The English Language in Its Elements and Forms: With a History of Its Origin and Development : Designed for Use in Colleges and SchoolsHarper & Brothers, 1851 - 659ÆäÀÌÁö |
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17 ÆäÀÌÁö
... express- es a threat . 3. Modulations of the voice , as when a groan expresses pain . But these various classes of natural signs , though they constitute a universal language , furnish a mode of commu- nication but little above what ...
... express- es a threat . 3. Modulations of the voice , as when a groan expresses pain . But these various classes of natural signs , though they constitute a universal language , furnish a mode of commu- nication but little above what ...
76 ÆäÀÌÁö
... express vividly bodily action ; as , to sit , to stand , to stagger ; all those words which are expressive of the 76 THE HISTORICAL ELEMENTS . Recapitulation of the Principal Elements Number of Anglo-Saxon Words The Kind of Words.
... express vividly bodily action ; as , to sit , to stand , to stagger ; all those words which are expressive of the 76 THE HISTORICAL ELEMENTS . Recapitulation of the Principal Elements Number of Anglo-Saxon Words The Kind of Words.
125 ÆäÀÌÁö
... express negation , being the natural sounds to express refusal ; as , Sanscrit mâ , Greek un , lest ; Sanscrit na , Persian neh , Greek vɛ ( in vý¥ðcos ) , Latin ne ( in non , nemo ) , German ne ( in nicht , nein ) , English ne ( in not ...
... express negation , being the natural sounds to express refusal ; as , Sanscrit mâ , Greek un , lest ; Sanscrit na , Persian neh , Greek vɛ ( in vý¥ðcos ) , Latin ne ( in non , nemo ) , German ne ( in nicht , nein ) , English ne ( in not ...
132 ÆäÀÌÁö
... express what is expressed in English by sixteen . The same monosyllabic principle is carried out in the construction of our verbs ; as , To see , to hear , to taste , to touch , to smell , to walk , to run , to leap , to jump . Fire is ...
... express what is expressed in English by sixteen . The same monosyllabic principle is carried out in the construction of our verbs ; as , To see , to hear , to taste , to touch , to smell , to walk , to run , to leap , to jump . Fire is ...
146 ÆäÀÌÁö
... express 4. That no Sign express more than one sound . 5. That the primary aim of Orthography be to express Sounds of Words , and not their histories . it . the 6. That changes in Speech be followed by corresponding changes in spelling ...
... express 4. That no Sign express more than one sound . 5. That the primary aim of Orthography be to express Sounds of Words , and not their histories . it . the 6. That changes in Speech be followed by corresponding changes in spelling ...
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accent Accusative adjective adverb alphabet ancient Anglo Anglo-Sax Anglo-Saxon called combination common compound Conjugation conjunction consonant copula Danish Dative declension denotes derived dialects Diphthong elementary sound English language equivalent etymological express Feminine French Future Perfect Tense Gender Genitive German glish Gothic Gothic languages Grammar Greek guage Hence idea Infinitive Mode inflection king Latin Latin language letter logical loved Masculine Maso-Gothic meaning natural Nominative Note noun object Old English origin Orthoepy Orthography Participle Past Tense Perfect Tense Plural plural number preceding predicate prefix Present Perfect Present Tense Preterite pronunciation proposition relation represents root RULE Sanscrit Saxon sense sentence simple Singular sometimes speak speech spelling spoken Subjunctive Substantive suffix superlative syllable Syntax taken term termination Teutonic thee thine thing thou tion tive tongue transitive verb verb vowel whence words writing
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617 ÆäÀÌÁö - I see before me the Gladiator lie ; He leans upon his hand — his manly brow Consents to death, but conquers agony. And his droop'd head sinks gradually low, And through his side the last drops, ebbing slow From the red gash, fall heavy one by one, Like the first of a thunder-shower ; and now The arena swims around him — he is gone Ere ceased the inhuman shout which hailed the wretch who won.
585 ÆäÀÌÁö - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
184 ÆäÀÌÁö - Of Law there can be no less acknowledged than that her seat is the bosom of God ; her voice the harmony of the world. All things in heaven and earth do her homage ; the very least as feeling her care, and the greatest as not exempted from her power.
609 ÆäÀÌÁö - FATHER of all ! in every age, In every clime adored, By saint, by savage, and by sage, Jehovah, Jove, or Lord ! Thou great first Cause, least understood, Who all my sense confined To know but this, that Thou art good, And that myself am blind ; Yet gave me, in this dark estate, To see the good from ill ; And binding nature fast in fate, Left free the human will.
132 ÆäÀÌÁö - And there lay the rider distorted and pale, "With the dew on his brow, and the rust on his mail ; And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown.
132 ÆäÀÌÁö - Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed...
656 ÆäÀÌÁö - Heaven doth with us as we with torches do, Not light them for themselves ; for if our virtues Did not go forth of us, 'twere all alike As if we had them not. Spirits are not finely...
581 ÆäÀÌÁö - The notice which you have been pleased to take of my labors, had it been early, had been kind ; but it has been delayed till I am indifferent, and cannot enjoy it; till I am solitary, and cannot impart it; till I am known, and do not want it.
61 ÆäÀÌÁö - The Sanskrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and in the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists...
624 ÆäÀÌÁö - Vanbrugh , and is a good example of his heavy though imposing style (*Lie heavy on him, Earth, for he Laid many a heavy load on thee"), with a Corinthian portico in the centre and two projecting wings.