The Works of Samuel Johnson, 9±ÇNichols, 1816 |
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13 ÆäÀÌÁö
... beauties of Flowers in va- rious measures ; and the fifth and sixth , the uses of Trees , in heroic numbers . At the same time were produced , from the same University , the two great poets , Cowley and Milton , of dissimilar genius ...
... beauties of Flowers in va- rious measures ; and the fifth and sixth , the uses of Trees , in heroic numbers . At the same time were produced , from the same University , the two great poets , Cowley and Milton , of dissimilar genius ...
43 ÆäÀÌÁö
... beauties which common authors may justly think not only above their attainment , but above their ambition . To the Miscellanies succeed the Anacreontiques , or paraphrastical translations of some little poems , which pass , however ...
... beauties which common authors may justly think not only above their attainment , but above their ambition . To the Miscellanies succeed the Anacreontiques , or paraphrastical translations of some little poems , which pass , however ...
44 ÆäÀÌÁö
... beauties and faults , and nearly in the same propor- tion . They are written with exuberance of wit , and with copiousness of learning ; and it is truly as- serted by Sprat , that the plenitude of the writer's knowledge flows in upon ...
... beauties and faults , and nearly in the same propor- tion . They are written with exuberance of wit , and with copiousness of learning ; and it is truly as- serted by Sprat , that the plenitude of the writer's knowledge flows in upon ...
50 ÆäÀÌÁö
... beauties and faults of Cowley : Omnibus mundi Dominator horis Aptat urgendas per inane pennas , Pars adhuc nido latet , & futuros Crescit in annos . Cowley , whatever was his subject , seems to have been carried , by a kind of destiny ...
... beauties and faults of Cowley : Omnibus mundi Dominator horis Aptat urgendas per inane pennas , Pars adhuc nido latet , & futuros Crescit in annos . Cowley , whatever was his subject , seems to have been carried , by a kind of destiny ...
58 ÆäÀÌÁö
... beauties ' deepest red ; An harmless flatt'ring meteor shone for hair , And fell adown his shoulders with loose care ; He cuts out a silk mantle from the skies , Where the most sprightly azure pleas'd the eyes ; This he with starry ...
... beauties ' deepest red ; An harmless flatt'ring meteor shone for hair , And fell adown his shoulders with loose care ; He cuts out a silk mantle from the skies , Where the most sprightly azure pleas'd the eyes ; This he with starry ...
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Absalom and Achitophel admired ¨¡neid afterwards appears beauties blank verse censure character Charles Charles Dryden composition Comus considered Cowley criticism death defend delight Denham diction dramatick Dryden Duke Earl elegance English epick excellence fancy favour friends genius Heaven heroick honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind King known labour Lady language Latin learning lines Lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained Parliament passions performance perhaps perusal Philips Pindar play pleasure poem poet poetical poetry pounds praise preface produced publick published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
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91 ÆäÀÌÁö - ... that by labour and intent study, which I take to be my portion in- this life, joined with the strong propensity of nature, I might perhaps leave something so written to after-times, as they should not willingly let it die.
77 ÆäÀÌÁö - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
382 ÆäÀÌÁö - DEYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
413 ÆäÀÌÁö - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
150 ÆäÀÌÁö - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
257 ÆäÀÌÁö - There needs no more be said to extol the excellence and power of his wit, and pleasantness of his conversation, than that it was of magnitude enough to cover a world of very great faults; that is, so to cover them, that they were not taken notice of to his reproach; viz.
169 ÆäÀÌÁö - The want* of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation ; we desert / our master, and seek for companions.
433 ÆäÀÌÁö - I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran.
150 ÆäÀÌÁö - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and jEolus, with a long train of mythological imagery, such as a college easily supplies. Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping ; and how one god asks another god what has become of Lycidas, and how neither god can. tell. He who thus grieves will excite...
75 ÆäÀÌÁö - But whither am I stray'd ? I need not raise Trophies to thee from other men's dispraise : Nor is thy fame on lesser ruins built, Nor needs thy juster title the foul guilt Of Eastern kings, who, to secure their reign, Must have their brothers, sons, and kindred slain.