to an intelligent ear , and every noble work demands its critic . The richer the work , the more severe ... speaking in music . He must have as good an eye and as fine a sense ; but if he had as fine an organ for expression ...
... speak but to an intelligent ear , and every noble work demands its critic . The richer the work , the more severe ... speaking in music . He must have as good an eye and as fine a sense ; but if he had as fine an organ for expression ...
7 페이지
... speak as man to But if he adapts his work to us , if he stifles what is dis- tinctively his , if he shows himself either arrogant or mean , or , above all , if he wants faith in the healthy action of free thought , and the safety of ...
... speak as man to But if he adapts his work to us , if he stifles what is dis- tinctively his , if he shows himself either arrogant or mean , or , above all , if he wants faith in the healthy action of free thought , and the safety of ...
12 페이지
... speak , if no ear heard ? nay , if no mind knew what the ear heard ? POET . I do not wish to be heard in thought but in love , to be recognised in judgment but in life . I would pour forth my melodies to the rejoicing winds . I would ...
... speak , if no ear heard ? nay , if no mind knew what the ear heard ? POET . I do not wish to be heard in thought but in love , to be recognised in judgment but in life . I would pour forth my melodies to the rejoicing winds . I would ...
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admiration Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earth expression eyes faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël means measured music melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford SWEDENBORGIANISM sweet sympathy taste tears tender thee things thou thought tion tone true truth verse whole wish words Wordsworth write
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71 페이지 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
72 페이지 - Teach us, sprite or bird, What sweet thoughts are thine: I have never heard Praise of love or wine That panted forth a flood of rapture so divine.
37 페이지 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
40 페이지 - In speech (which I have not) to make your will Quite clear to such an one, and say, "Just this "Or that in you disgusts me; here you miss, "Or there exceed the mark...
87 페이지 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
74 페이지 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.
74 페이지 - A love in desolation masked— a Power Girt round with weakness — it can scarce uplift The weight of the superincumbent hour ; It is a dying lamp, a falling shower, A breaking billow ; — even whilst we speak Is it not broken ? On the withering flower The killing sun smiles brightly ; on a cheek The life can burn in blood, even while the heart may break.
157 페이지 - Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city stretched its hand through every clime.
72 페이지 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be; Shadow of annoyance Never came near thee; Thou lovest, but ne'er knew love's sad satiety.
88 페이지 - To lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.