An Examination of the Charges Maintained by Messrs. Malone, Chalmers, and Others, of Ben Jonson's Enmity, &c. Towards ShakspeareTaylor and Hessey, 1808 - 62페이지 |
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10 페이지
... never more completely verified than by the posthumous ap- plause , which Ben Jonson has bestowed on Shak- speare : - -The gracious Duncan Was pitied of Macbeth : -marry , he was dead . " Let us now compare the present eulogium of old ...
... never more completely verified than by the posthumous ap- plause , which Ben Jonson has bestowed on Shak- speare : - -The gracious Duncan Was pitied of Macbeth : -marry , he was dead . " Let us now compare the present eulogium of old ...
13 페이지
... It is true , indeed , honest Dick ; but the slaves are somewhat proud ; and , besides , its a good sport in a part to see them never speak in their walk , but at the end of the stage ; just as though in walking with a fellow , we 13.
... It is true , indeed , honest Dick ; but the slaves are somewhat proud ; and , besides , its a good sport in a part to see them never speak in their walk , but at the end of the stage ; just as though in walking with a fellow , we 13.
14 페이지
Octavius Gilchrist. just as though in walking with a fellow , we should never speak but at a stile , a gate , or ȧ ditch , where a man can go no further . I was once at a comedy in Cambridge , and there I saw a parasite make faces and ...
Octavius Gilchrist. just as though in walking with a fellow , we should never speak but at a stile , a gate , or ȧ ditch , where a man can go no further . I was once at a comedy in Cambridge , and there I saw a parasite make faces and ...
18 페이지
... never views . but with a " torve and tetrick countenance , * 66 * This is not altogether the place for notes on Milton , but it will be interesting to those who are fond of tracing literary coincidences to compare the following passages ...
... never views . but with a " torve and tetrick countenance , * 66 * This is not altogether the place for notes on Milton , but it will be interesting to those who are fond of tracing literary coincidences to compare the following passages ...
30 페이지
... never done , but tragedy becomes farce . Nothing can be represented to the eye , but by something like it , and , within a wooden O , nothing very like a battle can be exhibited . Nash had observed , some years before Jonson wrote ...
... never done , but tragedy becomes farce . Nothing can be represented to the eye , but by something like it , and , within a wooden O , nothing very like a battle can be exhibited . Nash had observed , some years before Jonson wrote ...
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appears Aristophanes asserted bard Bartholomew fair bawds Beaumont Burbage censure Chal charges chorus clumsy sarcasm comedy commentators common-place-book contemporary critic Dekker delight doth drama dramatists drolleries Drummond edition envy epigram exhibited fame favourite FLEET STREET folio following lines gentle Shakspeare George Steevens Gorbodue half-foot Harry Goldingham hath Henry the Fifth Heywood hobby-horses honour Humour induction Inigo Jones invidious jigs John Marston Jonson's satire Kempe Leatherhead literary little Davy malignity Malone Malone's Marston masque memory ment mentators merit monsters muses Nash nature nest of antiques old plays opinion passage players poet-ape poet's Poetaster poets praise preface present printed prologue proof purpose reputation ridicule Satiromastix says scene Sejanus servant-monster Shak Shakspeare's Silent Woman Sir Philip Sidney sneer speak speare speare's stage Steevens Supplemental Apology supposed swords and bucklers take toll Tempest theatrical representation thee tragedy truth verses Winter's Tale writings written
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4 페이지 - Triumph, my Britain! Thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time...
58 페이지 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
5 페이지 - Yet must I not give Nature all; thy Art, My gentle Shakespeare, must enjoy a part. For though the poet's matter Nature be, His art doth give the fashion. And that he Who casts to write a living line must sweat, (Such as thine are) and strike the second heat Upon the Muses...
4 페이지 - Euripides, and Sophocles to us, Pacuvius, Accius, him of Cordova, dead, To life again, to hear thy buskin tread And shake a stage; or when thy socks were on, Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
3 페이지 - Above the ill fortune of them, or the need. I therefore will begin : Soul of the age ! The applause, delight, the wonder of our stage! My SHAKSPEARE, rise ! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room : Thou art a monument without a tomb, And art alive still while thy book doth live, And we have wits to read, and praise to give.
36 페이지 - If there be never a Servant Monster in the Fair, who can help it ? he says ; nor a nest of Antiques? He is loth to make Nature afraid in his Plays, like those that beget Tales, Tempests, and such like Drolleries...
4 페이지 - The applause! delight! the wonder of our stage! My Shakespeare, rise ; I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room : Thou art a monument, without a tomb, And art alive still, while thy book doth live, And we have wits to read, and praise to give.
5 페이지 - Shine forth, thou Star of Poets, and with rage, Or influence, chide or cheer the drooping stage, Which, since thy flight from hence, hath mourned like night, And despairs day but for thy volume's light.
3 페이지 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much, 'Tis true, and all men's suffrage.
4 페이지 - Muses : For if I thought my judgment were of years, I should commit thee surely with thy peers, And tell how far thou didst our Lyly outshine. Or sporting Kyd, or Marlowe's mighty line.