A Course of Lectures on Dramatic Art and Literature, 2권J. Templeman, 1840 |
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acquainted actors admiration altogether appearance Beaumont and Fletcher Ben Jonson bold Cæsar Calderon censure certainly character circumstances comedy comic composition considered Corneille critics dæmon death degree disguise displayed dramatic art dramatic poets effect elevation endeavours English entertainment exhibited expression Falstaff fancy favour feeling Fletcher foreign French German give Goethe Hamlet Hence Henry honour human imagination imitation intrigue invention Jonson Julius Cæsar King labours language less Lope de Vega lover Macbeth manner means merely mind Molière moral nature never noble observations opinion Othello passion peculiar picture pieces Plautus players plays plot poet poetical poetry possessed Prince produced prose racters respect rhyme romantic Romeo and Juliet scenes Shak Shakspeare Shakspeare's Spanish Spanish poetry speare species spectators spirit stage talent taste theatre theatrical thing tion Titus Andronicus tone tragedy tragical true truth verse versification Voltaire whole wished wonderful writers
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114 페이지 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.— How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
209 페이지 - Tis two or three, my lord, that bring you word, Macduff is fled to England. Macb. Fled to England ? Len. Ay, my good lord. Macb. Time, thou anticipat'st my dread exploits : The flighty purpose never is o'ertook, Unless the deed go with it : from this moment, The very firstlings of my heart shall be The firstlings of my hand.
244 페이지 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
117 페이지 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
190 페이지 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
149 페이지 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
284 페이지 - And thus still doing, thus he pass'd along. Duch. Alas, poor Richard ! where rides he the whilst? York. As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
194 페이지 - Whatever is most intoxicating in the odour of a southern spring, languishing in the song of the nightingale, or voluptuous in the first opening of the rose, is to be found in this poem.
142 페이지 - Shakespear lived in an age extremely susceptible of noble and tender impressions, but which had still enough of the firmness inherited from a vigorous olden time not to shrink back with dismay from every strong and violent picture. We have lived to see tragedies of which the catastrophe consists in the swoon of an enamoured princess. If...
190 페이지 - By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.