The Works of Shakespeare ... |
µµ¼ º»¹®¿¡¼
100°³ÀÇ °á°ú Áß 1 - 5°³
vii ÆäÀÌÁö
... of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in 1595 with this title : The true tragedie of Richard | Duke of Yorke , and the death of ...
... of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in 1595 with this title : The true tragedie of Richard | Duke of Yorke , and the death of ...
viii ÆäÀÌÁö
It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the | Sixt . | The date of this edition is not in the original , but was proved by Capell ( see Preface ...
It has a head - page title : The Second Part | Containing the Tragedie of | Richard Duke of Yorke , and the good King Henrie the | Sixt . | The date of this edition is not in the original , but was proved by Capell ( see Preface ...
x ÆäÀÌÁö
About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( I. ii . 26-34 ) . Two lines in this speech are captured from Q below ( at II . i . 81 ) , lines which have already done duty in 2 ...
About fifteen lines are added to Q. Richard's character begins to develop in the most important addition ( I. ii . 26-34 ) . Two lines in this speech are captured from Q below ( at II . i . 81 ) , lines which have already done duty in 2 ...
xi ÆäÀÌÁö
Richard's character shows further development in both plays ( 79-88 ) . Warwick , always all Shakespeare's , is scarcely altered . Versification and harmony are conscientiously looked after . In the matter of number- ing the troops ...
Richard's character shows further development in both plays ( 79-88 ) . Warwick , always all Shakespeare's , is scarcely altered . Versification and harmony are conscientiously looked after . In the matter of number- ing the troops ...
xii ÆäÀÌÁö
It is also a foil speech of Henry against Richard's soliloquy Needless to say it is entirely by Shakespeare . later on ( III . ii . ) . " " It is noticeable that the " mastless ship xii THE THIRD PART OF.
It is also a foil speech of Henry against Richard's soliloquy Needless to say it is entirely by Shakespeare . later on ( III . ii . ) . " " It is noticeable that the " mastless ship xii THE THIRD PART OF.
´Ù¸¥ »ç¶÷µéÀÇ ÀÇ°ß - ¼Æò ¾²±â
¼ÆòÀ» ãÀ» ¼ö ¾ø½À´Ï´Ù.
±âŸ ÃâÆÇº» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
Àαâ Àο뱸
66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.