Shakespeare the ThinkerYale University Press, 2007 - 428페이지 A. D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to "flatten” Shakespeare by confining him to the thought-clich s of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English. |
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56 페이지
... wrote , perhaps immediately after Richard III , The Comedy of Errors . Those who think of Shakespeare as Ben Jonson would have us think , as an unlettered child of nature , may be surprised that one of the first things he wrote is 56 ΤΟ ...
... wrote , perhaps immediately after Richard III , The Comedy of Errors . Those who think of Shakespeare as Ben Jonson would have us think , as an unlettered child of nature , may be surprised that one of the first things he wrote is 56 ΤΟ ...
88 페이지
... wrote both . But the man who wrote Titus Andronicus is fascinated by a hysteria of style , seen , academ- ically , as classical in tone . Love's Labour's Lost is likewise about another kind of hysteria of style , a feast of languages ...
... wrote both . But the man who wrote Titus Andronicus is fascinated by a hysteria of style , seen , academ- ically , as classical in tone . Love's Labour's Lost is likewise about another kind of hysteria of style , a feast of languages ...
202 페이지
... wrote Love's Labour's Lost was a master of elegant language , as the Shake- speare who wrote Hamlet could obviously out - think all his rivals . Empson's wish to halt all speculative criticism with the simple assertion that Hamlet is ...
... wrote Love's Labour's Lost was a master of elegant language , as the Shake- speare who wrote Hamlet could obviously out - think all his rivals . Empson's wish to halt all speculative criticism with the simple assertion that Hamlet is ...
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Angelo answer Antony and Cleopatra audience become beginning Benedick Berowne Brutus Bullingbrook Caliban century Christ Christian comedy Cordelia Coriolanus death drama dramatist Duke earlier English ethical eyes fact Falstaff father feel figure fool Gentlemen of Verona gives Greek Hamlet happy hath Henry Henry VI Hippolyta human Iago imagination John Julius Caesar Katherina King Lear lady language later Leontes London looks Love's Labour's Lost lovers Macbeth Marlowe marriage means meanwhile Measure for Measure Merchant of Venice Mercutio Midsummer Night's Dream mind moral nature never night once Othello Oxford pastoral perhaps persons Petruchio philosophical play poet poetry political Polixenes Prospero Proteus reality Richard Richard II Roman Romeo and Juliet Rosalind says scene sense sexual Shake Shakespeare Shylock speak speare speech story strange suddenly tells Theseus thing thou thought Timon tion tragedy Troilus and Cressida turn vols Winter's Tale woman words