YOUTH AND AGE. Verse, a breeze mid blossoms straying, When I was young? Ah woful when! That fear no spite of wind or tide! Nought cared this body for wind or weather, When Youth and I lived in 't together. Flowers are lovely; Love is flower-like : Oh, the joys that came down shower-like, Ere I was old? Ah woful ere! I see these locks in silvery slips, That Youth and I are house-mates still. This is one of the most perfect poems, for style, feeling, and everything, that ever were written. THE HEATHEN DIVINITIES MERGED INTO FROM THE TRANSLATION OF SCHILLER'S PICCOLOMINI. -Fable is Love's world, his home, his birthplace: The intelligible forms of ancient poets, The power, the beauty, and the majesty, That had her haunts in dale, or piny mountain, Or chasms and wat'ry depths; all these have vanish'd ; WORK WITHOUT HOPE. LINES COMPOSED 21ST FEBRUARY, 1827. All Nature seems at work. Stags leave their lair— Wears on his smiling face a dream of Spring! Nor honey make, nor pair, nor build, nor sing. And hope without an object cannot live. I insert this poem on account of the exquisite imaginative picture in the third and fourth lines, and the terseness and melody of the whole. Here we have a specimen of a perfect style,-unsuperfluous, straightforward, suggestive, impulsive, and serene. But how the writer of such verses could talk of "work without hope," I cannot say. What work had he better to do than to write more? and what hope but to write more still, and delight himself and the world? But the truth is, his mind was too active and self-involved to need the diversion of work; and his body, the case that contained it, too sluggish with sedentary living to like it; and so he persuaded himself that if his writings did not sell, they were of no use. Are we to disrespect these self-delusions in such a man? No; but to draw from them salutary cautions for ourselves,his inferiors. SHELLEY. BORN, 1792-DIED, 1822. AMONG the many reasons which his friends had to deplore the premature death of this splendid poet and noblehearted man, the greatest was his not being able to repeat, to a more attentive public, his own protest, not only against some of his earlier effusions (which he did in the newspapers), but against all which he had written in a wailing and angry, instead of an invariably calm, loving, and therefore thoroughly helping spirit. His works, in justice to himself, require either to be winnowed from what he disliked, or to be read with the remembrance of that dislike. He had sensibility almost unique, seemingly fitter for a planet of a different sort, or in more final condition, than ours: he has said of himself,-so delicate was his organization,-that he could hardly bear The weight of the superincumbent hour; and the impatience which he vented for some years against that rough working towards good, called evil, and which he carried out into conduct too hasty, subjected one of the most naturally pious of men to charges which hurt his name, and thwarted his philanthropy. Had he lived, he would have done away all mistake on these points, and made everybody know him for what he was,—a man idolized by his friends,- studious, temperate, of the gentlest life and conversation, and willing to have died to do the world a service. For my part, I never can mention his name without a transport of love and gratitude. I rejoice to have partaken of his cares, and to be both suffering and benefiting from him at this moment; and whenever I think of a future state, and of the great and good Spirit that must pervade it, one of the first faces I humbly hope to see there, is that of the kind and impassioned man, whose intercourse conferred on me the title of the Friend of Shelley. The finest poetry of Shelley is so mixed up with moral and political speculation, that I found it impossible to give more than the following extracts, in accordance with the purely poetical design of the present volume. Of the poetry of reflection and tragic pathos, he has abundance; but even such fanciful productions as the Sensitive Plant and the Witch of Atlas are full of metaphysics, and would require a commentary of explanation. The short pieces and passages, however, before us, are so beautiful, that they may well stand as the representatives of the whole powers of his mind in the region of pure poetry. sweetness (and not even there in passages) the Ode to the Skylark is inferior only to Coleridge,-in rapturous passion to no man. It is like the bird it sings,-enthusiastic, In |