Frontiers of Consciousness: Interdisciplinary Studies in American Philosophy and PoetryFordham Univ Press, 1991 - 156페이지 Frontiers of Consciousness is a study of the problem of consciousness in a historic period of revolutionary change, and an authentic example of "interdisciplinary studies." The book contains a wealth of insight into the conceptual interrelationships between the work of the American philosophers who have been called the Builders (William James, Josiah Royce, Charles Peirce, and John Dewey) and the work of three great modernist poets (T. S. Eliot, Wallace Stevens, and William Carlos Williams). |
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36개의 결과 중 1 - 5개
xiv 페이지
... human being who has a pencil in his or her hand when reading a book . " The role of the intellectual , his or her obligations toward and questionable utility to modern society , are problems much vexed in these pages . Saul Bellow , one ...
... human being who has a pencil in his or her hand when reading a book . " The role of the intellectual , his or her obligations toward and questionable utility to modern society , are problems much vexed in these pages . Saul Bellow , one ...
xv 페이지
... human consciousness , art con- sciousness , can see us through this time of nihilism . " Some of this pessimism undoubtedly reflects the personal cir- cumstances of aging individuals staring into their own mortality . Here we might also ...
... human consciousness , art con- sciousness , can see us through this time of nihilism . " Some of this pessimism undoubtedly reflects the personal cir- cumstances of aging individuals staring into their own mortality . Here we might also ...
8 페이지
... human being who has a pencil in his or her hand when reading a book . Enveloping Chardin's reader , his folio , his hour - glass , his incised medallions , his ready quill , is silence . Like his predecessors and contemporaries in the ...
... human being who has a pencil in his or her hand when reading a book . Enveloping Chardin's reader , his folio , his hour - glass , his incised medallions , his ready quill , is silence . Like his predecessors and contemporaries in the ...
9 페이지
... human mor- tality and textual survival ; the possible interplay ( I am not at all cer- tain here ) between the quill and the sand in the hourglass , sand being used to dry ink on the written page . But even a cursory look at the major ...
... human mor- tality and textual survival ; the possible interplay ( I am not at all cer- tain here ) between the quill and the sand in the hourglass , sand being used to dry ink on the written page . But even a cursory look at the major ...
26 페이지
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목차
1 | |
Divination | 21 |
Whitmans Image of Voice | 42 |
The Politics of Modern Criticism | 72 |
The Making of a Critic | 93 |
Wilde Yeats Joyce | 115 |
Long Work Short Life | 134 |
Three Spiritual Exercises | 147 |
Summations | 164 |
Magic and Spells | 182 |
Nabokov on Cruelty | 198 |
Collective Violence and Sacrifice in Shakespeares Julius Caesar | 221 |
Fiction Morals and Politics | 243 |
Dylan the Durable? On Dylan Thomas | 255 |
What Henry James Knew | 276 |
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자주 나오는 단어 및 구문
aesthetic American artist Awkward Age become beginning belief Belitt Ben Belitt Bennington Bennington College Bernard Malamud bourgeois Brutus Caesar called Cassius Chardin's conspiracy creative crisis criticism culture death decadence Dickens divination Dylan Thomas English essay feel fiction gift Guy Domville human Humbert idea image of voice imagination intellectual James James's Joyce Julius Caesar Kinbote kind language lilac literary literature live Longdon Marxism matter means mimetic mimetic desire mind modern moral murder Nabokov Nanda never night novel Orwell Pale Fire Partisan Partisan Review perhaps play poem poet poetic poetry political praise reader reading renaissance rhetoric Saul Bellow Seamus Heaney seems sense sexual Shade Shakespeare social song soul spirit Stendhal style tally thee things thou thought tion tradition trope Trotsky turn Vanderbank vision Vladimir Nabokov Whitman whole Wilde words wrote Yeats York writers young
인기 인용구
131 페이지 - Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.
232 페이지 - To beg the voice and utterance of my tongue— A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy...
43 페이지 - Standing on the bare ground, — my head bathed by the blithe air and uplifted into infinite space, — all mean egotism vanishes. I become a transparent eyeball ; I am nothing ; I see all ; the currents of the Universal Being circulate through me ; I am part or parcel of God.
267 페이지 - Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they 5 Do not go gentle into that good night.
53 페이지 - In the dooryard fronting an old farm-house near the white-wash'd palings, Stands the lilac-bush tall-growing with heart-shaped leaves of rich green, With many a pointed blossom rising delicate, with the perfume strong I love, With every leaf a miracle - and from this bush in the dooryard, With delicate-color'd blossoms and heart-shaped leaves of rich green, A sprig with its flower I break.
56 페이지 - Come lovely and soothing death, Undulate round the world, serenely arriving, arriving, In the day, in the night, to all, to each, Sooner or later delicate death.
189 페이지 - Make me thy lyre, even as the forest is; What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like withered leaves to quicken a new birth!
64 페이지 - States themselves as of crapeveil'd women standing, With processions long and winding and the flambeaus of the night, With the countless torches lit, with the silent sea of faces and the unbared...
54 페이지 - With the tolling tolling bells' perpetual clang, Here, coffin that slowly passes, I give you my sprig of lilac. 7 (Nor for you, for one alone, Blossoms and branches green to coffins all I bring, For fresh as the morning, thus would I chant a song for you O sane and sacred death. All over bouquets of roses...