The Works of Ben Jonson, 1±ÇG. and W. Nicol, 1816 |
µµ¼ º»¹®¿¡¼
87°³ÀÇ °á°ú Áß 1 - 5°³
xv ÆäÀÌÁö
... gives this , and much more , from the Satiromastix , as if he really be- lieved it , yet nothing is so questionable . What Decker means by " not setting a good face upon't , " is easily understood : Jonson was of a " " 2 It would be ...
... gives this , and much more , from the Satiromastix , as if he really be- lieved it , yet nothing is so questionable . What Decker means by " not setting a good face upon't , " is easily understood : Jonson was of a " " 2 It would be ...
xxv ÆäÀÌÁö
... god - child , and I have resolved at last . I prithee what , says he ? I'faith , Ben , I'll e'en give her a dozen good Latin ( latten ) spoons , and thou shalt translate them . " This In Every Man in his Humour , and in the BEN JONSON .
... god - child , and I have resolved at last . I prithee what , says he ? I'faith , Ben , I'll e'en give her a dozen good Latin ( latten ) spoons , and thou shalt translate them . " This In Every Man in his Humour , and in the BEN JONSON .
xli ÆäÀÌÁö
... , which they will be sure to do , they give it on the authority of Mr. Robert Shiels , and not on that of " Jonson's friend , Drummond of Hawthornden . " • his moral purpose in dramatic satire , his scorn of BEN JONSON . xli.
... , which they will be sure to do , they give it on the authority of Mr. Robert Shiels , and not on that of " Jonson's friend , Drummond of Hawthornden . " • his moral purpose in dramatic satire , his scorn of BEN JONSON . xli.
xliv ÆäÀÌÁö
... gives the names of the chief writers in comedy , in the next paragraph . It does not follow , because we have no tragedies extant of this early date , that Jonson had written none . In the page just quoted , mention is made of several ...
... gives the names of the chief writers in comedy , in the next paragraph . It does not follow , because we have no tragedies extant of this early date , that Jonson had written none . In the page just quoted , mention is made of several ...
liii ÆäÀÌÁö
... give it to the Children , " & c . These lynx - eyed critics do not perceive that " the children " were as popular , and as well " established " as any other company , and that they shared the Blackfriars , at which this play was ...
... give it to the Children , " & c . These lynx - eyed critics do not perceive that " the children " were as popular , and as well " established " as any other company , and that they shared the Blackfriars , at which this play was ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
appears Aubrey Bartholomew Fair Ben Jonson Benjamin Jonson better Bobadill Brai Brainworm brother called captain Cash Catiline censure Chalmers character Clem Cob's comedy court Cynthia's Revels Dame Decker Downright drama Drummond earl of Newcastle Eastward Hoe entertainment envy Exit faith fame favour folio friendship gentleman give hath honour humour Inigo Jones Jonson judgment justice kind king Kitely Know Knowell learned lord Malone Marston Masque master Mathew master Stephen muse never observed passage perhaps pieces play poem poet poet's Poetaster poetry praise pray probably prologue quarto racters reader ridicule says scarcely scene seems Sejanus Shak Shakspeare Shakspeare's shew Silent Woman soldier speak stage Steevens Step taste tell theatre thee Thomas thou thought tragedy Twelfth Night unto verses Volpone Wellbred WHAL Whalley word writers written
Àαâ Àο뱸
4 ÆäÀÌÁö - To make a child now swaddled; to proceed Man, and then shoot up, in one beard and weed, Past threescore years ; or, with three rusty swords, And help of some few foot and half-foot words, Fight over York and Lancaster's long jars, And in the tyring-house bring wounds to scars.
cclvi ÆäÀÌÁö - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
cccvi ÆäÀÌÁö - A lily of a day Is fairer far in May; Although it fall and die that night, It was the plant and flower of light. In small proportions we just beauties see, And in short measures life may perfect be.
ciii ÆäÀÌÁö - The woman shall not wear that which pertaineth unto a man, neither shall a man put on a woman's garment : for all that do so are abomination unto the LORD thy God.
vi ÆäÀÌÁö - Camden, most reverend head, to whom I owe All that I am in arts, all that I know (How nothing's that); to whom my country owes The great renown and name wherewith she goes; Than thee the age sees not that thing more grave, More high, more holy, that she more would crave.
66 ÆäÀÌÁö - To be more prince) as may be. You are sad. Hub. Indeed, I have been merrier. Arth. Mercy on me! Methinks, nobody should be sad but I : Yet, I remember, when I was in France, Young gentlemen would be as sad as night, Only for wantonness.
12 ÆäÀÌÁö - I'd have you sober, and contain yourself, Not that your sail be bigger than your boat; But moderate your expenses now, at first, As you may keep the same proportion still: Nor stand so much on your gentility, Which is an airy and mere borrow'd thing, From dead men's dust and bones; and none of yours, Except you make, or hold it.
cclxxx ÆäÀÌÁö - Shakespeare, who (taught by none) did first impart To Fletcher Wit, to labouring Jonson Art. He Monarch-like gave those his subjects law, And is that Nature which they paint and draw.
ccxcv ÆäÀÌÁö - Wit, and language, and humour also in some measure, we had before him ; but something of art was wanting to the Drama, till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he 10 knew he came after those who had performed both to such an height.
156 ÆäÀÌÁö - Here was enough to have infected the whole city, if it had not been taken in time.