A History of English Rhythms, 1권W. Pickering, 1838 - 318페이지 |
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2 페이지
Edwin Guest. CHAP . II . Verses consisting of a single section , 185. Verse of two accents , 186. Verse of three accents , 188 . CHAP . III . Verse of four accents , 190. Verses beginning with section 1 , 194 - with section 17 , 196 ...
Edwin Guest. CHAP . II . Verses consisting of a single section , 185. Verse of two accents , 186. Verse of three accents , 188 . CHAP . III . Verse of four accents , 190. Verses beginning with section 1 , 194 - with section 17 , 196 ...
5 페이지
... verse , read with the forms of a later and more artificial system . 179 , See note ( B ) . 8 , on the whole should have been printed in italics . 191 , 8 , The words or short should have been in Roman letters . 195 , 20 , dele Sweartle ...
... verse , read with the forms of a later and more artificial system . 179 , See note ( B ) . 8 , on the whole should have been printed in italics . 191 , 8 , The words or short should have been in Roman letters . 195 , 20 , dele Sweartle ...
6 페이지
... verse , read the last verse but one . 9 , for 7 : 191c , read 71 : 1:91 c . 283 , 15 , the notation , used in this chapter , readily adapts itself to verses of six or seven accents , but when a verse contains eight or more accents , the ...
... verse , read the last verse but one . 9 , for 7 : 191c , read 71 : 1:91 c . 283 , 15 , the notation , used in this chapter , readily adapts itself to verses of six or seven accents , but when a verse contains eight or more accents , the ...
6 페이지
... verse . and Verse may be defined as a succession of articulate sounds regulated by a rhythm so definite , that we can readily foresee the results which follow from its application . Rhythm is also met with in prose , but in the latter ...
... verse . and Verse may be defined as a succession of articulate sounds regulated by a rhythm so definite , that we can readily foresee the results which follow from its application . Rhythm is also met with in prose , but in the latter ...
6 페이지
... verse , the elements subjected to the rhythm , may be either syllables , or verses , or staves . The only accidents , which need be noticed as of rhythmical value , are three , the time or quantity , the accent , and the modifica- tion ...
... verse , the elements subjected to the rhythm , may be either syllables , or verses , or staves . The only accidents , which need be noticed as of rhythmical value , are three , the time or quantity , the accent , and the modifica- tion ...
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accented syllable adjective alliteration alliterative couplet Anglo-Saxon poems Anglo-Saxon verse Bonduca Bruce Burns Cadmon Cæd century Chau Chaucer common compound section Comus consonant couplet Cynthia's Revels dialects dipthong dissyllable doth doubt dramatists Drayton elided elision English rhythms eyes final rhime five accents Fletcher four accents gret hallig hath House of Fame Jons King Knightes Tale L'Allegro lable language Latin Layamon Lear letters Lord metre middle pause Milton occasionally Olaus Wormius old English orthography Othello Ploughman poetry poets preposition Prol pronounced pronunciation Puttenham quantity rare rhime rhiming syllables rule Sackville sectional pause short vowel Shrew Siege of Leith six accents sometimes Song sound Spenser substantive thee ther thou three accents triple measure tumbling verse Tusser unaccented syllable verb verse of four verse of six Verses beginning verses of five wæs Wallace word writers
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156 페이지 - Come away, come away, death, And in sad cypress let me be laid; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it; My part of death no one so true Did share it.
125 페이지 - The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound!
167 페이지 - Where the bee sucks, there suck I; In a cowslip's bell I lie : There I couch when owls do cry, On the bat's back I do fly After summer merrily: Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
198 페이지 - Still to be neat, still to be drest, As you were going to a feast ; Still to be powdered, still perfumed: Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound. Give me a look, give me a face; That makes simplicity a grace ; Robes loosely flowing, hair as free : Such sweet neglect more taketh me, Than all the adulteries of art ; They strike mine eyes, but not my heart.
115 페이지 - Poured through the mellow horn her pensive soul ; And dashing soft from rocks around, Bubbling runnels joined the sound : Through glades and glooms the mingled measure stole, Or, o'er some haunted stream, with fond delay, Round a holy calm diffusing, . Love of peace and lonely musing, — In hollow murmurs died away.
15 페이지 - To his bold riot : dreadful was the din Of hissing through the hall, thick -swarming now With complicated monsters...
233 페이지 - Olympian hill I soar, Above the flight of Pegasean wing ! The meaning, not the name, I call ; for thou Nor of the Muses nine, nor on the top Of old Olympus dwell'st ; but...
16 페이지 - The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
170 페이지 - WARRIORS and chiefs! should the shaft or the sword Pierce me in leading the host of the Lord, Heed not the corse, though a king's, in your path : Bury your steel in the bosoms of Gath! Thou who art bearing my buckler and bow, Should the soldiers of Saul look away from the foe, Stretch me that moment in blood at thy feet! Mine be the doom which they dared not to meet. Farewell to others, but never we part, Heir to my royalty, son of my heart!
245 페이지 - I see before me the gladiator lie : He leans upon his hand ; his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low ; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower ; and now The arena swims around him ; he is gone, Ere ceased the inhuman shout which hailed the wretch who won.