English Versification for the Use of StudentsLeach, Shewell, & Sanborn, 1891 - 162ÆäÀÌÁö |
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8 ÆäÀÌÁö
... seen that there are four principal kinds of feet - two of double movement , and two of triple movement . | ' Thus , of double movement : | | or | ' | Of triple movement : 17. For convenience , the ancient names of the feet 8 ENGLISH ...
... seen that there are four principal kinds of feet - two of double movement , and two of triple movement . | ' Thus , of double movement : | | or | ' | Of triple movement : 17. For convenience , the ancient names of the feet 8 ENGLISH ...
9 ÆäÀÌÁö
... seen in a single foot , it will be necessary to give here an example of each . Double rhythm , is , in general , a staid and stately movement . The cúr | few tólls | the knéll | of párt | ing dáy . | - Gray . Triple rhythm is more ...
... seen in a single foot , it will be necessary to give here an example of each . Double rhythm , is , in general , a staid and stately movement . The cúr | few tólls | the knéll | of párt | ing dáy . | - Gray . Triple rhythm is more ...
17 ÆäÀÌÁö
... seen that this last is the same as the choriambus . 28. Dactylic dimeter : Cánnon to right of them . | -Tennyson . A form similar to this , with accents much modified , is found in several well - known poems : as Drayton's " Agincourt ...
... seen that this last is the same as the choriambus . 28. Dactylic dimeter : Cánnon to right of them . | -Tennyson . A form similar to this , with accents much modified , is found in several well - known poems : as Drayton's " Agincourt ...
19 ÆäÀÌÁö
... seen in their most exact and regular forms . But it is by no means necessary that they should be limited to these . Much of the charm of verse would be lost by this strict uniformity . In all languages , and especially in English , a ...
... seen in their most exact and regular forms . But it is by no means necessary that they should be limited to these . Much of the charm of verse would be lost by this strict uniformity . In all languages , and especially in English , a ...
21 ÆäÀÌÁö
... seen that the rhythmic effect may be . sustained , with a great number of variations in the prevailing unit of rhythm . The movement , in English , is very free , and- consists mainly in keeping up a succession of equal time- intervals ...
... seen that the rhythmic effect may be . sustained , with a great number of variations in the prevailing unit of rhythm . The movement , in English , is very free , and- consists mainly in keeping up a succession of equal time- intervals ...
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accent and emphasis accented syllable added syllable ¨¡neid alliteration Amphibrach Amphimacer anacrusis Anap©¡stic ănd ballade beginning blank verse Browning Byron c©¡sural pause called chant royal chapter Chaucer Coleridge consists consonants couplet dactylic hexameter dárk déep dimeter ELISION end of lines END-STOPPED English verse expression extra syllable feet flow following examples foot form of verse fourth give heptameter iambic pentameter Iambic trimeter iambus language length light lóng Longfellow lyric Márch marked measure metre Milton monometer naturally night o'er occur omitted ONOMATOPOEIA pínes poem poet poetry Pope prose pyrrhic quantity regular intervals rhyme order rhythm and metre rhythmic effect Róll séa seen sentence Shakespeare sing slurred sometimes song speech spondee stanza sweet Swinburne táles Téll Tennyson tetrameter thě thee third line thou tone-color tones Trochaic trochee unaccented syllables unit of rhythm usually variety Villanelle voice vowel words Wordsworth
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42 ÆäÀÌÁö - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
41 ÆäÀÌÁö - IT is a beauteous evening, calm and free; The holy time is quiet as a nun Breathless with adoration...
40 ÆäÀÌÁö - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
67 ÆäÀÌÁö - COURAGE!' he said, and pointed toward the land, 'This mounting wave will roll us shoreward soon.' In the afternoon they came unto a land In which it seemed always afternoon. All round the coast the languid air did swoon, Breathing like one that hath a weary dream.
73 ÆäÀÌÁö - Hast thou a charm to stay the morning-star In his steep course? So long he seems to pause On thy bald awful head, O sovran Blanc! The Arve and Arveiron at thy base Rave ceaselessly; but thou, most awful Form! Risest from forth thy silent sea of pines, How silently! Around thee and above Deep is the air and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity!
37 ÆäÀÌÁö - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
97 ÆäÀÌÁö - Had fed the feeling of their masters' light; thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit; If these had made one poem's period...
59 ÆäÀÌÁö - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labors, and the words move slow. Not so when swift Camilla scours the plain, Flies o'er the unbending corn, and skims along the main. Hear how Timotheus...
134 ÆäÀÌÁö - In the days of childhood, Fling round my cradle Their magic spells. On this I ponder Where'er I wander, And thus grow fonder, Sweet Cork, of thee ; With thy bells of Shandon, That sound so grand on The pleasant waters Of the river Lee.
27 ÆäÀÌÁö - KNOW ye the land where the cypress and myrtle Are emblems of deeds that are done in their clime? Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime...