Critical Survey of Poetry: Authors Chau-DurFrank Northen Magill Salem Press, 1982 |
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... stanzas ; there is frequent strong enjambment , between as well as within stanzas , and the short lines are often broken by syntactical boundaries , these features producing a by - fits - and - starts movement . By the end of the fifth ...
... stanzas ; there is frequent strong enjambment , between as well as within stanzas , and the short lines are often broken by syntactical boundaries , these features producing a by - fits - and - starts movement . By the end of the fifth ...
682 ÆäÀÌÁö
... stanza ends with a dash for punctuation , and the nominal construction that comprises all of stanza two and runs over into the last stanza seems to be in apposition to " the grit of things , " an elaboration of that concept . This ...
... stanza ends with a dash for punctuation , and the nominal construction that comprises all of stanza two and runs over into the last stanza seems to be in apposition to " the grit of things , " an elaboration of that concept . This ...
752 ÆäÀÌÁö
... ( stanza 107 ) . This type of aesthetic statement is set forth quite overtly in the poem , but there are also two ... stanza 127 is addressed to a " Prophetesse divine , " not to the muse of heavenly love . This invocation , which follows ...
... ( stanza 107 ) . This type of aesthetic statement is set forth quite overtly in the poem , but there are also two ... stanza 127 is addressed to a " Prophetesse divine , " not to the muse of heavenly love . This invocation , which follows ...
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