My recollections of lord Byron, and those of eye-witnesses of his life [tr. by sir H.E.H. Jerningham].R. Bentley, 1869 |
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11 페이지
... regard must be had to the law which obliges us to weigh impartially every assertion , and to discuss equally the ayes and noes . Let this be done for Lord Byron . Let us analyse facts , question the eye - witnesses of his life , and ...
... regard must be had to the law which obliges us to weigh impartially every assertion , and to discuss equally the ayes and noes . Let this be done for Lord Byron . Let us analyse facts , question the eye - witnesses of his life , and ...
30 페이지
... regard Was such as rather seem'd to keep aloof , To shield himself than put you on your guard . XV . " Serene , accomplish'd , cheerful , but not loud , Insinuating without insinuation ; Observant of the foibles of the crowd , Yet ne'er ...
... regard Was such as rather seem'd to keep aloof , To shield himself than put you on your guard . XV . " Serene , accomplish'd , cheerful , but not loud , Insinuating without insinuation ; Observant of the foibles of the crowd , Yet ne'er ...
36 페이지
... regard to women ? " How about money ? " What rules did he follow ? " What was his daily life ? & c . , & c . " Finally , what was his peculiar vice and foible ? Every man has one . " Not one of these questions is unimportant in order to ...
... regard to women ? " How about money ? " What rules did he follow ? " What was his daily life ? & c . , & c . " Finally , what was his peculiar vice and foible ? Every man has one . " Not one of these questions is unimportant in order to ...
37 페이지
... regard to Byron . In psychological studies the whole depends upon all the parts , and what may at first seem unimportant may prove to be the best confirmation of the thesis . To be stopped by details ( I might almost say repetitions ) ...
... regard to Byron . In psychological studies the whole depends upon all the parts , and what may at first seem unimportant may prove to be the best confirmation of the thesis . To be stopped by details ( I might almost say repetitions ) ...
38 페이지
... regards Byron , the means has more than once been employed , and with the more success by those who have united to their skill the charms of style . But in claiming no talent , no power to interest , and in refusing to appear as an ...
... regards Byron , the means has more than once been employed , and with the more success by those who have united to their skill the charms of style . But in claiming no talent , no power to interest , and in refusing to appear as an ...
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accused admiration affection amiable appeared atheist beauty believe biographers Byron replied Byron wrote calumnies canto of Childe cause character charm Childe Harold Christianity Count Gamba Countess Guiccioli death doctrines Don Juan doubt Eddleston England existence expression eyes faith father faults feelings friends friendship Galt genius Genoa Giaour give Glenarvon Goethe Greece happiness Harrow heart heaven hero honour human immortality Italy justice Kennedy kind knew Lady Lamartine letter living Lord Byron Madame de Staël Manfred mind misanthropy Missolonghi moral mystery nature never Newstead Newstead Abbey noble opinion pain pantheism passion person Pisa pleasure poem poet poetry portrait praise proof qualities Ravenna religion religious satire says Moore scene scepticism Scott sentiments Shelley soul speak spirit stanzas sublime sympathy Taine talent tears tender thee things thou thought tion truth Venice virtue whilst wish words write written young youth
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418 페이지 - And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent ! THE HARP THE MONARCH MINSTREL SWEPT.
302 페이지 - I have not loved the world, nor the world me, — But let us part fair foes ; I do believe, Though I have found them not, that there may be Words which are things, — hopes which will not deceive, And virtues which are merciful, nor weave Snares for the failing ; I would also deem O'er others...
436 페이지 - Oh ! that the Desert were my dwelling-place, With one fair Spirit for my minister, That I might all forget the human race, And, hating no one, love but only her ! Ye Elements ! — in whose ennobling stir I feel myself exalted — Can ye not Accord me such a being? Do I err In deeming such inhabit many a spot? Though with them to converse can rarely be our lot.
61 페이지 - Some kinder casuists are pleased to say In nameless print — that I have no devotion ; But set those persons down with me to pray, And you shall see who has the properest notion Of getting into heaven the shortest way : My altars are the mountains and the ocean, Earth, air, stars — all that springs from the great Whole, Who hath produced, and will receive the soul.
310 페이지 - Yet I blame not the world, nor despise it, Nor the war of the many with one — If my soul was not fitted to prize it...
161 페이지 - All heaven and earth are still — though not in sleep, But breathless, as we grow when feeling most; And silent, as we stand in thoughts too deep...
154 페이지 - Fix'd in its own eternity. Above or Love, Hope, Hate, or Fear, It lives all passionless and pure : An age shall fleet like earthly year ; Its years as moments shall endure. Away, away, without a wing, O'er all, through all, its thought shall fly ; A nameless and eternal thing, Forgetting what it was to die.
109 페이지 - Faustus, that made me write Manfred. The first scene, however, and that of Faustus, are very similar.
387 페이지 - And angling, too, that solitary vice, Whatever Izaak Walton sings or says: The quaint, old, cruel coxcomb, in his gullet Should have a hook, and a small trout to pull it.
340 페이지 - When he does talk, he talks well ; and, on all subjects of taste, his delicacy of expression is pure as his poetry. If you enter his house — his drawing-room — his library — you of yourself say, this is not the dwelling of a common mind. There is not a gem, a coin, a book thrown aside on his chimney-piece, his sofa, his table, that does not bespeak an almost fastidious elegance in the possessor.