The Works of Shakespeare ... |
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ix ÆäÀÌÁö
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
In The True Tragedy I see a little of Marlowe , less of Greene , more of Peele and much more of Shakespeare . And in the final play there is yet more of Shakespeare and yet less of the others . Whatever may have been the original plan ...
x ÆäÀÌÁö
... where the Spenserian " thrice- happy " ( Peele's ) is omitted from the final play . The two great speeches of Margaret and York are very slightly altered , both undoubtedly Shakespeare's . Margaret recalls again The First Contention ...
... where the Spenserian " thrice- happy " ( Peele's ) is omitted from the final play . The two great speeches of Margaret and York are very slightly altered , both undoubtedly Shakespeare's . Margaret recalls again The First Contention ...
xi ÆäÀÌÁö
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
There are echoes of Marlowe ( " racking clouds , " 27 ) , and of Peele ( " latest gasp , " 108 , " soul's prison , " 74 ) . All in both texts . Richard's character shows further development in both plays ( 79-88 ) .
xii ÆäÀÌÁö
Note the parallel " clamor " ( V. ii . 44 ) to " clangor " here ( 18 ) . An interesting omission is " to remunerate , " which becomes " rewards " ( 52 ) . It is often used by Peele , but never by Shake- speare in a sure place ...
Note the parallel " clamor " ( V. ii . 44 ) to " clangor " here ( 18 ) . An interesting omission is " to remunerate , " which becomes " rewards " ( 52 ) . It is often used by Peele , but never by Shake- speare in a sure place ...
xiii ÆäÀÌÁö
Act II . Scene vi . Very lightly altered and hardly extended . Some of Peele's expressions appear , as " effuse of blood " ( 28 ) , " unstanched thirst " ( 83 ) , and the " people swarm " ( at 8 ) , occurring also below IV . ii .
Act II . Scene vi . Very lightly altered and hardly extended . Some of Peele's expressions appear , as " effuse of blood " ( 28 ) , " unstanched thirst " ( 83 ) , and the " people swarm " ( at 8 ) , occurring also below IV . ii .
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.