Dignitaries of the law, who, Number 21. Divorce, what esteemed to be a juft pretenfion to one, N. 41. Donne, Dr. his defcription of his mistress, N. 41. Dryden, his definition of wit cenfured, N. óz. Dull fellows, who, N. 43. Their enquiries are not for information but exercife, Dutch more polite than the English in their buildings, and monuments of their Dyer, the news-writer, an Ariftotle in politics, N. 43. E E. NVY: the ill state of an envious man, N. 19. His relief, ibid. The way Ephefian matron, the ftory of her, N. 11. Epictetus, his obfervation upon the female fex, N. 53. Epigram on Hecatiffa, N. 52. Epitaphs, the extravagance of fome, and modesty of others, N. 26. An epitaph Equipages, the fplendour of them in France, N. 15. A great temptation to the Etherege, Sir George, author of a comedy, called, She Would if the Could, re- Eubulus, his character, N. 49. Eucrate, the favourite of Pharamond, N. 76. Eudofia, her behaviour, N. 79. F. FABLE of the Lion and the Man, N. 11. Of the Children and Frogs, 23. Of Jupiter and the Countryman, 25. Falfhood, the goddefs of, N. 63. Falfe wit, the region of it, N. 25. Falstaff, Sir John, a famous butt, N. 47. Fame, generally coveted, N. 73. Fashion, the force of it, N. 64. Fear of death often mortal, N. 25. Fine Gentlemen, a character frequently mifapplied by the fair-sex, N. 75. Fools, great plenty of them the first day of April, N. 47. Freeport, Sir Andrew, a member of the Spectator's club, N. 2. French poets, wherein to be imitated by the English, N. 45. Friendfhip, the great benefit of it, N. 68. The medicine of life, ibid. The qua G. GALLANTRY; wherein true gallantry ought to confift, N. 7. Ghofts warned out of the playhouse, N. 36. The appearance of a ghost of great Gofpel goffips defcribed, N. 46. Goths in poetry, who, N. 62. H. HANDKERCHIEF, the great machine for moving pity in a tragedy, N. 44. Happiness, true, an enemy to pomp and noife, N. 15. Hard words ought not to be pronounced right by well-bred ladies, N. 45. Hobbes, Mr. his obfervation upon laughter. N. 47. Honeycomb, Will, his character, N. 2. His difcourfe with the Spectator in the 4 K. 2 Human Human nature, the fame in all reasonable creatures, Number 70. Honour to be defcribed only by negatives, N. 35. The genealogy of the true I. IAMBIC verfe the most proper for Greek tragedies, N. 39. Idiots, in great requeft in most of the German courts, N. 47. eyes, 20. Impudence gets the better of modefty, N. 2. An impudence committed by the Injuries, how to be measured, N. .23. Inkle and Yarico, their story, N. 11. Innocence, and not quality, an exemption from reproof, N. 34. K. KIMBOW, Tho. ftates his cafe in a letter to the Spectator, N. 24. LADY's library defcribed, N. 37. L. Lætitia and Daphne, their story, N. 33. Lampoons written by people that cannot fpell, N. 16. Witty lampoons inflict Larvati, who fo called among the ancients, N. 32. Lath, Squire, has a good eftate, which he would part withal for a pair of legs to Laughter, immoderate, a fign of pride, N. 47. The provocations to it, ibid. ibid. King Lear, a tragedy, fuffers in the alteration, N. 40. Lee, the poet, well turned for tragedy, N. 39. Learning ought not to claim any merit to itself, but upon the application of it, N. 6. Leonora, her character, N. 37. The defcription of her country-feat, ibid. From From an ogling-master, Number 46. From the Spectator to the prefident and fel- Letter-dropper of antiquity, who, N. 59. Lindamira, the only woman allowed to paint, N. 41. Lion in the Haymarket occafioned many conjectures in the town, N. 13. Very London, an emporium for the whole earth, N. 69. Love, the general concern of it, N. 30. Love of the world, our hearts mifled by it, N. 27. Luxury, what, N. 55. Attended often with avarice, ibid. A fable of those two Lowngers, a new feet of philofophers in Cambridge, N. 54. M M. AN a fociable animal, N. 9. The lofs of public and private virtues owing Mafquerade, a complaint against it, N. 8. The design of it, ibid. Mazarine, Cardinal, his behaviour to Quillet, who had reflected upon him in a Merchants of great benefit to the public, N. 69. Mixt wit defcribed, N. 62. Mixt communion of men and fpirits in Paradife, as defcribed by Milton, N. 12. Modefty the chief ornament of the fair-fex, N. 6. Moliere made an old woman a judge of his plays, N. 70. Monuments in Westminster Abbey examined by the Spectator, N. 26. Mourning, the method of it confidered, N.'64. Who the greatest mourners, ibid. N. NEIGHBOURHOODS, of whom confifting, N. 49. Newberry, Mr. his Rebus, N. 59. New River, a project of bringing it into the play-house, N. 5. Nicolini, Signior, his voyage on pafteboard, N. 5. His combat with a lion, 13. 0. OATES, Dr. a favourite with fome party ladies, N. 57. Ogler, the compleat ogler, N. 46. Old maids generally fuperftitious, N. 7. Old Testament in a periwig, N. 58. Opera, as it is the prefent entertainment of the English ftage, confidered, N. 5. opera, 29. Otway, commended and cenfured, N. 39. Overdo, Overdo, a juftice at Epping, offended at the company of ftrollers, for playing the P. PAINTER and Tailor often contribute more than the poet to the success of Parents, their taking a liking to a particular profeffion often occafions their fons Parties crept much into the converfation of the ladies, N. 57. Party-zeal very Particles, English, the honour done to them in the late operas, N. 18. Paffions, the conqueft of them a difficult talk, N. 71. Peace, fome ill confequences of it, N. 45. Peepers defcribed, N. 53. Pharamond, memoirs of his private life, N. 76. His great wisdom, ibid. Philofophy, the use of it, N. 7. faid to be brought by Socrates down from hea- ven, 10. Phyfician and Surgeon, their different employment, N. 16. The Phyficians a Picts, what women fo called, N. 41. No faith to be kept with them, ibid. Poems in picture, N. 58. Poets, English, reproved, N. 39, 40. Their artifices, 44. Powell, fenior, to act Alexander the Great on a dromedary, N. 31. His artifice Powell, junior, his great fkill in motions, N. 14. His performance referred to the opera of Rinaldo and Armida, ibid. Praife, the love of it implanted in us, N. 38, Pride a great enemy to a fine face, N. 33. Profeffions, the three great ones overburdened with practitioners, N. 21. Profper, Will, an honeft tale-bearer, N. 19. Punchinello, frequented more than the church, N. 14. Punch out in the moral Punning much recommended by the practice of all ages, N. 61. In what age the QUALITY no exemption from reproof, N. 34. R. RANTS confidered as blemishes in our English tragedies, N. 40. Rape of Proferpine, a French opera, fome particulars in it, N. 29. Retirement, the pleafare of it, where truly enjoyed, N. 4. .29. Recitative Rich, Mr. would not fuffer the opera of Whittington's Cat to be performed in his house, and the reafon for it, N. 5. Royal Exchange, the great refort to it, N. 69. S. SALMON, Mrs. her ingenuity, Number 28. Sanctorius, his invention, N. 25. Scholar's egg, what fo called, N. 58. Sempronia, a profeffed admirer of the French nation, N. 45. Senfe, fome men of fenfe more defpicable than common beggars, N. 6. Shovel, Sir Cloudefly, the ill contrivance of his monument in Westminster- Sidney, Sir Philip, his opinion of the fong of Chevy-Chace, N. ༡༠. Sighers, a club of them in Oxford, N. 30. Their regulations, ibid. Sign-pofts, the abfurdities of many of them, N. 28. Socrates, his temper and prudence, N. 23. Solitude, an exemption from paffions the only pleafing folitude, N. 4. Sparrows bought for the ufe of the opera, N. 5. Spartan virtue acknowledged by the Athenians, N. 6. Spectator, the, his prefatory difcourfe, N. 1. His great taciturnity, ibid. His Spleen, a common excufe for dulnefs, N. 53. Starers reproved, N. 20. Statira, in what proposed as pattern to the fair-fex, N. 41. Superftition, the folly of it defcribed, N. 7. Sufanna, or Innocence Betrayed, to be exhibited by Mr. Powell, with a new pair T. TEMPLAR, one of the Spectator's club, his character, N. 2. THAT, his remonstrance, N. 80. Theatre, English, the practice of it in feveral inftances cenfured, N. 42, 44, 51. Thunderer to the playhouse, the hardfhips put upon him, and his defire to be made Tom Tits to perfonate finging-birds in the opera, N. 5. Tom the tyrant, first minister of the coffee-house, between the hours of eleven and Tombs in Westminster vifited by the Spectator, N. 26. His reflection upon them, Trade, the benefit of it to Great Britain, N. 69. Tragedy; a perfect tragedy the nobleft production of human nature, N. 39. Tragi- Comedy, the product of the English theatre, a monstrous invention, N. 40. Truth, an enemy to falfe wit, N. 63. Tryphiodorus, the great lipogrammatift of antiquity, N. 59. |