Reading, Writing, and Romanticism: The Anxiety of Reception

¾ÕÇ¥Áö
Oxford University Press, 2003 - 397ÆäÀÌÁö
Reading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book examines how readers are imagined, addressed, figured and theorized in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are considered alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry and its repercussions for the poetics of reception.

µµ¼­ º»¹®¿¡¼­

¸ñÂ÷

THE SENSE OF AN AUDIENCE
3
Authorship and the Public Sphere
13
Reputation
30
Reading Consumption
39
COLERIDGE
49
WORDSWORTH
91
Ballads 1800
117
An Epitaphic
124
Jewsbury Hemans and Landon
251
DEFENCES
263
Copyright and the Paradox of Romantic Authorship
269
CanonFormation Connectiveness and Recuperation
289
REPETITION
298
Hermeneutic
311
Women Readers and the Dangers of Sympathetic
317
AN AMBIGUOUS
333

ANNA BARBAULD
134
Interventions and Trespasses
145
COMPETITION AND COLLABORATION
173
Envy Irony and the Rivalry of Genres
215
FEMINIZING THE POETICS OF RECEPTION
224
From Sheridan to Thelwall
339
Bibliography
372
Index
391
ÀúÀÛ±Ç

±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â

ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®

ÀúÀÚ Á¤º¸ (2003)

Lucy Newlyn is Lecturer in English at St Edmund Hall, University of Oxford. Her publications include Paradise Lost and the Romantic Reader (OUP 1993), Coleridge, Wordsworth, and the Language of Allusion (OUP 1986), and Coleridge's Imagination: Essays in Memory of Peter Laver (CUP 1985).

µµ¼­ ¹®ÇåÁ¤º¸