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xiii ÆäÀÌÁö
The closing word " possession " is similarly pronounced in King John . At II . vi . 33 the words in Q , " That now towards Barwicke doth poste amaine , " are omitted ; they have been used in scene v . 128 in the final play . Act III .
The closing word " possession " is similarly pronounced in King John . At II . vi . 33 the words in Q , " That now towards Barwicke doth poste amaine , " are omitted ; they have been used in scene v . 128 in the final play . Act III .
xv ÆäÀÌÁö
A sug- gestion in defence of the untrue statement ( 81-82 ) of John of Gaunt's having " subdued the greater part of Spain " is made . There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved ...
A sug- gestion in defence of the untrue statement ( 81-82 ) of John of Gaunt's having " subdued the greater part of Spain " is made . There is nothing in this scene suggestive of any other hand . Shakespeare came to it with improved ...
xxiv ÆäÀÌÁö
Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play . 1. iv . 136. As opposite . . . as the south to the Septentrion . Soliman and Perseda , III . iv .
Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play . 1. iv . 136. As opposite . . . as the south to the Septentrion . Soliman and Perseda , III . iv .
xlv ÆäÀÌÁö
256 ; True Tragedy ( at 3 Henry VI . II . iii . 5 ) . And King John . knit one's brows . 2 Henry VI . 1. ii . 3 ; True Tragedy ; 3 Henry VI . II . ii . 20. And in Lucrece . fallen at jars , live at jar , at a KING HENRY THE SIXTH xlv.
256 ; True Tragedy ( at 3 Henry VI . II . iii . 5 ) . And King John . knit one's brows . 2 Henry VI . 1. ii . 3 ; True Tragedy ; 3 Henry VI . II . ii . 20. And in Lucrece . fallen at jars , live at jar , at a KING HENRY THE SIXTH xlv.
xlvi ÆäÀÌÁö
And King John and Twelfth Night . steel thy thoughts . 2 Henry VI .  . i . 331 ; True Tragedy ( at 3 Henry VI . II . ii . 41 ) ( " steel the heart " occurs often and later ) . ... you that love me . . . are the friends of . . . follow ...
And King John and Twelfth Night . steel thy thoughts . 2 Henry VI .  . i . 331 ; True Tragedy ( at 3 Henry VI . II . ii . 41 ) ( " steel the heart " occurs often and later ) . ... you that love me . . . are the friends of . . . follow ...
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.