published in 1719, at Edinburgh, by James Watson, who, between the years 1706 and 1710, issued a Choice Collection of Comic and Serious Songs, both Ancient and Modern. This imitation was greatly admired by Gray and Percy, who believed it to be ancient, though retouched by some modern hand; and by Sir Walter Scott, who said it was the first poem he ever learned, the last he should forget. "Neither history nor tradition," says Allan | imitation of the old heroic ballad style was Cunningham, "has preserved any other proof of a genius of a very high order than is contained in the martial and pathetic ballad of "Hardyknute," which both tradition and history combine in ascribing to Lady Wardlaw, daughter of Sir Charles Halkett of Pitferren. From the curiosity of her compeers, or the vanity of her family, some other specimens of her poetic powers might have been expected; but whatever was looked for, nothing has come; and this is only equalled by her own modesty in seeking to confer on an earlier age the merit of a production which of itself establishes a very fair reputation." Elizabeth Halkett was born about the year 1670, and was married in 1696 to Sir Henry Wardlaw, Bart., of Pitreavie, in Fifeshire. Her death is supposed to have taken place in the year 1727. Her admirable "Hardyknute" is certainly a martial and pathetic ballad, but irreconcilable with all chronology, as Scott acknowledged; "A chief with a Norwegian name is strangely introduced as the first of the nobles brought to resist a Norse invasion at the battle of Largs." Other ballads have been attributed to Lady Wardlaw's pen, but, we think, without sufficient evidence. "Malcom, licht of foot as stag That runs in forest wyld, Get me my thousands thrie of men, Well bred to sword and schield: "Bring me my horse and harnisine, My blade of mettal cleir;" If faes kend but the hand it bare "Fareweil, my dame, sae peirless gude," And tuke her by the hand, "Fairer to me in age you seim, Than maids for bewtie fam'd: "My youngest son sall here remain, To guard these stately towirs, And shut the silver bolt that keips Sae fast your painted bowirs." And first scho wet her comely cheiks, Her silken cords of twirtle twist And apron set with mony a dice Of neidle-wark sae rare, And he has ridden owre muir and moss, Making a heavy mane: "Here maun I lye, here maun I die, To wicked woman's smyles." "Sir knicht, gin ye were in my bowir, "Hir self wald watch ye all the day, "Arise, young knicht, and mount your steid, With smyless luke and visage wan, "To me nae after day nor nicht With him nae pleiding micht prevail; Syne he has gane far hynd attowre Of Pictish race, by mother's syde; Now with his ferss and stalwart train "Yonder, my valiant sons, and ferss, Our raging revers wait, On the unconquerit Scottish swaird, To try us with thair fate. "Mak' orisons to him that saift Our sauls upon the rude; Syne braifly schaw your veins are fill'd With Caledonian blude." Then furth he drew his trusty glaive, Drawn frae their sheaths glanst in the sun, To join his king, adoun the hill “Thryse welcum, valyiant stoup of weir, Thy nation's scheild and pryde, Thy king nae reason has to feir, Quhen thou art be his syde.' Quhen bows were bent and darts were thrawn, Lang did they rage and fecht full ferss, Or that lang day was done! The king of Scots that sindle bruik'd The war that lukit lyke play, Drew his braid sword and brake his bow, Sen bows seimt but delay. Quoth noble Rothsay, "Myne I'll keip, "Haste up, my merry men," cry'd the king, As he rade on before. The king of Norse he socht to find, With him to mense the feucht; But on his forehead there did licht A sharp unsonsie shaft; As he his hand put up to find The wound, an arrow kene, O waefou chance! there pinn'd his hand In midst betwene his een. "Revenge! revenge!" cried Rothsay's heir, "Your mail-coat sall nocht byde The strength and sharpness of my dart," Then sent it through his syde. Another arrow weil he mark'd, It persit his neck in twa; His hands then quat the silver reins, He law as eard did fa'. "Sair bleids my liege! sair, sair he bleids!" Again with micht he drew, And gesture dreid, his sturdy bow; Wae to the knicht he ettled at; Lament now quene Elgreid; Hie dames too wail your darling's fall, "Take aff, take aff his costly jupe, (Of gold weil was it twyn'd, Knit like the fowler's net, throuch quhilk His steily harnes shynd.) "Take, Norse, that gift frae me, and bid Proud Norse, with giant body tall, "Though Britons tremble at his name, Quhair, lyke a fyre to hether set, He spur'd his steid throw thickest ranks, Quha stude unmuvit at his approach. "That schort brown shaft, sae meanly trim'd, "Aft Britons blude has dim'd its shyne, Schort quhyle he in his sadill swang; Swith on the harden'd clay he fell, Richt far was heard the thud, But Thomas luikt not as he lay All waltering in his blude. With cairles gesture, mind unmuvit, On raid he north the plain, He seimt in thrang of fiercest stryfe, Nor yit his heart dame's dimpelit cheik In thrawis of death, with wallowit cheik, Neir to return to native land; Nae mair with blythsom sounds To boist the glories of the day, And schaw their shyning wounds. On Norway's coast the widowit dame Ceise, Emma, ceise to hope in vain, There on a lie, quhair stands a cross Set up for monument, Let Scots, quhyle Scots, praise Hardyknute, Ay how he faucht, aft how he spaird, Full loud and chill blew westlin' wind, His towir that us'd with torch's bleise Seim'd now as black as mourning weid; "Thair's nae licht in my lady's bowir, "Quhat bodes it? Robert, Thomas, say!" "Stand back, my sons, I'll be your gyde;" "As fast I've sped owre Scotland's faes"- Sair schamit to mynd ocht but his dame, Black feir he felt, but quhat to feir, JOHN CLERK. BORN 1680 DIED 1755. SIR JOHN CLERK, second baronet or Penny- | was joint author, in 1726, with Baron Scrope cuik, for nearly half a century one of the barons of the Historical View of the Forms and of the exchequer in Scotland, was born in Powers of the Court of Exchequer in Scotland, 1680, and succeeded his father in his title and which was printed at the expense of the barons estates in 1722. He was one of the commis- of exchequer at Edinburgh in 1820, in a large sioners for the union, and was recognized as quarto volume. To Sir John are ascribed one of the most accomplished men of his time. some amatory lines sent with a flute to SusFor twenty years he carried on a correspond- anna Kennedy, whom he courted unsucence with Roger Gale, the English antiquarian, cessfully. On attempting to blow the instruwhich appears in Nichol's Bibliotheca Topo- ment it would not sound, and on uncovering graphica Britannica, and contributed scien- it, the young lady, afterwards Countess of tific papers to various learned societies. Eglinton, found the following: He |