A Handbook of Poetics: For Students of English VerseGinn, 1885 - 250페이지 |
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xv 페이지
... Comedy . Reconciling Drama . of Drama . Other Forms . Outward Form of Drama PART II : STYLE . · 58 CHAPTER IV . - Poetic Style . Historical Sketch . Metaphor . Personification . Allegory . Simile . of Connexion . Of Contrast Tropes ...
... Comedy . Reconciling Drama . of Drama . Other Forms . Outward Form of Drama PART II : STYLE . · 58 CHAPTER IV . - Poetic Style . Historical Sketch . Metaphor . Personification . Allegory . Simile . of Connexion . Of Contrast Tropes ...
22 페이지
... comedy " was a narrative that did not end tragic- ally : cf. Dante's great work . With far wider sweep of history , modern poets have greatly increased the variety of romances and legen- dary poems . Think of Evangeline or Hiawatha on ...
... comedy " was a narrative that did not end tragic- ally : cf. Dante's great work . With far wider sweep of history , modern poets have greatly increased the variety of romances and legen- dary poems . Think of Evangeline or Hiawatha on ...
61 페이지
... Comedy were not sharply defined . “ The Murder of Abel " is in subject a tragedy ; half the action , even in the critical part , is roughest horse - play . The miracle of " Noah's Flood , " however , was nearly all comedy the patriarch ...
... Comedy were not sharply defined . “ The Murder of Abel " is in subject a tragedy ; half the action , even in the critical part , is roughest horse - play . The miracle of " Noah's Flood , " however , was nearly all comedy the patriarch ...
62 페이지
... comedy noticed above . Still , there were many human attributes . The biblical heroes were human enough , and the interest of the spectators was easily aroused by the rude pathos of Abel's death , or by the edifying spectacle of a ...
... comedy noticed above . Still , there were many human attributes . The biblical heroes were human enough , and the interest of the spectators was easily aroused by the rude pathos of Abel's death , or by the edifying spectacle of a ...
68 페이지
... comedy , it is true ; but it is a great advance upon the fleshless abstractions of the moralities , from which the comedy is really descended . Further interludes of later origin are such as Shakspere introduces in The Tempest , Love's ...
... comedy , it is true ; but it is a great advance upon the fleshless abstractions of the moralities , from which the comedy is really descended . Further interludes of later origin are such as Shakspere introduces in The Tempest , Love's ...
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accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beautiful beginning beginning-rime Beowa Beowulf blank verse cæsura called Century character Chaucer chorus classic combined comedy common dactylic drama early end-rime English verse epic epic poetry example famous folk-song French Germanic Greek half-verse Hamlet harmony heavy syllables hero hexameter hovering accent human hymn iambic imitated Keats King later Latin Layamon legend license light syllables lines literature Lost Love's Labour's Lost Lycidas lyric poetry mailing price measure metaphor metre metrical scheme Milton modern moral movement nature pause personification play poem poet poetical Pope's popular prose quantity regular rhythm rhythmic rime rule says Septenary Shak Shakspere Shakspere's simile simply sing slurring song sonnet sort sounds speech stanza story stress style Tennyson thee thing thou tion tone tragedy trochaic trope unaccented syllables Vers de Société verse-accent vowel word-accent words
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118 페이지 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
131 페이지 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit...
112 페이지 - For them no more the blazing hearth shall burn. Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
158 페이지 - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
53 페이지 - Alas! what boots it with uncessant care To tend the homely, slighted, shepherd's trade And strictly meditate the thankless Muse ? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
130 페이지 - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
200 페이지 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.
115 페이지 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
232 페이지 - WHAT slender Youth bedew'd with liquid odours Courts thee on Roses in some pleasant Cave, Pyrrha for whom bind'st thou In wreaths thy golden Hair, Plain in thy neatness? O how oft shall he On Faith and changed Gods complain : and Seas Rough with black winds and storms Unwonted shall admire : Who now enjoys thee credulous, all Gold, Who always vacant, always amiable Hopes thee ; of flattering gales Unmindful.
108 페이지 - As the hart panteth after the water-brooks, so panteth my soul after thee, O God. My soul thirsteth for God, for the living God : when shall I come and appear before God...