The Artist and amateur's magazine, ed. by E.V. RippingilleLongman, Brown, Green, and Longmans, 1843 |
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... human interest require to keep them alive , let its judgment be ever so feeble or faulty . The reader will therefore see that none of these agencies are re- jected , held in disdain , or considered useless ; but they cannot be regarded ...
... human interest require to keep them alive , let its judgment be ever so feeble or faulty . The reader will therefore see that none of these agencies are re- jected , held in disdain , or considered useless ; but they cannot be regarded ...
8 ÆäÀÌÁö
... human creation is endowed by nature . As a painter perhaps I have very little to do with this , other than that as far as art addresses itself to the sensibilities of man it fails in propor- tion as these are defective ; and that as a ...
... human creation is endowed by nature . As a painter perhaps I have very little to do with this , other than that as far as art addresses itself to the sensibilities of man it fails in propor- tion as these are defective ; and that as a ...
16 ÆäÀÌÁö
... human omniscience is it possible that any indi- vidual could know of the existence even of many talented persons in art , admitting that there is every disposition to do them the most ample justice ? and what number of individuals would ...
... human omniscience is it possible that any indi- vidual could know of the existence even of many talented persons in art , admitting that there is every disposition to do them the most ample justice ? and what number of individuals would ...
20 ÆäÀÌÁö
... human creatures , it is humanity which is above all other qualities essential , indispensable , and difficult . That it is not the material man we want , but the intellec- tual ; not man acting by the agency of his bones and muscles ...
... human creatures , it is humanity which is above all other qualities essential , indispensable , and difficult . That it is not the material man we want , but the intellec- tual ; not man acting by the agency of his bones and muscles ...
31 ÆäÀÌÁö
... human in- genuity which required so many , and such comprehensive facilities , as the Art of Painting . What shall be said for the adoption of a means which cramps and limits the operation to a few instead of extending the number and ...
... human in- genuity which required so many , and such comprehensive facilities , as the Art of Painting . What shall be said for the adoption of a means which cramps and limits the operation to a few instead of extending the number and ...
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afford appears Art Union artists attempt attention beau ideal beautiful better Britomartis called capable Cartoons cause character Chat circumstances colour companion considered course creature criticism effect employed England examples excellence executed exhibition fact favour feeling figure FRANK HOWARD fresco give grand hand highest honour human important impression inquiry instance intelligence Italy judges kind knowledge labour light look Lysippus Martin Archer Shee matter means merits mind mode nature necessary never object observed offered oil painting opinion painter painting Palette Pausanias peculiar perception perfect perhaps person Phidias possess present principle produced racter Raphael reflect regard remarks rendered Rome Royal Academy sculpture seen sense Sezze shadow Sir Joshua Reynolds suppose sweet talent taste thing thought tion Titian truth variety Velletri Westminster Hall whole William Etty
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174 ÆäÀÌÁö - And storm, and darkness, ye are wondrous strong, Yet lovely in your strength, as is the light Of a dark eye in woman! Far along, From peak to peak, the rattling crags among Leaps the live thunder! Not from one lone cloud, But every mountain now hath found a tongue, And Jura answers, through her misty shroud, Back to the joyous Alps, who call to her aloud!
174 ÆäÀÌÁö - And this is in the night : most glorious night ! Thou wert not sent for slumber ! let me be A sharer in thy fierce and far delight — A portion of the tempest, and of thee ! How the lit lake shines, a phosphoric sea, And the big rain comes dancing to the earth ! And now again 'tis black — and now the glee Of the loud hills shakes with its mountain-mirth, As if they did rejoice o'er a young earthquake's birth.
285 ÆäÀÌÁö - The point of one white star is quivering still Deep in the orange light of widening morn Beyond the purple mountains : through a chasm Of wind-divided mist the darker lake Reflects it. Now it wanes : it gleams again As the waves fade, and as the burning threads Of woven cloud unravel in pale air. 'Tis lost ! and through yon peaks of cloud-like snow The roseate sunlight quivers.
106 ÆäÀÌÁö - In that Faery Queene I meane glory in my generall intention, but in my particular I conceive the most excellent and glorious person of our soveraine the Queene, and her kingdome in Faery land.
107 ÆäÀÌÁö - So in the person of Prince Arthure I sette forth magnificence in particular, which vertue, for that (according to Aristotle and the rest) it is the perfection of all the rest, and conteineth in it them all...
326 ÆäÀÌÁö - Therefore this work is necessarily ill drawn, and deficient in principle, and much of the sculpture is rude and severe ; yet in parts there is a beautiful simplicity, an irresistible sentiment, and sometimes a grace, excelling more modern productions.
285 ÆäÀÌÁö - YE Mariners of England ! That guard our native seas ; Whose flag has braved a thousand years The battle and the breeze ! Your glorious standard launch again To match another foe ! And sweep through the deep, While the stormy winds do blow ; While the battle rages loud and long, And the stormy winds do blow.
103 ÆäÀÌÁö - I am myself a witness. A few days before he died, he wrote me a letter, to express his acknowledgments for the good opinion I entertained of his abilities, and the manner in which (he had been informed) I always spoke of him; and desired he might see me once more before he died. I am aware how flattering it is to myself to be thus connected with the dying testimony which this excellent painter bore to his art. But I cannot prevail on myself to suppress that I was not connected...
106 ÆäÀÌÁö - I so much doe vaunt, yet no where show, But vouch antiquities, which no body can know. But let that man with better...
61 ÆäÀÌÁö - ... no other way ; and yet, of all the ways in which a human figure could fall, it is probably the most expressive of a person overwhelmed by, and in the grasp of, Divine vengeance. This is in some measure the secret of Raphael's success.