And o'er them many a sliding star, And many a merry wind was borne, And, stream'd thro' many a golden bar, The twilight melted into morn. 3. "O eyes long laid in happy sleep!" "O happy sleep, that lightly fled!" "O happy kiss, that woke thy sleep!" "O love, thy kiss would wake the dead! And o'er them many a flowing range Of vapor buoy'd the crescent-bark, And, rapt thro' many a rosy change, The twilight died into the dark. 4. "A hundred summers! can it be? And whither goest thou, tell me where?" "O seek my father's court with me, For there are greater wonders there." Beyond their utmost purple rim, MORAL. I. So, Lady Flora, take my lay, And if you find no moral there, Go, look in any glass and say, What moral is in being fair. O, to what uses shall we put The wildweed-flower that simply blows? And is there any moral shut Within the bosom of the rose? 2. But any man that walks the mead, A meaning suited to his mind. In Art like Nature, dearest friend; So 't were to cramp its use, if I Should hook it to some useful end. L'ENVOI. I. You shake your head. A random string To silence from the paths of men; And learn the world, and sleep again; To sleep thro' terms of mighty wars, And wake on science grown to more, On secrets of the brain, the stars, As wild as aught of fairy lore; And all that else the years will show, The Poet-forms of stronger hours, The vast Republics that may grow, The Federations and the Powers; Titanic forces taking birth In divers seasons, divers climes; Ah, yet would I — and would I might ! That I might kiss those eyes awake! For, am I right or am I wrong, To choose your own you did not care; You'd have my moral from the song, And I will take my pleasure there: And, am I right or am I wrong, My fancy, ranging thro' and thro', To search a meaning for the song, Perforce will still revert to you; Nor finds a closer truth than this All-graceful head, so richly curl'd, And evermore a costly kiss The prelude to some brighter world. 4. For since the time when Adam first In carol, every bud to flower, What eyes, like thine, have waken'd hopes? What lips, like thine, so sweetly join'd? Where on the double rosebud droops The fulness of the pensive mind; Which all too dearly self-involved, Yet sleeps a dreamless sleep to me; That lets thee neither hear nor see: And that for which I care to live. EPILOGUE. So, Lady Flora, take my lay, To shape the song for your delight, By Cupid-boys of blooming hueBut take it earnest wed with sport, And either sacred unto you. AMPHION. My father left a park to me, But it is wild and barren, A garden too with scarce a tree And waster than a warren: Yet say the neighbors when they call, That grows within the woodland. O had I lived when song was great Nor cared for seed or scion ! 'T is said he had a tuneful tongue, Such happy intonation, Wherever he sat down and sung He left a small plantation; Wherever in a lonely grove He set up his forlorn pipes, The gouty oak began to move, And flounder into hornpipes. The mountain stirr'd its bushy crown, Coquetting with young beeches; The birch-tree swang her fragrant hair, Began to make him merry, The shock-head willows two and two By rivers gallopaded. Came wet-shot alder from the wave, Old elms came breaking from the vine, And was n't it a sight to see, When, ere his song was ended, Like some great landslip, tree by tree, The country-side descended; And shepherds from the mountain-eaves Look'd down, half-pleased, half-frighten'd As dash'd about the drunken leaves The random sunshine lighten'd! O, nature first was fresh to men, You moved her at your pleasure. Twang out, my fiddle! shake the twigs! And make her dance attendance; Blow, flute, and stir the stiff-set sprigs, And scirrhous roots and tendons. 'T is vain! in such a brassy age But what is that I hear? a sound Like sleepy counsel pleading: O Lord! 't is in my neighbor's ground, And Works on Gardening through there, The wither'd Misses! how they prose But these, tho' fed with careful dirt, Are neither green nor sappy; Half-conscious of the garden-squirt, The spindlings look unhappy. Better to me the meanest weed That blows upon its mountain, The vilest herb that runs to seed Beside its native fountain. And I must work thro' months of toil, ST. AGNES. DEEP on the convent-roof the snows As these white robes are soiled and dark, As this pale taper's earthly spark, So shows my soul before the Lamb, So in mine earthly house I am, To that I hope to be. Break up the heavens, O Lord! and far, He lifts me to the golden doors; For me the Heavenly Bridegroom waits, One sabbath deep and wide - SIR GALAHAD. My good blade carves the casques of men, The shattering trumpet shrilleth high, The hard brands shiver on the steel, The splinter'd spear-shafts crack and fly, The horse and rider reel: They reel, they roll in clanging lists, And when the tide of combat stands, How sweet are looks that ladies bend For them I battle to the end, To save from shame and thrall: But all my heart is drawn above, My knees are bow'd in crypt and shrine : I never felt the kiss of love, Nor maiden's hand in mine. When down the stormy crescent goes, I hear a voice, but none are there; The silver vessels sparkle clean, Sometimes on lonely mountain-meres I find a magic bark; I leap on board: no helmsman steers: A gentle sound, an awful light! 70 EDWARD GRAY.-LYRICAL MONOLOGUE. With folded feet, in stoles of white, On sleeping wings they sail. When on my goodly charger borne The cock crows ere the Christmas morn, And, ringing, spins from brand and mail; I leave the plain, I climb the height; "Cruel, cruel the words I said! Cruelly came they back to-day: "You're too slight and fickle,' I said, To trouble the heart of Edward Gray.' "There I put my face in the grass Whisper'd, 'Listen to my despair: I repent me of all I did: Speak a little, Ellen Adair !' "Then I took a pencil, and wrote On the mossy stone, as I lay, 'Here lies the body of Ellen Adair; And here the heart of Edward Gray!' "Love may come, and love may go, And fly, like a bird, from tree to tree: But I will love no more, no more, 66 Till Ellen Adair come back to me. 'Bitterly wept I over the stone : Bitterly weeping I turn'd away: There lies the body of Ellen Adair! And there the heart of Edward Gray!" WILL WATERPROOF'S LYRICAL MONOLOGUE. MADE AT THE COCK. O PLUMP head-waiter at The Cock, How goes the time? "T is five o'clock. But let it not be such as that No vain libation to the Muse, But may she still be kind, And whisper lovely words, and use To make me write my random rhymes, I pledge her, and she comes and dips Her laurel in the wine, And lays it thrice upon my lips, These favor'd lips of mine; Until the charm have power to make New lifeblood warm the bosom, And barren commonplaces break In full and kindly blossom. I pledge her silent at the board; Old wishes, ghosts of broken plans, This earth is rich in man and maid; This whole wide earth of light and shade Head-waiter, honor'd by the guest The pint, you brought me, was the best For since I came to live and learn, Tho' soak'd and saturate, out and out, For I am of a numerous house, |