Harrison's British Classicks, 4±Ç |
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58 ÆäÀÌÁö
... or a prin- admiration , in the Italian music , if one cess in her closet , to speak
any thing may so call them , which resemble their unaccompanied with musical
instru accents in discourse on such occasions , are not unlike the ordinary tones
of ...
... or a prin- admiration , in the Italian music , if one cess in her closet , to speak
any thing may so call them , which resemble their unaccompanied with musical
instru accents in discourse on such occasions , are not unlike the ordinary tones
of ...
119 ÆäÀÌÁö
... numbers of those who admire The first occasion of these Bouts Ri- the
incomparable Hudibras , do it more mez mnade ... were tasks which the French
than of the parts that really deserve ladies used to impose on their lovers .
admiration .
... numbers of those who admire The first occasion of these Bouts Ri- the
incomparable Hudibras , do it more mez mnade ... were tasks which the French
than of the parts that really deserve ladies used to impose on their lovers .
admiration .
145 ÆäÀÌÁö
... she fair readers to give a proper direction quickly finks into a woman . to their
passion for being admired ; in Old age is ... there is make themselves the objects
of a réanot a more unhappy being than a super sonable and lasting admiration .
... she fair readers to give a proper direction quickly finks into a woman . to their
passion for being admired ; in Old age is ... there is make themselves the objects
of a réanot a more unhappy being than a super sonable and lasting admiration .
161 ÆäÀÌÁö
... Aows from an admiration of qualities in you , of which in the whole course of
these papers I have acknowledged myself ... unobserved in public meetings , you
are admired by all that approach you as the life and genius of the conversation .
... Aows from an admiration of qualities in you , of which in the whole course of
these papers I have acknowledged myself ... unobserved in public meetings , you
are admired by all that approach you as the life and genius of the conversation .
435 ÆäÀÌÁö
Peter whose actions have rendered them laud . receives his Master's orders on
his knees able or infamous ; we should not see a with an admiration mixed with a
more good history - piece without receiving an particular attention : the two next ...
Peter whose actions have rendered them laud . receives his Master's orders on
his knees able or infamous ; we should not see a with an admiration mixed with a
more good history - piece without receiving an particular attention : the two next ...
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able actions admiration appear beauty becauſe behaviour believe body carried character common conſider converſation deſire eyes face fall fame father firſt fome fortune give given greater hand head hear heart himſelf honour hope houſe human humble keep kind lady laſt learned letter light live look mankind manner matter means meet mention mind moſt muſt myſelf nature never obliged obſerved occaſion opinion particular paſſion perſon pleaſed pleaſure poet preſent proper reader reaſon received ſaid ſame ſay ſee ſeems ſenſe ſervant ſet ſeveral ſhall ſhe ſhould ſome ſpeak SPECTATOR ſubject ſuch taken talk tell themſelves theſe thing thoſe thought tion told town turn uſe virtue whole woman women writing young
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53 ÆäÀÌÁö - When I look upon the tombs of the great, every emotion of envy dies in me ; when I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow.
304 ÆäÀÌÁö - I discovered one in the habit of a shepherd, with a little musical instrument in his hand. As I looked upon him he applied it to his lips, and began to play upon it. The sound of it was...
7 ÆäÀÌÁö - But being ill-used by the above-mentioned widow, he was very serious for a year and a half ; and though, his temper being naturally jovial, he at last got over it, he grew careless of himself, and never dressed afterwards. He continues to wear a coat and doublet of the same cut that were in fashion at the time of his repulse...
53 ÆäÀÌÁö - I know that entertainments of this nature are apt to raise dark and dismal thoughts in timorous minds and gloomy imaginations ; but for my own part, though I am always serious, I do not know what it is to be melancholy ; and can therefore take a view of nature, in her deep and solemn scenes, with the same pleasure as in her most gay and delightful ones.
9 ÆäÀÌÁö - He has good blood in his veins; Tom Mirabell begot him, the rogue cheated me in that affair; that young fellow's mother used me more like a dog than any woman I ever made advances to.' This way of talking of his very much enlivens the conversation among us of a more sedate turn; and I find there is not one of the company but myself, who rarely speak at all, but speaks of him as of that sort of man who is usually called...
44 ÆäÀÌÁö - If, in the third place, we look into the profession of physic, we shall find a most formidable body of men. The sight of them is enough to make a man serious, for we may lay it down as a maxim, that when a nation abounds in physicians, it grows thin of people.
237 ÆäÀÌÁö - My worthy friend Sir Roger is one of those who is not only at peace within himself, but beloved and esteemed by all about him. He receives a suitable tribute for his universal benevolence to mankind, in the returns of affection and good-will, which are paid him by every one that lives within his neighbourhood.
281 ÆäÀÌÁö - Let us only, if you please, to take leave of this subject, reflect upon this occasion on the vanity and transient glory of this habitable world. How by the force of one element breaking loose upon the rest, all the varieties of nature, all the works of art, all the labours of men are reduced to nothing. All that we admired and adored before as great...
77 ÆäÀÌÁö - The modern tragedy excels that of Greece and Rome in the intricacy and disposition of the fable; but, what a Christian writer would be ashamed to own, falls infinitely short of it in the moral part of the performance.
79 ÆäÀÌÁö - THE English writers of tragedy are possessed with a notion, that when they represent a virtuous or innocent person in distress, they ought not to leave him till they have delivered him out of his troubles, or made him triumph over his enemies. This error they have been led into by a ridiculous doctrine in modern criticism, that they are obliged to an equal distribution of rewards and punishments, and an impartial execution of poetical justice.^) Who were the first that established this rule, I know...