Notes and Lectures Upon Shakespeare and Some of the Old Poets and Dramatists and Other Literary Remains of S.T. Coleridge, 1권W. Pickering, 1849 |
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viii 페이지
... transcendental character , which , as a general rule , have been avoided : the truth is , that they were sometimes found so indissolubly intertwined with the more popular matter which preceded and fol- lowed , viii PREFACE .
... transcendental character , which , as a general rule , have been avoided : the truth is , that they were sometimes found so indissolubly intertwined with the more popular matter which preceded and fol- lowed , viii PREFACE .
6 페이지
... truth ; the proper and immediate object of poetry is the communication of immediate plea- sure . This definition is useful ; but as it would include novels and other works of fiction , which yet we do not call poems , there must be some ...
... truth ; the proper and immediate object of poetry is the communication of immediate plea- sure . This definition is useful ; but as it would include novels and other works of fiction , which yet we do not call poems , there must be some ...
7 페이지
... truths of nature and of the human heart , united with a constant activity modifying and correcting these truths by that sort of pleasurable emotion , which the exertion of all our faculties gives in a certain degree ; but which can only ...
... truths of nature and of the human heart , united with a constant activity modifying and correcting these truths by that sort of pleasurable emotion , which the exertion of all our faculties gives in a certain degree ; but which can only ...
17 페이지
... truth of character , —not so far indeed as that a bona fide individual should be described or imagined , but yet so that the features which give interest and perma- nence to the class should be individualized . The old tragedy moved in ...
... truth of character , —not so far indeed as that a bona fide individual should be described or imagined , but yet so that the features which give interest and perma- nence to the class should be individualized . The old tragedy moved in ...
19 페이지
... truth they were ) the ideal representatives of the real audience , and of the poet himself in his own character , assuming the supposed impressions made by the drama , in order to direct and rule them . But when the chorus it- self ...
... truth they were ) the ideal representatives of the real audience , and of the poet himself in his own character , assuming the supposed impressions made by the drama , in order to direct and rule them . But when the chorus it- self ...
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admirable appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character Coleridge comedy Coriolanus Cymbeline drama effect excellent excitement exquisite fancy father fear feelings fool genius give Greek habits Hamlet harmony hath heart heaven Henry historical honour human Iago Iago's images imagination imitation intellect Jonson judgment Julius Cæsar king language Lear Lear's Lect lectures lord Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps philosopher play poem poet poetic poetry Polonius present racters remark Richard Richard III Romeo and Juliet scene Schlegel seems sense Shak Shakspeare Shakspeare never Shakspeare's Shakspearian speak speare speech spirit supposed sweet Tempest Theobald Theobald's note thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Warburton whilst whole words writer
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166 페이지 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
157 페이지 - tis not so deep as a well, nor so wide as a church door ; but 'tis enough, 'twill serve : ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
246 페이지 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
109 페이지 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
112 페이지 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
54 페이지 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
196 페이지 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...
248 페이지 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
10 페이지 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
167 페이지 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.