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ix ÆäÀÌÁö
The Peele resemblances at " main battle " ( I. i . 8 ) , at " unpeople this my realm " ( I. i . 126 ) , and at ¡° ground gape , and swallow " ( I. i . 161 ) are common to both plays . The changes are mostly in order to obtain metrical ...
The Peele resemblances at " main battle " ( I. i . 8 ) , at " unpeople this my realm " ( I. i . 126 ) , and at ¡° ground gape , and swallow " ( I. i . 161 ) are common to both plays . The changes are mostly in order to obtain metrical ...
xii ÆäÀÌÁö
It is a device to give the feeling of time elapsing while the battle rages , which the soldier ( father and son ) episodes serve to make more real . It is also a foil speech of Henry against Richard's soliloquy Needless to say it is ...
It is a device to give the feeling of time elapsing while the battle rages , which the soldier ( father and son ) episodes serve to make more real . It is also a foil speech of Henry against Richard's soliloquy Needless to say it is ...
xxii ÆäÀÌÁö
The historic period here dramatised commences on the day of the battle of St. Albans , 23rd May , 1455 , and ends on the day on which Henry VI.'s body was exposed in St. Paul's , 22nd May , 1471 . Queen Margaret , however , was not ...
The historic period here dramatised commences on the day of the battle of St. Albans , 23rd May , 1455 , and ends on the day on which Henry VI.'s body was exposed in St. Paul's , 22nd May , 1471 . Queen Margaret , however , was not ...
xxiv ÆäÀÌÁö
Spoken like a toward prince ( keen for battle ) . Soliman and Perseda , 1. iv . 35-36 : " Tis wondrous that so yong a toward warriour Should bide the shock of such approoved knights . " In Q. In Tambur- laine . II . v . 5 ( in Q ) .
Spoken like a toward prince ( keen for battle ) . Soliman and Perseda , 1. iv . 35-36 : " Tis wondrous that so yong a toward warriour Should bide the shock of such approoved knights . " In Q. In Tambur- laine . II . v . 5 ( in Q ) .
xxx ÆäÀÌÁö
... is worse in its unreality than anything in either play - or in any play . And Tamburlaine himself is more abominable , but did anyone ever pen a better line de- scriptive of the " thunder of ordnance " in battle XXX THE THIRD PART OF.
... is worse in its unreality than anything in either play - or in any play . And Tamburlaine himself is more abominable , but did anyone ever pen a better line de- scriptive of the " thunder of ordnance " in battle XXX THE THIRD PART OF.
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arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
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66 ÆäÀÌÁö - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
95 ÆäÀÌÁö - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
165 ÆäÀÌÁö - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.