PART II. "There was a power in this sweet place, Which to the flowers, did they waken or dream, "A lady, the wonder of her kind, Whose form was upborne by a lovely mind, "Tended the garden from morn to even; And the meteors of that sublunar heaven, Like the lamps of the air when night walks forth, Laughed around her footsteps up from the earth. "She had no companion of mortal race, But her tremulous breath, and her flushing face "As if some bright spirit, for her sweet sake, Though the veil of daylight concealed him from her. "Her step seemed to pity the grass it prest; You might hear by the heaving of her breast, That the coming and going of the wind Brought pleasure there and left passion behind. "And wherever her airy footstep trod, Her trailing hair from the grassy sod Erased its light vestige with shadowy sweep, "I doubt not the flowers of that garden sweet, And out of the cups of the heavy flowers "She lifted their heads with her tender hands, "In a basket, of grasses and wild-flowers full, "And many an antenatal tomb, Where butterflies dream of the life to come, "This fairest creature from earliest spring, And, ere the first leaf looked brown, she died! PART III. "Three days the flowers of the garden fair Like the stars, when the moon is awakened, were, Or the waves of Baiæ, ere luminous She floats up through the smoke of Vesuvius. "And on the fourth the sensitive plant Felt the sound of the funeral chant; And the steps of the bearers, heavy and slow, “The dark grass, and the flowers amid the grass, "The garden once fair, became cold and foul, Like the corpse of her who had once been its soul; PART II. "There was a power in this sweet place, Which to the flowers, did they waken or dream, A lady, the wonder of her kind, Whose form was upborne by a lovely mind, "Tended the garden from morn to even; And the meteors of that sublunar heaven, Like the lamps of the air when night walks forth, Laughed around her footsteps up from the earth. "She had no companion of mortal race, But her tremulous breath, and her flushing face "As if some bright spirit, for her sweet sake, Though the veil of daylight concealed him from her. "Her step seemed to pity the grass it prest; You might hear by the heaving of her breast, That the coming and going of the wind Brought pleasure there and left passion behind. "And wherever her airy footstep trod, "I doubt not the flowers of that garden sweet, I doubt not they felt the spirit that came And out of the cups of the heavy flowers "His breath was a chain, which, without a sound, "Then the weeds, which were forms of living death, But the mandrakes, and toad-stools, and docks and darnels, In Pisa Shelley's best poems were written-The Cenci, Helas, The Witch of Atlas, Adonais, The Hymn to Intellectual Beauty, and nearly all the shorter poems of which I have spoken. The last thing he ever wrote was The Triumph of Time, which was left unfinished, and was published by his wife in as perfect a shape as she could bring it from his scattered papers. In the spring of 1822 Shelley left Pisa and took a house on the west coast of Italy, near the village of Lerici. He was very fond of the sea, and had ordered a yacht built, in which he and a warm friend, Capt. Williams, were going to spend many a day on the blue Italian waters, close at hand. On the sixteenth of May the yacht arrived. Shelley was as pleased with it as a boy with a long-wished for toy. They made several excursions in the boat, which was named Don Juan from Byron's poem, and finally came down to Leghorn in her. After a few days stay here, Shelley and Williams started back in the boat for the town of Spezzia, on the Gulf of Spezzia, not far from their home. This was the last ever seen of them. A sudden sea-storm came shortly after they started, with a dense fog. The little After boat was probably run down by some larger vessel. several days of waiting-terrible days for Mrs. Shelley and Mrs. Williams-the bodies were found washed up, wavebeaten and almost fleshless, on the shore. What was left of the two bodies was burnt on a funeral pile built on the sandy shore, and their ashes were buried in the cemetery in Florence. Byron was foremost in this strange burial rite, aided by Capt. Trelawney,* who was a friend of both the dead. Thus, in the real opening of life, at the point where what was best in him seemed ready for fruition, Shelley died. Men of much less genius have gained a larger fame and held a higher place in the annals of literature. But, as he is one of the most poetic of poets, he will always be loved by those of his own guild; his thought will take deep root in the hearts of other poets, and serve for their inspiration. For himself, he died too young. The promise of his life was thwarted by his early death. Up to the time of his death he had been restless and unsettled in spirit. The seething waves of thought in his brain should have had time to cool and settle into tranquillity. Dying at thirty, he had not reached the serene heights where the poet ought to dwell. If he had lived longer, I feel sure time would have ripened him into a grand maturity; would have taught him trust and patience, and brought him to a calm which in his brief life he had not not reached. TALK LVI. ON JOHN KEATS. ONE of Shelley's most touching and beautiful poems is his Adonais-The Lament for Keats. I wish it were not too long for me to quote it all; I can only give you here a few verses: *A very interesting sketch of Shelley and Byron-called Recollections of Shelley and Byron, has been published by Capt. Trelawney. |