The Italian

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Penguin, 2000. 5. 25. - 504페이지
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe s position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

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LibraryThing Review

사용자 리뷰  - JBD1 - LibraryThing

This one of Radcliffe's I didn't enjoy as much as the others by her that I've read; I found myself unintentionally skimming at times, which very rarely happens when I read. I found the plot mostly unsurprising and the characters fairly boring. 전체 리뷰 읽기

LibraryThing Review

사용자 리뷰  - LGandT - LibraryThing

I wanted to like this book, it wasn't bad just so boring. The imagery was excellent, loved that part, but the plot it just took so long to move along. Ended up abandoning it. I can see how later works reflect this, but it just wasn't for me. I found my mind wandering to other novels. 전체 리뷰 읽기

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THE ITALIAN
1
NOTES
479
CONTEMPORARY REVIEWS
492

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저자 정보 (2000)

Ann Radcliffe was born in 1764, the daughter of a London tradesman. In 1786 she married William Radcliffe, later the manager of The English Chronicle. She set her first novel, The Castles of Athlin and Dunbayne (1789), in Scotland, and it received little critical or public attention. Using more exotic locations in Europe, notably the 'sublime' landscapes of the Alps and Pyrenees, she wrote four more novels within ten years: A Sicilian Romance (1790), The Romance of the Forest (1791), The Mysteries of Udolfo (1794) and The Italian (1797), as well as a volume of descriptions of her travels in Holland, Germany and the Lake District.

The success of The Romance of the Forest established Radcliffe as the leading exponent of the historical Gothic Romance. Her later novels met with even greater attention, and produced many imitators (and, famously, Jane Austen's burlesque of The Romance of the Forest in Northanger Abbey), and influenced the work of Sir Walter Scott and Mary Wollstonecraft.

The Italian was the last book she published in her lifetime; a novel, Gaston de Blondeville, and St. Albans Abbey: A Metrical Tale were published posthumously. Despite the sensational nature of her romances and their enormous success, Radcliffe and her husband lived quietly—she made only one foreign journey and barely glimpsed the Alps that she wrote about so vividly. She died in 1823 from respiratory problems probably caused by pneumonia.

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