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xiv ÆäÀÌÁö
Note The Spanish Tragedy passage at 33- 35 , and the standard phrase of " in Christendom " ( 83 ) . Also the manipulation of the following line ( 84 ) , which is repeated later on ( IV . vi . 71 ) and caused a little trouble .
Note The Spanish Tragedy passage at 33- 35 , and the standard phrase of " in Christendom " ( 83 ) . Also the manipulation of the following line ( 84 ) , which is repeated later on ( IV . vi . 71 ) and caused a little trouble .
xv ÆäÀÌÁö
The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act IV . Scene iii . The Watchmen episode , suggested per- haps by The Spanish Tragedy ( III ...
The addition made to Warwick's speech may be due to Peele . Sometimes Holinshed's example might have suggested the classical interpolations . Act IV . Scene iii . The Watchmen episode , suggested per- haps by The Spanish Tragedy ( III ...
xvi ÆäÀÌÁö
haps by The Spanish Tragedy ( III . iii . 16-45 ) adds twenty - two lines , and a neat bit of stage work . Warwick's speech is resumed at " This is his tent " ( 25 ) , where the insertion was made , and he is allotted a few more lines ...
haps by The Spanish Tragedy ( III . iii . 16-45 ) adds twenty - two lines , and a neat bit of stage work . Warwick's speech is resumed at " This is his tent " ( 25 ) , where the insertion was made , and he is allotted a few more lines ...
xx ÆäÀÌÁö
A line , " spark of life " ( 66 ) , is almost verbatim in The Spanish Tragedy . Several hints seem to have been taken from Golding's Ovid . Another passage ( 61-62 ) , ¡° Aspiring blood of Lancaster . . . mounted " has been advanced in ...
A line , " spark of life " ( 66 ) , is almost verbatim in The Spanish Tragedy . Several hints seem to have been taken from Golding's Ovid . Another passage ( 61-62 ) , ¡° Aspiring blood of Lancaster . . . mounted " has been advanced in ...
xxiii ÆäÀÌÁö
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
I have , in Introduction to Part II . , given an assemblage of expressions from The Spanish Tragedy that are met with in Parts I. , II . and III . , as well as in Contention and True Tragedie . The examination there made suggests that ...
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.