The Works of Samuel Johnson, 9±ÇNichols, 1816 |
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7 ÆäÀÌÁö
... praises beauty which he never saw ; complains of jealousy which he never felt ; supposes himself some- times invited , and sometimes forsaken ; fatigues his fancy , and ransacks his memory , for images which may exhibit the gaiety of ...
... praises beauty which he never saw ; complains of jealousy which he never felt ; supposes himself some- times invited , and sometimes forsaken ; fatigues his fancy , and ransacks his memory , for images which may exhibit the gaiety of ...
15 ÆäÀÌÁö
... , ' tis thought , a rebuke , Unless he had done some notable folly : Writ verses unjustly in praise of Sam Tuke , Or printed his pitiful Melancholy . His vehement desire of retirement now came again upon him COWLEY . 15.
... , ' tis thought , a rebuke , Unless he had done some notable folly : Writ verses unjustly in praise of Sam Tuke , Or printed his pitiful Melancholy . His vehement desire of retirement now came again upon him COWLEY . 15.
18 ÆäÀÌÁö
... praise may safely be credited , as it has never been contradicted by envy or by faction . Such are the remarks and memorials which I have been able to add to the narrative of Dr. Sprat ; who , writing when the feuds of the civil war ...
... praise may safely be credited , as it has never been contradicted by envy or by faction . Such are the remarks and memorials which I have been able to add to the narrative of Dr. Sprat ; who , writing when the feuds of the civil war ...
34 ÆäÀÌÁö
... praise which are often gained by those who think less , but are more diligent to adorn their thoughts . That a Mistress beloved is fairer in idea than in reality , is by Cowley thus expressed : Thou in my fancy dost much higher stand ...
... praise which are often gained by those who think less , but are more diligent to adorn their thoughts . That a Mistress beloved is fairer in idea than in reality , is by Cowley thus expressed : Thou in my fancy dost much higher stand ...
44 ÆäÀÌÁö
... praise or censure . They have all the same beauties and faults , and nearly in the same propor- tion . They are ... praises are too far sought , and too hyperbolical , either to express love , or to excite it ; every stanza is crowded ...
... praise or censure . They have all the same beauties and faults , and nearly in the same propor- tion . They are ... praises are too far sought , and too hyperbolical , either to express love , or to excite it ; every stanza is crowded ...
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Absalom and Achitophel admired ¨¡neid afterwards appears beauties blank verse censure character Charles Charles Dryden composition Comus considered Cowley criticism death defend delight Denham diction dramatick Dryden Duke Earl elegance English epick excellence fancy favour friends genius Heaven heroick honour hope Hudibras images imagination imitation Jacob Tonson John Dryden Juvenal kind King known labour Lady language Latin learning lines Lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers opinion Paradise Lost Paradise Regained Parliament passions performance perhaps perusal Philips Pindar play pleasure poem poet poetical poetry pounds praise preface produced publick published racters reader reason relates remarks reputation rhyme satire says seems sent sentiments shew sometimes Sprat style supposed thee thing thou thought tion tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
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91 ÆäÀÌÁö - ... that by labour and intent study, which I take to be my portion in- this life, joined with the strong propensity of nature, I might perhaps leave something so written to after-times, as they should not willingly let it die.
77 ÆäÀÌÁö - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
382 ÆäÀÌÁö - DEYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
413 ÆäÀÌÁö - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
150 ÆäÀÌÁö - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
257 ÆäÀÌÁö - There needs no more be said to extol the excellence and power of his wit, and pleasantness of his conversation, than that it was of magnitude enough to cover a world of very great faults; that is, so to cover them, that they were not taken notice of to his reproach; viz.
169 ÆäÀÌÁö - The want* of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation ; we desert / our master, and seek for companions.
433 ÆäÀÌÁö - I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran.
150 ÆäÀÌÁö - Among the flocks and copses and flowers appear the heathen deities, Jove and Phoebus, Neptune and jEolus, with a long train of mythological imagery, such as a college easily supplies. Nothing can less display knowledge, or less exercise invention, than to tell how a shepherd has lost his companion, and must now feed his flocks alone, without any judge of his skill in piping ; and how one god asks another god what has become of Lycidas, and how neither god can. tell. He who thus grieves will excite...
75 ÆäÀÌÁö - But whither am I stray'd ? I need not raise Trophies to thee from other men's dispraise : Nor is thy fame on lesser ruins built, Nor needs thy juster title the foul guilt Of Eastern kings, who, to secure their reign, Must have their brothers, sons, and kindred slain.