The Works of Shakespeare ... |
µµ¼ º»¹®¿¡¼
39°³ÀÇ °á°ú Áß 1 - 5°³
vii ÆäÀÌÁö
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
viii ÆäÀÌÁö
The third edition ( Q 3 ) is the second part of The Whole Contention , without separate title - page . It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the ...
The third edition ( Q 3 ) is the second part of The Whole Contention , without separate title - page . It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the ...
x ÆäÀÌÁö
In both those passages the germ is in First Contention at the place . There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It suggests Marlowe ...
In both those passages the germ is in First Contention at the place . There is no suggestion of another hand . The little hall - mark of antiquity , " come let's go , " I. ii . 54 Q , occurs again at V. iii . 19 Q. It suggests Marlowe ...
xi ÆäÀÌÁö
Line 71 ( " The flower of Europe " ) is found in The First Contention but was omitted in 2 Henry VI . There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) .
Line 71 ( " The flower of Europe " ) is found in The First Contention but was omitted in 2 Henry VI . There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) .
xii ÆäÀÌÁö
They are in First Contention , but not in present Q. The " thirsty sword " here ( Q ) is in Peele's Edward I. There Act II . Scene v . This scene is doubled in length . is little omission of what Q contains , but several ...
They are in First Contention , but not in present Q. The " thirsty sword " here ( Q ) is in Peele's Edward I. There Act II . Scene v . This scene is doubled in length . is little omission of what Q contains , but several ...
´Ù¸¥ »ç¶÷µéÀÇ ÀÇ°ß - ¼Æò ¾²±â
¼ÆòÀ» ãÀ» ¼ö ¾ø½À´Ï´Ù.
±âŸ ÃâÆÇº» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
Àαâ Àο뱸
66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.